1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-3
  4. DOI: 10.1353/amu.2017.0000
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  1. Rethinking Iemoto: Theorizing Individual Agency in the Tsugaru Shamisen Oyama-ryū
  2. Keisuke Yamada
  3. pp. 28-57
  4. DOI: 10.1353/amu.2017.0002
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  1. Across Borders and Genres in Malaysia and Thailand: The Changgong Rhythm of the Andaman Sea Coast
  2. Lawrence N. Ross
  3. pp. 58-84
  4. DOI: 10.1353/amu.2017.0003
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  1. A Long Tail in the Digital Age: Music Commerce and the Mobile Platform in India
  2. Gregory D. Booth
  3. pp. 85-113
  4. DOI: 10.1353/amu.2017.0004
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  1. More Than Bollywood: Studies in Indian Popular Music ed. by Gregory D. Booth, Bradley Shope (review)
  2. Stéphane Dorin
  3. pp. 114-117
  4. DOI: 10.1353/amu.2017.0005
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  1. The Songs of Khayal by Nicolas Magriel (review)
  2. Joep Bor, Jane Harvey
  3. pp. 117-120
  4. DOI: 10.1353/amu.2017.0006
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  1. Embodied Communities: Dance Traditions and Change in Java by Felicia Hughes-Freeland (review)
  2. Kendra Stepputat
  3. pp. 124-128
  4. DOI: 10.1353/amu.2017.0008
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  1. Songs from the Edge of Japan: Music-Making in Yaeyama and Okinawa by Matt Gillan (review)
  2. Bruno Deschênes
  3. pp. 128-131
  4. DOI: 10.1353/amu.2017.0009
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  1. Composing Japanese Musical Modernity by Bonnie C. Wade (review)
  2. W. Anthony Sheppard
  3. pp. 132-134
  4. DOI: 10.1353/amu.2017.0010
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  1. Besktekâr III. Selim Hân/Composer Sultan Selim Khan III by Ayangil Tϋrk Mϋziği Orkestra ve Korosu Solistleri (review)
  2. Leslie R. Hall
  3. pp. 139-143
  4. DOI: 10.1353/amu.2017.0012
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  1. Longing for the Past: The 78 rpm Era in Southeast Asia by David Murray (review)
  2. Philip Yampolsky
  3. pp. 144-148
  4. DOI: 10.1353/amu.2017.0013
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  1. About the Contributors
  2. pp. 149-151
  3. DOI: 10.1353/amu.2017.0014
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