Volume 48, Number 1, Winter/Spring 2017

Table of Contents

From the Editor

pp. 1-3
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Gagaku in Place and Practice: A Philosophical Inquiry into the Place of Japanese Imperial Court Music in Contemporary Culture

pp. 4-27
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Rethinking Iemoto: Theorizing Individual Agency in the Tsugaru Shamisen Oyama-ryū

pp. 28-57
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Across Borders and Genres in Malaysia and Thailand: The Changgong Rhythm of the Andaman Sea Coast

pp. 58-84
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A Long Tail in the Digital Age: Music Commerce and the Mobile Platform in India

pp. 85-113
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Reviews

Book Reviews

More Than Bollywood: Studies in Indian Popular Music ed. by Gregory D. Booth, Bradley Shope (review)

pp. 114-117
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The Songs of Khayal by Nicolas Magriel (review)

pp. 117-120
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Sounding Out Heritage: Cultural Politics and the Social Practice of Quan Họ Folk Song in Northern Vietnam by Lauren Meeker (review)

pp. 121-124
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Embodied Communities: Dance Traditions and Change in Java by Felicia Hughes-Freeland (review)

pp. 124-128
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Songs from the Edge of Japan: Music-Making in Yaeyama and Okinawa by Matt Gillan (review)

pp. 128-131
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Composing Japanese Musical Modernity by Bonnie C. Wade (review)

pp. 132-134
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Recording Reviews

Kulintang: Gong Music from Mindanao in the Southern Philippines (2011, 23 minutes) and Maranao Culture at Home and in the Diaspora (2012, 33 minutes) (review)

pp. 135-139
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Besktekâr III. Selim Hân/Composer Sultan Selim Khan III by Ayangil Tϋrk Mϋziği Orkestra ve Korosu Solistleri (review)

pp. 139-143
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Multimedia Review Essay

Longing for the Past: The 78 rpm Era in Southeast Asia by David Murray (review)

pp. 144-148
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About the Contributors

pp. 149-151
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