1. Rewriting Clarissa: Alternative Endings by Lady Echlin, Lady Bradshaigh, and Samuel Richardson
  2. Peter Sabor
  3. pp. 131-150
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  1. Sexual Remembrance in Clarissa
  2. Kathleen Lubey
  3. pp. 151-178
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  1. Pamela, Part ii: Richardson’s Trial by Theatre
  2. Bethany Wong
  3. pp. 179-199
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  1. Catherine Talbot Translates Samuel Richardson: Bridging Social Networks and Media Cultures in the Mid-Eighteenth Century
  2. Betty A. Schellenberg
  3. pp. 201-220
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  1. Richardson, Celebrity, and Editorial Mediation in Anna Meades’s Sir William Harrington
  2. Teri Doerksen
  3. pp. 221-240
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  1. Popular Fiction after Richardson
  2. Bonnie Latimer
  3. pp. 241-260
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  1. Editing Richardson by Tug-of-War: Anna Letitia Barbauld and Richard Phillips in 1804
  2. William McCarthy
  3. pp. 263-276
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  1. Print, Proximity, and the Marketing of Richard Phillips: Mediating Richardson
  2. Sören Hammerschmidt
  3. pp. 277-316
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  1. Afterword
  2. Thomas Keymer
  3. pp. 317-325
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  1. What Is Fiction For? Literary Humanism Restored by Bernard Harrison (review)
  2. Sarah Vandegrift Eldridge
  3. pp. 327-330
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  1. The Afterlives of Eighteenth-Century Fiction ed. by Daniel Cook, Nicholas Seager (review)
  2. Jacob Sider Jost
  3. pp. 331-333
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  1. The Rise of the Novel: A Reader’s Guide to Essential Criticism by Nicholas Seager (review)
  2. George Boulukos
  3. pp. 334-336
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  1. Against Self-Reliance: The Arts of Dependence in the Early United States by William Huntting Howell (review)
  2. Katie Simon
  3. pp. 336-339
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  1. L’Opéra mental: Formes et enjeux de l’écriture du spectacle chez Jean-Jacques Rousseau by Amélie Tissoires (review)
  2. Claude Dauphin
  3. pp. 339-341
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  1. The Masqueraders, or Fatal Curiosity and The Surprize, or Constancy Rewarded by Eliza Haywood (review)
  2. Earla Wilputte
  3. pp. 342-344
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  1. Mediation, Authorship, and Samuel Richardson: An Introduction
  2. Louise Curran, Sören Hammerschmidt
  3. pp. 121-129
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