restricted access   Volume 29, Number 2, Winter 2016-17

Table of Contents

Mediating Richardson

Special Issue Editors: Louise Curran and Sören Hammerschmidt

Mediation, Authorship, and Samuel Richardson: An Introduction

pp. 121-129

Rewriting Clarissa: Alternative Endings by Lady Echlin, Lady Bradshaigh, and Samuel Richardson

pp. 131-150

Sexual Remembrance in Clarissa

pp. 151-178

Pamela, Part ii: Richardson’s Trial by Theatre

pp. 179-199

Catherine Talbot Translates Samuel Richardson: Bridging Social Networks and Media Cultures in the Mid-Eighteenth Century

pp. 201-220

Richardson, Celebrity, and Editorial Mediation in Anna Meades’s Sir William Harrington

pp. 221-240

Popular Fiction after Richardson

pp. 241-260

Editing Richardson by Tug-of-War: Anna Letitia Barbauld and Richard Phillips in 1804

pp. 263-276

Print, Proximity, and the Marketing of Richard Phillips: Mediating Richardson

pp. 277-316


pp. 317-325

What Is Fiction For? Literary Humanism Restored by Bernard Harrison (review)

pp. 327-330

The Afterlives of Eighteenth-Century Fiction ed. by Daniel Cook, Nicholas Seager (review)

pp. 331-333

The Rise of the Novel: A Reader’s Guide to Essential Criticism by Nicholas Seager (review)

pp. 334-336

Against Self-Reliance: The Arts of Dependence in the Early United States by William Huntting Howell (review)

pp. 336-339

L’Opéra mental: Formes et enjeux de l’écriture du spectacle chez Jean-Jacques Rousseau by Amélie Tissoires (review)

pp. 339-341

The Masqueraders, or Fatal Curiosity and The Surprize, or Constancy Rewarded by Eliza Haywood (review)

pp. 342-344