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In this Issue

Table of Contents

  1. Lend Me Your Ears! Sound and Reception
  2. Nicolas Collins
  3. pp. 1-2
  4. restricted access
  1. Loudspeaker Listening: Tabula Rasa or Augmented Reality
  2. David Prior
  3. pp. 3-6
  4. restricted access
  1. Listen to the Absent: Binaural Inquiry in Auditive Spatial Perception
  2. Jeroen de Vos
  3. pp. 7-9
  4. restricted access
  1. Let Me Whisper in Your Earbud: Curating Sound for Ubiquitous Tiny Speakers
  2. Miriama Young
  3. pp. 10-13
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  1. Some Principles of Visual Design for Computer Music
  2. Ge Wang
  3. pp. 14-19
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  1. Music Listening Activities in the Digital Age: An Act of Cultural Participation through Adequate Music
  2. Raphaël Nowak
  3. pp. 20-23
  4. restricted access
  1. From Music to Big Music: Listening in the Age of Big Data
  2. Marinos Koutsomichalis
  3. pp. 24-27
  4. restricted access
  1. Listening to the Promise of a Better You: Considering the Instructional Record
  2. Tim J. Anderson
  3. pp. 28-31
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  1. Hearing Music with the Ears of a Composer
  2. Maura Bosch
  3. pp. 32-34
  4. restricted access
  1. Distributed Listening in Electroacoustic Improvisation
  2. Doug van Nort
  3. pp. 35-38
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  1. Sonic Art as Critique of the Listening Act
  2. Camille Robinson
  3. pp. 39-43
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  1. Ear Training, Solfège and Sound Education
  2. Cathy L. Cox
  3. pp. 44-47
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  1. Listening to Listening Machines: On Contemporary Sonic Media Critique
  2. A. Vandsø
  3. pp. 48-52
  4. restricted access
  1. Lo-fi Listening as Active Reception
  2. Elizabeth Newton
  3. pp. 53-55
  4. restricted access
  1. Average Is the New Loudest
  2. Johannes Mulder
  3. pp. 56-59
  4. restricted access
  1. The Thing about Microphones
  2. Mark Peter Wright
  3. pp. 60-63
  4. restricted access
  1. Unsound Sound: On the Ontology of Sound in the Digital Age
  2. Martin Knakkergaard
  3. pp. 64-67
  4. restricted access
  1. A Temporal Basis for Acousmatic Rhythm
  2. James Andean
  3. pp. 68-70
  4. restricted access
  1. The Cowboy Junkies Realism Test
  2. Paul David Aikenhead
  3. pp. 71-72
  4. restricted access
  1. The Listening Laboratory: On Playful Practice and Listening Machines
  2. Abby Aresty
  3. pp. 72-73
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  1. Wiring The Ear: Instrumentality and Aural Primacy in and after David Tudor’s Unstable Circuits
  2. Mat Dalgleish
  3. pp. 73-74
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  1. From You to Me and Back Again: Interdependent Listening and the Relational Aesthetics of Sound
  2. Julian Day
  3. pp. 74-76
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  1. The Happy Valley Band: Creative (Mis)Transcription
  2. David Kant
  3. pp. 76-78
  4. restricted access
  1. Teaching Cage’s “Silent Piece”
  2. James Wierzbicki
  3. pp. 78-79
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  1. Soundmaps as iDocs? : Modes of Interactivity for Storytelling with Sound
  2. Claudia Holanda, Pedro Rebelo, André Paz
  3. pp. 80-82
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  1. Listening in the Rose Garden
  2. Hugh Livingston
  3. pp. 83-86
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  1. Skirmish at the Oasis: On Sonic Disobedience
  2. Michael Nardone
  3. pp. 92-96
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  1. Stuart Marshall’s Idiophonics
  2. Peter Todd
  3. pp. 97-99
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  1. LMJ26 Audio Tracklist
  3. p. 100
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  1. Sonic Commentary: All Ears
  2. Bill Bahng Boyer
  3. p. 101
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  1. Leonardo Volume 49 and Leonardo Music Journal Volume 26
  3. pp. 107-111
  4. restricted access
  1. Leonardo Network News
  3. pp. 112-113
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  1. Wolf Listeners: An Introduction to the Acoustemological Politics and Poetics of Isle Royale National Park
  2. Erik DeLuca
  3. pp. 87-90
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  1. Sonic Commentary:: All Ears Contributors’ Notes
  3. pp. 102-106
  4. restricted access

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Volume 25, 2015

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Volume 27, 2017