restricted access   Volume 70, Number 2, Fall 2016

Table of Contents


Reel Indigenous Women’s Lives: Female Protagonists in Films by Indigenous Women

pp. 133-149

“Abolishing Aesthetics”: Gestus in Brecht’s Arturo Ui

pp. 150-174

Bridging Feminist Waves: Wendy Delorme’s Insurrections! En territoire sexuel

pp. 175-196


El Quijote liberal y otros papeles cervantinos by Fredo Arias de la Canal (review)

pp. 197-199

First Words. On Dostoevsky’s Introductions by Lewis Bagby (review)

pp. 199-202

Marie Antoinette’s Head: The Royal Hairdresser, the Queen, and the Revolution by Will Bashor (review)

pp. 202-203

Contemporary Hispanic Poets: Cultural Production in the Global and Digital Age by John Burns (review)

pp. 203-206

The Highwayman and An Obvious Fact by Craig Johnson (review)

pp. 206-209

The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice and Motion by Christopher Lupke (review)

pp. 209-213

Despertad al diplodocus by José Antonio Marina (review)

pp. 213-215

The Wild Truth by Carine McCandless (review)

pp. 215-216

Screening Neoliberalism: Transforming Mexican Cinema by Ignacio M. Sánchez Prado (review)

pp. 217-219

Radical Chicana Poetics by Ricardo F. Vivancos Pérez (review)

pp. 220-222

The Middle Ages in Popular Culture: Medievalism and Genre by Helen Young (review)

pp. 222-224


p. 225