1. Reel Indigenous Women’s Lives: Female Protagonists in Films by Indigenous Women
  2. Laura L. Beadling
  3. pp. 133-149
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  1. “Abolishing Aesthetics”: Gestus in Brecht’s Arturo Ui
  2. Nozomi Irei
  3. pp. 150-174
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  1. Bridging Feminist Waves: Wendy Delorme’s Insurrections! En territoire sexuel
  2. Michèle A. Schaal
  3. pp. 175-196
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  1. El Quijote liberal y otros papeles cervantinos by Fredo Arias de la Canal (review)
  2. Efraín E. Garza
  3. pp. 197-199
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  1. Marie Antoinette’s Head: The Royal Hairdresser, the Queen, and the Revolution by Will Bashor (review)
  2. Lorie Sauble-Otto
  3. pp. 202-203
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  1. Contemporary Hispanic Poets: Cultural Production in the Global and Digital Age by John Burns (review)
  2. Joy Landeira
  3. pp. 203-206
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  1. The Highwayman and An Obvious Fact by Craig Johnson (review)
  2. Ricardo Landeira
  3. pp. 206-209
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  1. The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice and Motion by Christopher Lupke (review)
  2. Paul Manfred
  3. pp. 209-213
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  1. Despertad al diplodocus by José Antonio Marina (review)
  2. Elia Romera Figueroa
  3. pp. 213-215
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  1. The Wild Truth by Carine McCandless (review)
  2. Cassandra (Bishop) Stephens
  3. pp. 215-216
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  1. Screening Neoliberalism: Transforming Mexican Cinema by Ignacio M. Sánchez Prado (review)
  2. Jennie I. Daniels
  3. pp. 217-219
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  1. Radical Chicana Poetics by Ricardo F. Vivancos Pérez (review)
  2. Rachel Spaulding, Sarah Spoon
  3. pp. 220-222
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  1. The Middle Ages in Popular Culture: Medievalism and Genre by Helen Young (review)
  2. Albrecht Classen
  3. pp. 222-224
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  1. First Words. On Dostoevsky’s Introductions by Lewis Bagby (review)
  2. Tatyana Novikov
  3. pp. 199-202
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  1. Contributors
  2. p. 225
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