1. How to Make a Heterosexual Romance Queer: Anna Marsden’s Experiment and the Limits of Sexual/Gendered Inversion
  2. Laura Chilcoat
  3. pp. 131-151
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  1. Ford Madox Ford’s The Good Soldier as Detective Story: Is Dowell a Murderer?
  2. Amy Griswold
  3. pp. 152-166
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  1. Bart Kennedy: Hater of Slavery, Tramp and Professor of Walking
  2. H. Gustav Klaus
  3. pp. 167-184
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  1. The Problem of Sex in J. M. Barrie’s Fiction
  2. Sarah Green
  3. pp. 185-209
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  1. Dowson’s “Cynara” and the English Alexandrine: A Study of Form in Context
  2. A. T. Wong
  3. pp. 210-234
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  1. Holmes the Great Detective
  2. Christopher Metress
  3. pp. 235-239
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  1. Aestheticism & Secularization
  2. Kit Andrews
  3. pp. 239-243
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  1. Wilde & Paris
  2. Adrian Frazier
  3. pp. 243-245
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  1. The Fin-de-Siècle Periodical Press
  2. William J. Scheick
  3. pp. 245-247
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  1. New Journalism & New Imperialism
  2. Tanya Agathocleous
  3. pp. 247-249
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  1. The Player Piano & Edwardian Novel
  2. Gemma M. Moss
  3. pp. 249-253
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  1. Green Modernism & the Ecocritical
  2. Mara Scanlon
  3. pp. 253-257
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  1. Russia, Britain & Modernism
  2. Thomas Hitchner
  3. pp. 257-260
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  1. Ecology & Finnegans Wake
  2. Tim Conley
  3. pp. 261-264
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