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In this Issue

Table of Contents

Articles

  1. Introduction: Entering the Movie Theater
  2. Haidee Wasson
  3. pp. v-xi
  4. DOI: https://doi.org/10.2979/filmhistory.28.3.01
  5. restricted access
  1. “For the Amusement of the Shutins”: The Vicissitudes of Film Viewing in Prison
  2. Alison Griffiths
  3. pp. 1-23
  4. DOI: https://doi.org/10.2979/filmhistory.28.3.02
  5. restricted access
  1. Women’s Hats and Silent Film Spectatorship: Between Ostrich Plume and Moving Image
  2. Maggie Hennefeld
  3. pp. 24-53
  4. DOI: https://doi.org/10.2979/filmhistory.28.3.03
  5. restricted access
  1. “Death by Fright”: Risk, Consent, and Evidentiary Objects in William Castle’s Rigged Houses
  2. Catherine Clepper
  3. pp. 54-84
  4. DOI: https://doi.org/10.2979/filmhistory.28.3.04
  5. restricted access
  1. Smoke and Mirrors: Cigarettes, Cinephilia, and Reverie in the American Movie Theater
  2. Jocelyn Szczepaniak-Gillece
  3. pp. 85-113
  4. DOI: https://doi.org/10.2979/filmhistory.28.3.05
  5. restricted access
  1. “No One Likes to Be a Captive Audience”: Headphones and In-Flight Cinema
  2. Stephen Groening
  3. pp. 114-138
  4. DOI: https://doi.org/10.2979/filmhistory.28.3.06
  5. restricted access
  1. Afterword: Objects in the Theater
  2. Jocelyn Szczepaniak-Gillece, Stephen Groening
  3. pp. 139-142
  4. DOI: https://doi.org/10.2979/filmhistory.28.3.07
  5. restricted access