1. The Postmodern Nineteenth Century: “ Sonnet—To Science” and the Case for Poe’s Avant-Garde Poetics
  2. Derek Pollard
  3. pp. 105-115
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  1. Staging Nothing: The Figure of Das Ding in Poe’s “The Raven”
  2. Sean James Kelly
  3. pp. 116-141
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  1. “Mesmeric Revelation”: Art as Hypnosis
  2. Zane Gillespie
  3. pp. 142-160
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  1. Poe’s Academic Editions in Spain within the First Fifteen Years of the Twenty-First Century
  2. José Manuel Correoso-Rodenas
  3. pp. 161-177
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  1. Trauma and the Uncanny in Edgar Allan Poe’s “Ligeia” and “The Fall of the House of Usher”
  2. Marita Nadal
  3. pp. 178-192
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  1. Strange Nation: Literary Nationalism and Cultural Conflict in the Age of Poe by J. Gerald Kennedy (review)
  2. Travis Montgomery
  3. pp. 193-195
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  1. Borges’s Poe: The Influence and Reinvention of Edgar Allan Poe in Spanish America by Emron Esplin (review)
  2. Whitney S. May
  3. pp. 196-198
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  1. Transatlantic Poe: Eliot, Williams, and Huxley, Readers of the French Poe by Maria Filippakopoulou (review)
  2. Margarida Vale de Gato
  3. pp. 199-203
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  1. A Villainous Question
  2. Jeffrey Savoye
  3. pp. 204-207
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  1. A Few Mesmeric Revelations
  2. Jeffrey Savoye
  3. pp. 208-213
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  1. The Echo of Promises in Poe’s “Bridal Ballad”
  2. Jeffrey Savoye
  3. pp. 214-216
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  1. Poe in Richmond: Revealing Rufus Griswold
  2. Christopher P. Semtner
  3. pp. 217-228
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  1. Poe in Cyberspace: The “Mobile-Friendly” Sites
  2. Heyward Ehrlich
  3. pp. 229-235
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  1. Poe Studies Association Updates
  2. pp. 236-238
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  1. Abstracts for the PSA Panel at MLA 2017
  2. pp. 239-241
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  1. Honorary Membership Citations
  2. Philip Phillips, Richard Kopley
  3. pp. 242-244
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  1. J. Lasley Dameron (1926–2016)
  2. J. Lasley Dameron, Benjamin F. Fisher
  3. pp. 245-246
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  1. From the Editor
  2. Barbara Cantalupo
  3. pp. v-vi
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