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Table of Contents

  1. "White Man's Book No Good": D. W. Griffith and the American Indian
  2. Gregory S. Jay
  3. pp. 3-26
  4. DOI: https://doi.org/10.1353/cj.2000.0016
  5. restricted access
  1. The British Culture Industries and the Mythology of the American Market: Cultural Policy and Cultural Exports in the 1940s and 1990s
  2. Paul Swann
  3. pp. 27-42
  4. DOI: https://doi.org/10.1353/cj.2000.0017
  5. restricted access
  1. Crossing Borders: Time, Memory, and the Construction of Identity in Song of the Exile
  2. Patricia Brett Erens
  3. pp. 43-59
  4. DOI: https://doi.org/10.1353/cj.2000.0015
  5. restricted access
  1. Stanley Kwan's Center Stage: The (Im)possible Engagement between Feminism and Postmodernism
  2. Shuqin Cui
  3. pp. 60-80
  4. DOI: https://doi.org/10.1353/cj.2000.0012
  5. restricted access
  1. Connecting Film/Media Studies to Student Experiences
  2. Ramona Curry
  3. pp. 81-83
  4. DOI: https://doi.org/10.1353/cj.2000.0013
  5. restricted access
  1. Connecting to Film History through Writing
  2. Robin Bates
  3. pp. 83-89
  4. DOI: https://doi.org/10.1353/cj.2000.0011
  5. restricted access
  1. Teaching The Scent of Green Papaya in Saigon: Cinema in International Context
  2. Linda C. Ehrlich
  3. pp. 89-93
  4. DOI: https://doi.org/10.1353/cj.2000.0014
  5. restricted access
  1. Critical Media Studies and the North American Media Literacy Movement
  2. Jim Wehmeyer
  3. pp. 94-101
  4. DOI: https://doi.org/10.1353/cj.2000.0018
  5. restricted access