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In this Issue

Table of Contents

  1. Front Porch
  2. Harry L. Watson
  3. pp. 1-5
  4. DOI: https://doi.org/10.1353/scu.2016.0026
  5. restricted access

Lines Drawn

  1. Lesser-Known 21st-Century Southern Writers
  2. Daniel Wallace
  3. pp. 6-13
  4. DOI: https://doi.org/10.1353/scu.2016.0027
  5. restricted access
  1. Reading 21st-Century Southern Fiction
  2. Patrick E. Horn
  3. pp. 14-19
  4. DOI: https://doi.org/10.1353/scu.2016.0028
  5. restricted access

Fiction

  1. Dreadful Crash
  2. Robert Gipe
  3. pp. 20-39
  4. DOI: https://doi.org/10.1353/scu.2016.0029
  5. restricted access
  1. Mrs. DeVry, Why Do You Cry?
  2. Julia Ridley Smith
  3. pp. 40-46
  4. DOI: https://doi.org/10.1353/scu.2016.0030
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Special Insert: Roundtable

Fiction

  1. Oretha
  2. Crystal Wilkinson
  3. pp. 47-56
  4. DOI: https://doi.org/10.1353/scu.2016.0032
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  1. The Girl Who Went Away
  2. Minrose Gwin
  3. pp. 57-61
  4. DOI: https://doi.org/10.1353/scu.2016.0025
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  1. Sipsipica
  2. Mesha Maren
  3. pp. 62-71
  4. DOI: https://doi.org/10.1353/scu.2016.0033
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  1. So Bored in Nashville
  2. Odie Lindsey
  3. pp. 72-76
  4. DOI: https://doi.org/10.1353/scu.2016.0034
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  1. Romanticizing the Rough South: Contemporary Cultural Nakedness and the Rise of Grit Lit
  2. Zackary Vernon
  3. pp. 77-94
  4. DOI: https://doi.org/10.1353/scu.2016.0035
  5. restricted access
  1. “Queer Rednecks”: Padgett Powell’s Manly South
  2. John Moran
  3. pp. 95-122
  4. DOI: https://doi.org/10.1353/scu.2016.0036
  5. restricted access
  1. “One of Us”: Monique Truong’s Bitter in the Mouth and the Twenty-First-Century Southern Novel
  2. Justin Mellette
  3. pp. 123-134
  4. DOI: https://doi.org/10.1353/scu.2016.0037
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Mason–Dixon Lines

  1. Call
  2. Atsuro Riley
  3. p. 135
  4. DOI: https://doi.org/10.1353/scu.2016.0038
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  1. Artist’s Statement
  2. Jeffrey Dell
  3. p. 136
  4. DOI: https://doi.org/10.1353/scu.2016.0039
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  1. Contributors
  2. pp. 137-138
  3. DOI: https://doi.org/10.1353/scu.2016.0040
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