1. Lawful Espials?: Edward Snowden’s Hamlet
  2. Paul Rae
  3. pp. 335-355
  4. DOI: 10.1353/tj.2016.0070
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  1. Missing in Action: Embodied Experience and Virtual Reality
  2. Sita Popat
  3. pp. 357-378
  4. DOI: 10.1353/tj.2016.0071
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  1. Convergence and Contingency: The Early Media Work of Reid Farrington
  2. Steve Luber
  3. pp. 405-426
  4. DOI: 10.1353/tj.2016.0073
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  1. Postdigital Performance
  2. Matthew Causey
  3. pp. 427-441
  4. DOI: 10.1353/tj.2016.0074
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  1. Germinal by Halory Goerger and Antoine Defoort, and: Yesterday Tomorrow by Annie Dorsen (review)
  2. Kyle Gillette
  3. pp. 443-446
  4. DOI: 10.1353/tj.2016.0075
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  1. The Extra People by Ant Hampton (review)
  2. Rachel Anderson-Rabern
  3. pp. 446-448
  4. DOI: 10.1353/tj.2016.0076
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  1. The Room by Harold Pinter (review)
  2. Sarah Kozinn
  3. pp. 448-450
  4. DOI: 10.1353/tj.2016.0077
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  1. At the End of My Hands by Equal Voices Arts (review)
  2. Alys Moody
  3. pp. 450-453
  4. DOI: 10.1353/tj.2016.0078
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  1. God Bless Baseball by Toshiki Okada (review)
  2. Soo Ryon Yoon
  3. pp. 453-454
  4. DOI: 10.1353/tj.2016.0079
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  1. Ameryka dir. by Nancy Keystone (review)
  2. Karen Jean Martinson
  3. pp. 454-456
  4. DOI: 10.1353/tj.2016.0080
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  1. Hamilton: An American Musical dir. by Thomas Kail (review)
  2. Shannon Walsh
  3. pp. 457-459
  4. DOI: 10.1353/tj.2016.0081
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  1. Eclipsed by Danai Gurira (review)
  2. Katherine Jean Nigh
  3. pp. 459-461
  4. DOI: 10.1353/tj.2016.0082
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  1. A Sudden Spontaneous Event by David Lee Nelson (review)
  2. Vivian Appler
  3. pp. 461-463
  4. DOI: 10.1353/tj.2016.0083
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  1. Pig Girl by Colleen Murphy (review)
  2. Penny Farfan
  3. pp. 463-464
  4. DOI: 10.1353/tj.2016.0084
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  1. The Reenactors by Juliana Francis Kelly (review)
  2. Theresa Smalec
  3. pp. 465-466
  4. DOI: 10.1353/tj.2016.0085
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  1. Waste by Harley Granville Barker (review)
  2. Anna Andes
  3. pp. 466-468
  4. DOI: 10.1353/tj.2016.0086
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  1. The Brothers Karamazov by Fyodor Dostoyevsky (review)
  2. Steve Earnest
  3. pp. 468-469
  4. DOI: 10.1353/tj.2016.0087
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  1. Beyond Borders: Twenty-Eighth Annual Dance Umbrella (review)
  2. Loren Kruger
  3. pp. 470-472
  4. DOI: 10.1353/tj.2016.0088
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  1. The Political Trajectories of Contemporary Irish Performance
  2. Brian Singleton
  3. pp. 473-481
  4. DOI: 10.1353/tj.2016.0089
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  1. Voice and New Writing, 1997–2007: Articulating the Demos by Maggie Inchley (review)
  2. David Ian Rabey
  3. pp. 483-484
  4. DOI: 10.1353/tj.2016.0090
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  1. The Theatre of Caryl Churchill by R. Darren Gobert (review)
  2. Benjamin Gillespie
  3. pp. 484-485
  4. DOI: 10.1353/tj.2016.0091
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  1. The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes by Anne García-Romero (review)
  2. Trevor Boffone
  3. pp. 485-486
  4. DOI: 10.1353/tj.2016.0092
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  1. Food and Theatre on the World Stage ed. by Dorothy Chansky and Ann Folino White (review)
  2. Sarah Blissett
  3. pp. 488-489
  4. DOI: 10.1353/tj.2016.0094
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  1. Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre by Dorothy Chansky (review)
  2. Kim Solga
  3. pp. 489-490
  4. DOI: 10.1353/tj.2016.0095
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  1. Rooms in Dramatic Realism by Fred Miller Robinson (review)
  2. Nevena Stojanovic
  3. pp. 490-492
  4. DOI: 10.1353/tj.2016.0096
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  1. Ibsen’s Houses: Architectural Metaphor and the Modern Uncanny by Mark B. Sandberg (review)
  2. Penny Farfan
  3. pp. 492-493
  4. DOI: 10.1353/tj.2016.0097
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  1. On the Performance Front: Us Theatre and Internationalism by Charlotte M. Canning (review)
  2. Ann Folino White
  3. pp. 493-494
  4. DOI: 10.1353/tj.2016.0098
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  1. Childhood and Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors by Shauna Vey (review)
  2. Jeanne Klein
  3. pp. 496-497
  4. DOI: 10.1353/tj.2016.0100
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  1. In Praise of Theatre by Alain Badiou and Nicolas Truong (review)
  2. Zachary Tavlin
  3. pp. 498-499
  4. DOI: 10.1353/tj.2016.0101
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  1. Editorial Comment
  2. Jen Parker-Starbuck
  3. pp. xi-xiv
  4. DOI: 10.1353/tj.2016.0069
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