1. Sarah Butler’s Irish Tales, a Jacobite Romance
  2. Lucy Cogan
  3. pp. 1-22
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  1. Louis Sébastien Mercier et l’esthétique de la force: Passion, virilité et violence amoureuse
  2. Geneviève Boucher
  3. pp. 23-44
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  1. “He looked quite red”: Persuasion and Austen’s New Man of Feeling
  2. Taylor Walle
  3. pp. 45-66
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  1. The Pleasures of “the World”: Rewriting Epistolarity in Burney, Edgeworth, and Austen
  2. Rachael Scarborough King
  3. pp. 67-89
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  1. Reflections: Confessions of a Late-Blooming Theory-Head
  2. Evan Gottlieb
  3. pp. 91-101
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  1. English and British Fiction 1750–1820 (vol. 2, The Oxford History of the Novel in English) ed. by Peter Garside and Karen O’Brien (review)
  2. Marta Kvande
  3. pp. 103-106
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  1. An Empire of Air and Water: Uncolonizable Space in the British Imagination, 1750–1850 by Siobhan Carroll (review)
  2. Christopher Parkes
  3. pp. 106-108
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  1. Political Magic: British Fictions of Savagery and Sovereignty, 1650–1750 by Christopher F. Loar (review)
  2. Elizabeth Kraft
  3. pp. 108-111
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  1. British Pirates in Print and Performance by Frederick Burwick and Manushag N. Powell (review)
  2. Jacob Crane
  3. pp. 111-113
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  1. Jane Austen and Modernization: Sociological Readings by James Thompson (review)
  2. Megan Taylor
  3. pp. 114-116
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  1. Œuvres complètes de Bernardin de Saint-Pierre, romans et contes ed. by Jean-Michel Racault et al. (review)
  2. Marco Menin
  3. pp. 116-119
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