Volume 49, Number 3, Fall 2016

Table of Contents

AAR Roundtable

Considering Between the World and Me; or, The Sins of Omission and Commission

Everybody’s Protest Narrative: Between the World and Me and the Limits of Genre

pp. 179-183
|

Ceding the Future

pp. 183-191
|

How Fresh and New is the Case Coates Makes?

pp. 192-196
|

The Remarkable Reception of Ta-Nehisi Coates

pp. 196-204
|

Articles

Black Movement Impolitic: Soundies, Regulation, and Black Pleasure

pp. 205-226
|

“The Deliberate Introduction of Beauty and Pleasure”: Femininity and Black Feminist Pragmatism in Jessie Redmon Fauset’s Plum Bun

pp. 227-240
|

Black Canadian Contexts: The Case of Amelia E. Johnson

pp. 241-259
|

Octavia E. Butler’s Response to Black Arts/Black Power Literature and Rhetoric in Kindred

pp. 261-275
|

Poetry

the crazy lady

p. 277
|

Thalamus Brown, and: Hippocampal Lash

p. 278
|

Fiction

The Swiss Mother Eve

pp. 279-284
|

Book Reviews

East Meets Black: Asian and Black Masculinities in the Post-Civil Rights Era by Chong Chon-Smith (review)

pp. 285-286
|

Black Print Unbound: The Christian Recorder, African American Literature, and Periodical Culture by Eric Gardner (review)

pp. 286-289
|

Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era by Ellen C. Scott (review)

pp. 289-291
|

The Ethnic Avant-Garde: Minority Cultures and World Revolution by Steven S. Lee (review)

pp. 291-293
|

The New Abolition: W. E. B. Du Bois and the Black Social Gospel by Gary Dorrien (review)

pp. 293-294
|

Contributors

pp. 295-296
|