1. Modernism and Antimodernism at Harvard: James Laughlin’s Early Poetry
  2. Greg Barnhisel
  3. pp. 1-21
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  1. Going “wicked & away”: Writing Dream Songs in the Age of Fellowships
  2. Ben Rogerson
  3. pp. 22-40
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  1. Mindless Pleasures: Playlists, Unemployment, and Thomas Pynchon’s Inherent Vice
  2. Nick Levey
  3. pp. 41-56
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  1. Translating in the Margins: Attending to Glossaries in Latina/o Literature
  2. Allison Fagan
  3. pp. 57-75
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  1. How Not to Re-read Novels: The Critical Value of First Reading
  2. Michaela Bronstein
  3. pp. 76-94
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  1. Explanation in Composition: Gertrude Stein and the Contingency of Inductive Reasoning
  2. Johanna Winant
  3. pp. 95-113
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  1. Finding Your Own Detours as a Means for Good Reading: Good Read Hunting
  2. Colleen M. Kropp
  3. pp. 114-116
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  1. Eliot, All in Prose
  2. Don James McLaughlin
  3. pp. 117-122
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  1. They Must Be Re(pre)sented: Archiving Nuyorican Poetry’s “Diasporous” Bodies
  2. Michael Dowdy
  3. pp. 141-153
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  1. Theory: The Mourning After
  2. Christian Moraru
  3. pp. 154-162
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  1. Digital Modernism as Method: Recent Publications in Digital Humanities
  2. Shawna Ross
  3. pp. 163-182
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  1. Neoliberalism and the Institution of Modern Literature
  2. Daniel T. O’Hara
  3. pp. 183-188
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  1. Editor’s Introduction: Archives and Alchemical Wills
  2. Robert L. Caserio
  3. pp. v-vi
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