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  1. Cartas apologéticas that Cracked the Espelho crítico: Gertrudes Margarida de Jesus and Enlightenment Proto-feminism in Portugal
  2. Zak K. Montgomery
  3. pp. 175-186
  4. DOI: https://doi.org/10.1353/rmc.2016.0022
  5. restricted access
  1. Milton Hatoum’s Amazon Theater: Unsettling an Icon
  2. Sophia Beal
  3. pp. 187-198
  4. DOI: https://doi.org/10.1353/rmc.2016.0023
  5. restricted access
  1. On the Castelnuovo-Tedesco Version of Platero y yo
  2. Raymond Skyrme
  3. pp. 199-212
  4. DOI: https://doi.org/10.1353/rmc.2016.0024
  5. restricted access
  1. Especulaciones sobre “Amigo enemigo,” de Antonio di Benedetto
  2. Franklin Rodríguez
  3. pp. 213-224
  4. DOI: https://doi.org/10.1353/rmc.2016.0025
  5. restricted access
  1. Severo Sarduy on Galileo, Kepler, Borromini, and the Coded Language of the Anamorphic Image
  2. Rolando Pérez
  3. pp. 225-233
  4. DOI: https://doi.org/10.1353/rmc.2016.0026
  5. restricted access
  1. Los animales humanizados, la animalización humana y la memoria histórica ecológica en La tortuga de Darwin de Juan Mayorga
  2. Alison Guzmán
  3. pp. 235-244
  4. DOI: https://doi.org/10.1353/rmc.2016.0027
  5. restricted access
  1. El repertorio de la violencia: Memoria, bandolerismo y guerra interna en Luis Bandolero Luis de Walter Ventosilla
  2. Javier García Liendo
  3. pp. 245-255
  4. DOI: https://doi.org/10.1353/rmc.2016.0028
  5. restricted access
  1. El tiempo entre costuras: Colonial Nostalgia in the European Cultural Economy
  2. Adolfo Campoy-Cubillo
  3. pp. 257-267
  4. DOI: https://doi.org/10.1353/rmc.2016.0029
  5. restricted access
  1. Onomastic Deviations and Metaliterary Consequences in the Gascon Extravagant
  2. Melinda A. Cro
  3. pp. 269-280
  4. DOI: https://doi.org/10.1353/rmc.2016.0030
  5. restricted access
  1. Therese Bentzon’s American “Other” in New Orleans: Constructing Frenchness and Femininity in Louisiana at the Turn of the Twentieth Century
  2. Rachel Williams
  3. pp. 281-292
  4. DOI: https://doi.org/10.1353/rmc.2016.0031
  5. restricted access
  1. Institutionalized Bodies and “Emerging” Literatures: Reconfiguring Confinement in the Works of Déwé Gorodé and Claudine Jacques
  2. Julia L. Frengs
  3. pp. 293-303
  4. DOI: https://doi.org/10.1353/rmc.2016.0032
  5. restricted access
  1. Évoluée or Intégrée: Black and Beur Publishing Practices in Contemporary Metropolitan French Women Writing
  2. Claire Mouflard
  3. pp. 305-320
  4. DOI: https://doi.org/10.1353/rmc.2016.0033
  5. restricted access
  1. Ebola: Réalités et Contexte Littéraire
  2. Karim Simpore
  3. pp. 321-331
  4. DOI: https://doi.org/10.1353/rmc.2016.0034
  5. restricted access
  1. Le Jeu et la Jouissance: Pour un “Troisième Temps” du Théâtre
  2. Jean-Claude Vuillemin
  3. pp. 333-344
  4. DOI: https://doi.org/10.1353/rmc.2016.0035
  5. restricted access
  1. Scylleum Mare: Una nota su Igino e Isidoro nel De Montibus di Giovanni Boccaccio
  2. Elsa Filosa
  3. pp. 345-352
  4. DOI: https://doi.org/10.1353/rmc.2016.0036
  5. restricted access
  1. Dante in the Hands of a Modernist Glutton. Notes on C.E. Gadda’s Narrative Deformations of the Comedy
  2. Mathijs Duyck
  3. pp. 353-366
  4. DOI: https://doi.org/10.1353/rmc.2016.0037
  5. restricted access