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In this Issue

Table of Contents

  1. “A harp in the hallway”: Edna O’Brien and Jewish-Irish Whiteness in Zuckerman Unbound
  2. Dan O’Brien
  3. pp. 5-23
  4. DOI: https://doi.org/10.1353/prs.2016.a629730
  5. restricted access
  1. Philip Roth’s Chekhovian Formula: Suicide and Art in The Humbling and The Seagull
  2. Maren Scheurer
  3. pp. 25-46
  4. DOI: https://doi.org/10.5703/philrothstud.12.2.0025
  5. restricted access
  1. “Tragedy wrought to its uttermost”: Philip Roth’s Sabbath’s Theater and the Art of Dying
  2. Joel Diggory
  3. pp. 47-69
  4. DOI: https://doi.org/10.5703/philrothstud.12.2.0047
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  1. “Juice or Gravy?”: —Philosophies of Composition by Roth, Poe, and Sartre
  2. James Duban
  3. pp. 71-82
  4. DOI: https://doi.org/10.5703/philrothstud.12.2.0071
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  1. A Late Adventure of the Feelings: Eulogizing Male Intimacy in I Married a Communist and The Human Stain
  2. Michael Kalisch
  3. pp. 83-96
  4. DOI: https://doi.org/10.5703/philrothstud.12.2.0083
  5. restricted access
  1. The Edinburgh Companion to Modern Jewish Fiction ed. by David Brauner and Axel Stähler (review)
  2. Roberta Klimt
  3. pp. 97-99
  4. restricted access
  1. Political Initiation in the Novels of Philip Roth by Claudia Franziska Brühwiler (review)
  2. Mike Witcombe
  3. pp. 99-102
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  1. American Unexceptionalism: The Everyman and the Suburban Novel after 9/11 by Kathy Knapp (review)
  2. Melissa Schuh
  3. pp. 102-105
  4. restricted access
  1. Diasporas of the Mind: Jewish and Postcolonial Writing and the Nightmare of History by Bryan Cheyette (review)
  2. Henry Schwarz
  3. pp. 105-109
  4. restricted access
  1. Annual Bibliography of Philip Roth Criticism and Resources—2015
  2. Mike Witcombe
  3. pp. 111-113
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  1. Abbreviations
  3. p. 4
  4. DOI: https://doi.org/10.1353/prs.2016.a630888
  5. restricted access
  1. Contributors
  3. pp. 115-116
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