1. Music, Meditation, and Martyrdom in a Seventeenth-Century English Seminary
  2. Andrew Cichy
  3. pp. 205-220
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  1. Handel, Walsh, and the Publication of ‘Messiah’
  2. Donald Burrows
  3. pp. 221-248
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  1. Beethoven within Grasp: The Nineteenth-Century Reception of ‘Adelaide’
  2. Jennifer Ronyak
  3. pp. 249-276
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  1. Francis Poulenc’s ‘Dialogues des Carmélites’: Faith, Ideology, Love
  2. Steven Huebner
  3. pp. 277-315
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  1. ‘Furchtlos Weiter’: Stockhausen’s Written Legacy
  2. Paul V. Miller
  3. pp. 316-326
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  1. Music and Riddle Culture in the Renaissance by Katelijne Schiltz (review)
  2. Jason Stoessel
  3. pp. 327-329
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  1. Motets and Anthems by Richard Dering (review)
  2. Peter Leech
  3. pp. 329-332
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  1. Johann Mattheson’s Pièces de clavecin and Das neu-eröffnete Orchestre by Margaret Seares (review)
  2. John McKean
  3. pp. 332-333
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  1. Mozart Studies 2 ed. by Simon P. Keefe (review)
  2. David Schroeder
  3. pp. 333-335
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  1. Beethoven’s Theatrical Quartets: Opp. 59, 74, and 95 by Nancy November (review)
  2. Stephen Rumph
  3. pp. 335-337
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  1. Schubert’s Beethoven Project by John M. Gingerich (review)
  2. Anne M. Hyland
  3. pp. 337-340
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  1. The Player Piano and the Edwardian Novel by Cecilia Björkén-Nyberg, and: Music in the Georgian Novel by Pierre Dubois (review)
  2. Lawrence Woof
  3. pp. 340-344
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  1. Women and the Nineteenth-Century Lied ed. by Aisling Kenny and Susan Wollenberg (review)
  2. Marcia J. Citron
  3. pp. 344-347
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  1. Michael Costa: England’s First Conductor. The Revolution in Musical Performance in England, 1830–1880 by John Goulden (review)
  2. Peter Holman
  3. pp. 347-349
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  1. Liszt’s Final Decade by Dolores Pesce (review)
  2. Joanne Cormac
  3. pp. 349-351
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  1. The Operas of Giuseppe Verdi by Abramo Basevi (review)
  2. Chloe Valenti
  3. pp. 353-355
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  1. Bizet by Hugh Macdonald, and: The Bizet Catalogue by Hugh Macdonald (review)
  2. Clair Rowden
  3. pp. 355-356
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  1. Camille Saint-Saëns et le politique de 1870 à 1921: Le drapeau et la lyre by Stéphane Leteuré (review)
  2. Sabina Teller Ratner
  3. pp. 356-358
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  1. The Music of Frank Bridge by Fabian Huss (review)
  2. Ben Earle
  3. pp. 358-360
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  1. Music behind Barbed Wire. A Diary of Summer 1940 by Hans Gál (review)
  2. Florian Scheding
  3. pp. 360-362
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  1. Musical Witness and Holocaust Representation by Amy Lynn Wlodarski (review)
  2. Nick Strimple
  3. pp. 362-364
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  1. Classical Music in the German Democratic Republic: Production and Reception ed. by Kyle Frackman and Larson Powell (review)
  2. Elaine Kelly
  3. pp. 364-366
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  1. Claude Vivier: A Composer’s Life by Bob Gilmore (review)
  2. Jonathan Goldman
  3. pp. 373-375
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  1. Korea and the Western Drumset: Scattering Rhythms by Simon Barker (review)
  2. Shzr Ee Tan
  3. pp. 375-376
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  1. ‘Music & Letters’ Awards
  2. p. 379
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  1. Authors of Articles in this Issue
  2. p. 379
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  1. Books Received
  2. pp. 380-382
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