1. Mirror, Mirror, on the Wall: The Mirror Effect in Jean Anouilh’s Le voyageur sans bagage
  2. Hope Christiansen
  3. pp. 267-284
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  1. Meta-Melodrama: Branden Jacobs-Jenkins Appropriates Dion Boucicault’s The Octoroon
  2. Verna A. Foster
  3. pp. 285-305
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  1. Compromised Epistemologies: The Ethics of Historiographic Metatheatre in Tom Stoppard’s Travesties and Arcadia
  2. Phillip Zapkin
  3. pp. 306-326
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  1. Broken Glass: Fifty Years Forward to the Past
  2. Terry Otten
  3. pp. 327-342
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  1. Freedom as Praxis: Migdalia Cruz’s Fur and the Emancipation of Caliban’s Woman
  2. Armando García
  3. pp. 343-362
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  1. Uncanny Repetitions in Lillian Hellman’s The Children’s Hour
  2. Neil Cocks
  3. pp. 363-379
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  1. Playing God: The Bible on the Broadway Stage by Henry Bial (review)
  2. Rebecca Kastleman
  3. pp. 380-382
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  1. British Drama of the Industrial Revolution by Frederick Burwick (review)
  2. Alex Eric Hernandez
  3. pp. 382-385
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  1. Sharon Pollock: First Woman of Canadian Theatre ed. by Donna Coates (review)
  2. Rosalind Kerr
  3. pp. 385-387
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  1. Contemporary Black British Playwrights: Margins to Mainstream by Lynette Goddard (review)
  2. Nicola Abram
  3. pp. 387-390
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  1. Radical Contemporary Theatre Practices by Women in Ireland eds. by Miriam Haughton and Mária Kurdi (review)
  2. Elizabeth Mannion
  3. pp. 390-393
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  1. After Live: Possibility, Potentiality, and the Future of Performance by Daniel Sack (review)
  2. Jennifer Parker-Starbuck
  3. pp. 393-396
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  1. Ibsen’s Houses: Architectural Metaphor and the Modern Uncanny by Mark B. Sandberg (review)
  2. Sos Eltis
  3. pp. 396-398
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  1. Editor’s Note
  2. p. iv
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