restricted access   Volume 60, Number 3, Fall 2016 (T231)

Table of Contents


Who Knows

pp. 2-3

TDR Comment

Artaud and the Pentagon’s “Save the Sperm and Eggs” Program

pp. 8-9


Masquerade for the Wounded

pp. 10-38


Storytellers: The Factory’s Dramaturgy

pp. 39-63

Circling Up with The Assembly: A Theatre Collective Comes of Age

pp. 64-95

The Decision Dilemma: Academic Freedom in the Age of Monsanto

pp. 96-109

Team Vicious: Four Sections and a Coda, or #BlackLivesMatter

pp. 110-135

Interoperable Performance Research: Promises and Perils of the Semantic Web

pp. 136-147

Invisibility and Oscillation: The Processes of Looking in Eszter Salamon’s Nvsbl

pp. 148-159

Critical Acts

Message Send Failure: Site-Unspecificity in Plant Theater’s Dreams of Riley’s Friends; or, Why Won’t Riley Respond to My Texts?

pp. 160-165

The Audience Is the Message: Blast Theory’s App-Drama Karen

pp. 165-171

Abstractions of Whiteness in Downtown Los Angeles: Ate9’s Kelev Lavan

pp. 171-177


Mapping South Asia through Contemporary Theatre: Essays on the Theatres of India, Pakistan, Bangladesh, Nepal and Sri Lanka ed. by Ashis Sengupta (review)

pp. 178-180

Theatre of the Real by Carol Martin (review)

pp. 180-182

What a Body Can Do: Technique as Knowledge, Practice as Research by Ben Spatz (review)

pp. 182-184

Learning How to Fall: Art and Culture after September 11 by T. Nikki Cesare Schotzko (review)

pp. 185-186

Justice Performed: Courtroom TV Shows and The Theaters of Popular Law by Sarah Kozinn (review)

pp. 186-188

Political Performance in Syria: From the Six-Day War to the Syrian Uprising by Edward Ziter (review)

pp. 188-190

More Books

Theatre of Dreams, Theatre of Play: Nō & Kyōgen in Japan ed. by Khanh Trinh, and: Evita, Inevitably: Performing Argentina’s Female Icons Before and After Eva Perón by Jean Graham-Jones, and: The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics by Liang Luo (review)

pp. 190-191