1. Who Knows
  2. Tim Etchells
  3. pp. 2-3
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  1. Artaud and the Pentagon’s “Save the Sperm and Eggs” Program
  2. Joel Schechter
  3. pp. 8-9
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  1. Masquerade for the Wounded
  2. Koffi Kwahulé, Judith G. Miller
  3. pp. 10-38
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  1. Storytellers: The Factory’s Dramaturgy
  2. Katalin Trencsényi
  3. pp. 39-63
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  1. Circling Up with The Assembly: A Theatre Collective Comes of Age
  2. Cindy Rosenthal
  3. pp. 64-95
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  1. The Decision Dilemma: Academic Freedom in the Age of Monsanto
  2. Diana Taylor
  3. pp. 96-109
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  1. Team Vicious: Four Sections and a Coda, or #BlackLivesMatter
  2. Michael J. Morris
  3. pp. 110-135
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  1. Interoperable Performance Research: Promises and Perils of the Semantic Web
  2. Miguel Escobar Varela
  3. pp. 136-147
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  1. Invisibility and Oscillation: The Processes of Looking in Eszter Salamon’s Nvsbl
  2. Victoria Pérez Royo
  3. pp. 148-159
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  1. The Audience Is the Message: Blast Theory’s App-Drama Karen
  2. Erin B. Mee
  3. pp. 165-171
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  1. Abstractions of Whiteness in Downtown Los Angeles: Ate9’s Kelev Lavan
  2. Meghan Quinlan
  3. pp. 171-177
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  1. Theatre of the Real by Carol Martin (review)
  2. Alisa Solomon
  3. pp. 180-182
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  1. What a Body Can Do: Technique as Knowledge, Practice as Research by Ben Spatz (review)
  2. Phillip Zarrilli
  3. pp. 182-184
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  1. Learning How to Fall: Art and Culture after September 11 by T. Nikki Cesare Schotzko (review)
  2. Patrick McKelvey
  3. pp. 185-186
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  1. Justice Performed: Courtroom TV Shows and The Theaters of Popular Law by Sarah Kozinn (review)
  2. Michael Asimow
  3. pp. 186-188
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  1. Political Performance in Syria: From the Six-Day War to the Syrian Uprising by Edward Ziter (review)
  2. Rania Jawad
  3. pp. 188-190
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