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  Volume 40, Number 1, April 2016

Table of Contents


Lines to Time: A Poem by V. Penelope Pelizzon

pp. 1-33

Sculpting Ideas: Can Philosophy Be an Art Form?

pp. 34-43

The Crisis of Subjectivity: The Significance of Darstellung and Freedom in E. T. A. Hoffmann’s “The Sandman”

pp. 44-58

Melville and Nietzsche: Living the Death of God

pp. 59-75

The Function of Kant’s Miltonic Citations on a Page of the Opus postumum

pp. 76-97

Joseph Conrad and the Epistemology of Space

pp. 98-123

Symposium: F. R. Leavis: Critic, Teacher, Philosopher


pp. 124-126

Leavisian Thinking

pp. 127-136

Rethinking Leavis

pp. 137-156

Leavis, Tolstoy, Lawrence, and “Ultimate Questions”

pp. 157-170

Creativity and Pedagogy in Leavis

pp. 171-188

Leavis on Tragedy

pp. 189-205

Leavis and Wittgenstein

pp. 206-225

Absolute Pitch and Exquisite Rightness of Tone

pp. 226-239

Wittgenstein and Leavis: Literature and the Enactment of the Ethical

pp. 240-264

Notes and Fragments

Levinas and the Plot against Literature

pp. 265-272

The Myth of Narcissus as a Surreptitious Allegory about Creativity

pp. 273-284

The Idea of the “Good”

pp. 285-296

Wittgenstein’s Remarks on William Shakespeare

pp. 297-308

On The Philosophy of Poetry, ed. John Gibson

pp. 309-314

La Guerra Dei Poveri: A Response to A. J. Nickerson

pp. 315-316


The Cognitive Value of Philosophical Fiction by Jukka Mikkonen (review)

pp. 317-319

Deaths in Venice: The Cases of Gustav von Aschenbach by Philip Kitcher (review)

pp. 320-324

Research Areas


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