1. Lines to Time: A Poem by V. Penelope Pelizzon
  2. M. W. Rowe
  3. pp. 1-33
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  1. Sculpting Ideas: Can Philosophy Be an Art Form?
  2. St. Hope Earl McKenzie
  3. pp. 34-43
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  1. The Crisis of Subjectivity: The Significance of Darstellung and Freedom in E. T. A. Hoffmann’s “The Sandman”
  2. Elizabeth Purcell
  3. pp. 44-58
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  1. Melville and Nietzsche: Living the Death of God
  2. Mark Anderson
  3. pp. 59-75
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  1. The Function of Kant’s Miltonic Citations on a Page of the Opus postumum
  2. Sanford Budick
  3. pp. 76-97
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  1. Joseph Conrad and the Epistemology of Space
  2. John G. Peters
  3. pp. 98-123
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  1. Leavisian Thinking
  2. Ian Robinson
  3. pp. 127-136
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  1. Rethinking Leavis
  2. Chris Joyce
  3. pp. 137-156
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  1. Leavis, Tolstoy, Lawrence, and “Ultimate Questions”
  2. Edward Greenwood
  3. pp. 157-170
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  1. Creativity and Pedagogy in Leavis
  2. Michael Bell
  3. pp. 171-188
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  1. Leavis on Tragedy
  2. Paul Dean
  3. pp. 189-205
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  1. Leavis and Wittgenstein
  2. Bernard Harrison
  3. pp. 206-225
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  1. Absolute Pitch and Exquisite Rightness of Tone
  2. Paul Standish
  3. pp. 226-239
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  1. Wittgenstein and Leavis: Literature and the Enactment of the Ethical
  2. Danièle Moyal-Sharrock
  3. pp. 240-264
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  1. Levinas and the Plot against Literature
  2. Joseph G. Kronick
  3. pp. 265-272
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  1. The Myth of Narcissus as a Surreptitious Allegory about Creativity
  2. Greg Stone
  3. pp. 273-284
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  1. The Idea of the “Good”
  2. John C. Hampsey
  3. pp. 285-296
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  1. Wittgenstein’s Remarks on William Shakespeare
  2. Derek McDougall
  3. pp. 297-308
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  1. On The Philosophy of Poetry, ed. John Gibson
  2. A. J. Nickerson
  3. pp. 309-314
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  1. La Guerra Dei Poveri: A Response to A. J. Nickerson
  2. John Gibson
  3. pp. 315-316
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  1. The Cognitive Value of Philosophical Fiction by Jukka Mikkonen (review)
  2. László Kajtár
  3. pp. 317-319
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  1. Deaths in Venice: The Cases of Gustav von Aschenbach by Philip Kitcher (review)
  2. Iris Vidmar
  3. pp. 320-324
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  1. Introduction
  2. Danièle Moyal-Sharrock
  3. pp. 124-126
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