restricted access   Volume 33, Number 2, Fall 2016

Table of Contents

From the Editor

p. v

In Memoriam

Celebration of Life for James R. Brandon

pp. 259-263

Asep Sunandar Sunarya: Dalang of Wayang Golek Sunda (1955–2014)

pp. 264-269


Timizi nu in (The Bond of Water in Hands): An Early Modern Ryūkyūan Kumi Odori, as Staged by the National Theatre Okinawa

pp. 270-309

TIMIZI NU IN (The Bond of Water in Hands): A Kumi odori attributed to Heshikiya Chōbin

pp. 282-309


Authenticity and Usability, or “Welding the Unweldable”: Meyerhold’s Refraction of Japanese Theatre

pp. 310-346

S. I. Hsiung: New Discourse and Drama in Early Modern Chinese Theatrical Exchange

pp. 347-368

Korean Trojan Women: Performing Wartime Sexual Violence

pp. 369-394

Emerging Scholars

Reorienting the Gaze in Mei Lanfang’s Lyrical Theatre: Performing Female Interiority

pp. 395-419

Color Insert

pp. Color Insert 1-Color Insert 4

Adapting Brecht’s The Good Person of Szechwan: Innovative Chuanju and Yueju in China’s Transition

pp. 420-431

Founders of the Field

Elizabeth Wichmann-Walczak

pp. 432-445

Phillip B. Zarrilli

pp. 446-458

Diane Daugherty

pp. 459-473

Judy Mitoma: Dancing on the Rim of the Pacific

pp. 474-490

Performance Reports and Reviews

Where Rivers Meet

pp. 491-498

Made in Bangladesh (review)

pp. 499-503

Book Reviews


The Metamorphosis of Tianxian Pei: Local Opera Under the Revolution (1946–1956) by Wilt L. Idema (review)

pp. 504-506

Urban Politics and Cultural Capital: The Case of Chinese Opera by Ma Haili (review)

pp. 507-509

The Rise of Cantonese Opera by Wing Chung Ng (review)

pp. 510-512


Acting Up: Gender and Theatre in India, 1979 Onwards by A. Mangai (review)

pp. 513-515


Saraswati in Bali: A Temple, A Museum, and A Mask by Ron Jenkins (review)

pp. 516-517


Wondrous Brutal Fictions: Eight Buddhist Tales from the Early Japanese Puppet Theater trans. by R. Keller Kimbrough (review)

pp. 518-521


The Racial Mundane: Asian American Performance and the Embodied Everyday by Ju Yon Kim (review)

pp. 522-525

Akram Khan: Dancing New Interculturalism by Royona Mitra (review)

pp. 525-528

Performing Asian Transnationalisms: Theatre, Identity, and the Geographies of Performance by Amanda Rogers (review)

pp. 528-531