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In this Issue

Table of Contents

  1. Celebration of Life for James R. Brandon
  2. Elizabeth Wichmann-Walczak
  3. pp. 259-263
  4. DOI: https://doi.org/10.1353/atj.2016.0048
  5. restricted access
  1. Asep Sunandar Sunarya: Dalang of Wayang Golek Sunda (1955–2014)
  2. Arthur S. Nalan
  3. pp. 264-269
  4. DOI: https://doi.org/10.1353/atj.2016.0053
  5. restricted access
  1. Timizi nu in (The Bond of Water in Hands): An Early Modern Ryūkyūan Kumi Odori, as Staged by the National Theatre Okinawa
  2. James Rhys Edwards, James Rhys Edwards, Nakazato Masao
  3. pp. 270-309
  4. DOI: https://doi.org/10.1353/atj.2016.0029
  5. restricted access
  1. TIMIZI NU IN (The Bond of Water in Hands): A Kumi odori attributed to Heshikiya Chōbin
  2. James Rhys Edwards, Nakazato Masao
  3. pp. 282-309
  4. DOI: https://doi.org/10.1353/atj.2016.0055
  5. restricted access
  1. Authenticity and Usability, or “Welding the Unweldable”: Meyerhold’s Refraction of Japanese Theatre
  2. Min Tian
  3. pp. 310-346
  4. DOI: https://doi.org/10.1353/atj.2016.0033
  5. restricted access
  1. S. I. Hsiung: New Discourse and Drama in Early Modern Chinese Theatrical Exchange
  2. Weihong Du
  3. pp. 347-368
  4. DOI: https://doi.org/10.1353/atj.2016.0037
  5. restricted access
  1. Korean Trojan Women: Performing Wartime Sexual Violence
  2. Elizabeth W. Son
  3. pp. 369-394
  4. DOI: https://doi.org/10.1353/atj.2016.0041
  5. restricted access
  1. Reorienting the Gaze in Mei Lanfang’s Lyrical Theatre: Performing Female Interiority
  2. Sophia Tingting Zhao
  3. pp. 395-419
  4. DOI: https://doi.org/10.1353/atj.2016.0046
  5. restricted access
  1. Adapting Brecht’s The Good Person of Szechwan: Innovative Chuanju and Yueju in China’s Transition
  2. Wei Zhang
  3. pp. 420-431
  4. DOI: https://doi.org/10.1353/atj.2016.0051
  5. restricted access
  1. Elizabeth Wichmann-Walczak
  2. Xing Fan
  3. pp. 432-445
  4. DOI: https://doi.org/10.1353/atj.2016.0027
  5. restricted access
  1. Phillip B. Zarrilli
  2. Sunhee Kim
  3. pp. 446-458
  4. DOI: https://doi.org/10.1353/atj.2016.0031
  5. restricted access
  1. Diane Daugherty
  2. Kathy Foley
  3. pp. 459-473
  4. DOI: https://doi.org/10.1353/atj.2016.0035
  5. restricted access
  1. Judy Mitoma: Dancing on the Rim of the Pacific
  2. Kathy Foley
  3. pp. 474-490
  4. DOI: https://doi.org/10.1353/atj.2016.0039
  5. restricted access
  1. Where Rivers Meet
  2. Linda C. Ehrlich
  3. pp. 491-498
  4. DOI: https://doi.org/10.1353/atj.2016.0044
  5. restricted access
  1. Made in Bangladesh (review)
  2. Syed Jamil Ahmed
  3. pp. 499-503
  4. DOI: https://doi.org/10.1353/atj.2016.0049
  5. restricted access
  1. The Metamorphosis of Tianxian Pei: Local Opera Under the Revolution (1946–1956) by Wilt L. Idema (review)
  2. Josh Stenberg
  3. pp. 504-506
  4. DOI: https://doi.org/10.1353/atj.2016.0054
  5. restricted access
  1. Urban Politics and Cultural Capital: The Case of Chinese Opera by Ma Haili (review)
  2. Zheng Guohe
  3. pp. 507-509
  4. DOI: https://doi.org/10.1353/atj.2016.0030
  5. restricted access
  1. The Rise of Cantonese Opera by Wing Chung Ng (review)
  2. Zheng Guohe
  3. pp. 510-512
  4. DOI: https://doi.org/10.1353/atj.2016.0034
  5. restricted access
  1. Acting Up: Gender and Theatre in India, 1979 Onwards by A. Mangai (review)
  2. Sharvari Sastry
  3. pp. 513-515
  4. DOI: https://doi.org/10.1353/atj.2016.0038
  5. restricted access
  1. Saraswati in Bali: A Temple, A Museum, and A Mask by Ron Jenkins (review)
  2. Kathy Foley
  3. pp. 516-517
  4. DOI: https://doi.org/10.1353/atj.2016.0042
  5. restricted access
  1. Wondrous Brutal Fictions: Eight Buddhist Tales from the Early Japanese Puppet Theater trans. by R. Keller Kimbrough (review)
  2. Lorie Brau
  3. pp. 518-521
  4. DOI: https://doi.org/10.1353/atj.2016.0047
  5. restricted access
  1. The Racial Mundane: Asian American Performance and the Embodied Everyday by Ju Yon Kim (review)
  2. Jenna Gerdsen
  3. pp. 522-525
  4. DOI: https://doi.org/10.1353/atj.2016.0052
  5. restricted access
  1. Akram Khan: Dancing New Interculturalism by Royona Mitra (review)
  2. Mrunal Chavda
  3. pp. 525-528
  4. DOI: https://doi.org/10.1353/atj.2016.0028
  5. restricted access
  1. Performing Asian Transnationalisms: Theatre, Identity, and the Geographies of Performance by Amanda Rogers (review)
  2. Philip Smith
  3. pp. 528-531
  4. DOI: https://doi.org/10.1353/atj.2016.0032
  5. restricted access
  1. From the Editor
  2. Kathy Foley
  3. p. v
  4. DOI: https://doi.org/10.1353/atj.2016.0043
  5. restricted access
  1. Color Insert
  3. pp. Color Insert 1-Color Insert 4
  4. DOI: https://doi.org/10.1353/atj.2016.0036
  5. restricted access