1. The World Is Her Oyster: Negotiating Contemporary White Womanhood in Hollywood’s Tourist Spaces
  2. Kendra Marston
  3. pp. 3-27
  4. DOI: 10.1353/cj.2016.0045
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  1. Back to the Drawing Board: Graphic Design and the Visual Environment of Television at Midcentury
  2. Lynn Spigel
  3. pp. 28-54
  4. DOI: 10.1353/cj.2016.0038
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  1. Advertising, the Red Scare, and the Blacklist: BBDO, US Steel, and Theatre Guild on the Air, 1945–1952
  2. Cynthia B. Meyers
  3. pp. 55-83
  4. DOI: 10.1353/cj.2016.0039
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  1. Making Ahmad “Problem Conscious”: Educational Film and the Rural Lecture Caravan in 1930s British Malaya
  2. Nadine Chan
  3. pp. 84-107
  4. DOI: 10.1353/cj.2016.0040
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  1. “The Utmost Care, Kindness, and Consideration”: The MPPDA versus Allegations of Animal Abuse, 1923–1925
  2. Courtney E. White
  3. pp. 108-129
  4. DOI: 10.1353/cj.2016.0041
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  1. Write First, Ask Questions Later: Publishing and the Race to Tenure Track
  2. Joshua Gleich
  3. pp. 133-138
  4. DOI: 10.1353/cj.2016.0050
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  1. The “Boring Detail”
  2. Miranda J. Banks
  3. pp. 139-144
  4. DOI: 10.1353/cj.2016.0046
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  1. “What Am I Gonna Write About? What?”: Some Thoughts on the Future of Academic Publishing
  2. Eric Smoodin
  3. pp. 144-147
  4. DOI: 10.1353/cj.2016.0047
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  1. Some Thoughts on “The State of Academic Publishing”
  2. Thomas Schatz
  3. pp. 148-153
  4. DOI: 10.1353/cj.2016.0048
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  1. The Future of Academic Publishing
  2. Caroline Edwards, Kathleen Fitzpatrick, Jason Mittell, Anne Helen Petersen, Louisa Stein
  3. pp. 155-169
  4. DOI: 10.1353/cj.2016.0044
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  1. Associate Editor’s Introduction: Women’s Work
  2. Anna Froula
  3. pp. 1-2
  4. DOI: 10.1353/cj.2016.0043
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  1. Film and Media Studies and the State of Academic Publishing: Introduction
  2. Emily Carman, Ross Melnick
  3. pp. 130-133
  4. DOI: 10.1353/cj.2016.0042
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  1. Contributors
  2. p. 154
  3. DOI: 10.1353/cj.2016.0049
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