1. Pressing
  2. Elizabeth Acevedo
  3. p. 239
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  1. Missing Person, and: Scared to Hold the Baby
  2. A. H. Jerriod Avant
  3. pp. 240-242
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  1. And If the Lines Disappear, and: Of the Sweet Waters
  2. Desiree Bailey
  3. pp. 243-248
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  1. Photographs by Rachel Eliza Griffiths
  2. Rachel Eliza Griffiths
  3. pp. 249-330
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  1. The Three Muses of Bluefield
  2. Jennifer Bartell
  3. pp. 250-252
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  1. First Date, and: Agnosis
  2. Joshua Bennett
  3. pp. 253-255
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  1. I Learned My Name Was Not My Name
  2. Jeremy Michael Clark
  3. p. 257
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  1. Ostrich Woman
  2. Nandi Comer
  3. p. 258
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  1. After Yellow Fever, and: Mefloquine Side Effects
  2. Mary-Alice Daniel
  3. pp. 260-262
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  1. Self-Portrait as Map
  2. Safia Elhillo
  3. p. 263
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  1. Of Body, Beyond, and: A Mysterious & Beautiful Creature
  2. Rachel Eliza Griffiths
  3. pp. 265-266
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  1. After Action Report or Body Bag with Letters in Latin Script
  2. Alysia Nicole Harris
  3. pp. 267-268
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  1. The Authority, and: Line of Reason, and: Other Acts of Terror, and: Place Your Bets
  2. Amaud Jamaul Johnson
  3. pp. 270-273
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  1. Run, Mourner, Run, and: From the Never
  2. Taylor Johnson
  3. pp. 274-275
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  1. On Meeting Want Next Time (Again), and: Confessions from Here, and: Letters to my Would-Be Lover on Dolls and Repeating
  2. Airea D. Matthews
  3. pp. 291-294
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  1. To Detroiters I Too May Have Called by the Wrong Names
  2. Jamaal May
  3. pp. 295-296
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  1. The Book of Acts, and: Based on a True Story, and: Scale, and: “Fire Destroys Beloved Chicago Bakery”
  2. Nathan McClain
  3. pp. 298-301
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  1. Skeleton
  2. Dante Micheaux
  3. p. 302
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  1. Triptych in Which the Man Is Sometimes My Father
  2. Jonah Mixon-Webster
  3. p. 304
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  1. Landscape Genocide
  2. Ladan Osman
  3. pp. 305-306
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  1. I Am a Boy Who Is Not Yet a Boy, and: On the Question of What “It” Is, In Which It Is Me
  2. L. G. Parker
  3. pp. 308-309
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  1. About a White City
  2. Justin Phillip Reed
  3. pp. 310-315
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  1. Before the Second Coming
  2. Roger Reeves
  3. pp. 317-318
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  1. Object Permanence, and: Legendary (1)
  2. Nicole Sealey
  3. pp. 319-320
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  1. Doubt, and: Incorrigible
  2. Safiya Sinclair
  3. pp. 322-326
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  1. Postcard, and: It Wouldn’t Be Make Believe, and: Character
  2. Wendy S. Walters
  3. pp. 327-329
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  1. Ignis Fatuus, and: Birth of the Doppelgänger
  2. Phillip B. Williams
  3. pp. 331-333
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  1. Portfolio: American Painter
  2. Amy Sherald
  3. pp. 335-344
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  1. The Logic of Ekphrasis: An Interview with Gregory Pardlo Part 1
  2. Charles Henry Rowell, Gregory Pardlo
  3. pp. 345-354
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  1. Dragonflies, and: The Dreamer Is the Subject of the Dream, and: Epistemology of the Phone Booth
  2. Gregory Pardlo
  3. pp. 355-360
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  1. Colored People’s Time
  2. Gregory Pardlo
  3. pp. 361-371
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  1. Side by Side: Friendship as Critical Practice in the Performance Art of Senga Nengudi and Maren Hassinger
  2. John P. Bowles
  3. pp. 400-418
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  1. Atis Rezistans (Resistance Artists): Vodou Street Sculpture at the Grand Rue, Port-au-Prince
  2. Jana Evans Braziel
  3. pp. 419-437
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  1. “I Talk More of The French”: Creole Folklore and the Federal Writers’ Project
  2. Nicholas T Rinehart
  3. pp. 439-456
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  1. Counter-Counterstorytelling: Rereading Critical Race Theory in Percival Everett’s Assumption
  2. Matthew Mullins
  3. pp. 457-472
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  1. Uncanny Compulsions: Automatism, Trauma, and Memory in Of One Blood
  2. Joshua Lam
  3. pp. 473-492
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  1. Salvage the Bones by Jesmyn Ward (review)
  2. Andy Johnson
  3. pp. 493-495
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  1. Disgruntled by Asali Solomon (review)
  2. Nancy Kang
  3. pp. 495-498
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  1. Prelude to Bruise by Saeed Jones (review)
  2. Wesley Rothman
  3. pp. 498-501
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  1. Bearing Witness to Now
  2. Charles Henry Rowell
  3. pp. vii-ix
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  1. Contributors
  2. pp. 502-507
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