1. De la création à la mutilation : Les récits d’Adèle Lauzier, femme, artiste et folle au XIXe siècle
  2. Aude Fauvel
  3. pp. 12-24
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  1. “Je-sans-moi”: Patients, Pain, and Painlessness in Malraux’s Lazare
  2. Anna Magdalena Elsner
  3. pp. 25-37
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  1. “Je ne sais plus du tout qui je suis”: The Phenomenology of Cancer in Anne Cuneo’s Une cuillerée de bleu
  2. Steven Wilson, Sylvia Hübel
  3. pp. 38-51
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  1. Fragments d’un corps : L’écriture du SIDA dans les ouvrages d’Hervé Guibert
  2. Christelle Klein-Scholz
  3. pp. 52-63
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  1. Humoral Immunity in Recent HIV/AIDS Narratives
  2. Enda McCaffrey
  3. pp. 64-78
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  1. Le scaphandre et le papillon: Autopathography, the Locked-In Self, and Schnabel’s Cinema of Embodiment
  2. Claire Boyle
  3. pp. 93-107
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  1. Voicing Abjection: Narratives of Anorexia in Contemporary French Women’s (Life-)Writing
  2. Kathryn Robson
  3. pp. 108-120
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  1. Dependence and Masculinity in Contemporary French Writing about Disability
  2. Áine Larkin
  3. pp. 121-134
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  1. Vietnam and the Colonial Condition of French Literature by Leslie Barnes (review)
  2. Michelle E. Bloom
  3. pp. 135-136
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  1. Cosa volante: Le désir des arts dans la pensée de Jean-Luc Nancy by Ginette Michaud (review)
  2. Philip Armstrong
  3. p. 136
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  1. Introduction: Embodiment, Identity, and the Patient’s Story
  2. Steven Wilson
  3. pp. 1-11
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