1. From the Editor: Women Visible
  2. Laura M. Stevens
  3. pp. 7-20
  4. DOI: 10.1353/tsw.2016.0016
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  1. In Memoriam
  2. pp. 21-23
  3. DOI: 10.1353/tsw.2016.0021
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  1. Unsold Peony: The Life and Poetry of Daoist Priestess-Poet Yu Xuanji of Tang China
  2. Jinhua Jia
  3. pp. 25-57
  4. DOI: 10.1353/tsw.2016.0026
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  1. Mary Wollstonecraft, “Ithuriel,” and the Rise of the Feminist Author-Ghost
  2. Devoney Looser
  3. pp. 59-91
  4. DOI: 10.1353/tsw.2016.0002
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  1. Maria Edgeworth on Citizenship: Rousseau, Darwin, and Feminist Pessimism in Practical Education
  2. Anne Chandler
  3. pp. 93-122
  4. DOI: 10.1353/tsw.2016.0006
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  1. Paper Bodies: Letters and Letter Writing in the Early American Novel
  2. Kacy Tillman
  3. pp. 123-144
  4. DOI: 10.1353/tsw.2016.0010
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  1. “A tangled web of mindfuck”: Andrea Dworkin and the Truth of Pornography
  2. Magnus Ullén
  3. pp. 145-171
  4. DOI: 10.1353/tsw.2016.0014
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  1. “I got self, pencil, and notebook”: Literacy and Maternal Desire in Sapphire’s PUSH
  2. Marlo D. David
  3. pp. 173-199
  4. DOI: 10.1353/tsw.2016.0019
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  1. Seventy-Three Uncollected Short Works by Rebecca Harding Davis: A Bibliography
  2. Zachary Turpin
  3. pp. 229-252
  4. DOI: 10.1353/tsw.2016.0000
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  1. Shoshana Shababo: The First Sephardic Female Writer in Israel Between Rejection and Acceptance
  2. Adi Isha
  3. pp. 253-263
  4. DOI: 10.1353/tsw.2016.0004
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  1. Women’s Voices in Tudor Wills, 1485-1603: Authority, Influence, and Material Culture by Susan E. James (review)
  2. Patricia Phillippy
  3. pp. 265-267
  4. DOI: 10.1353/tsw.2016.0008
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  1. Grief and Women Writers in the English Renaissance by Elizabeth Hodgson (review)
  2. Marion Wynne-Davies
  3. pp. 267-268
  4. DOI: 10.1353/tsw.2016.0012
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  1. Phillis Wheatley’s Miltonic Poetics by Paula Loscocco (review)
  2. Mary McAleer Balkun
  3. pp. 269-271
  4. DOI: 10.1353/tsw.2016.0017
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  1. Bluestocking Feminism and British-German Cultural Transfer, 1750-1837 by Alessa Johns (review)
  2. Kirsten Belgum
  3. pp. 271-273
  4. DOI: 10.1353/tsw.2016.0022
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  1. A Feminine Enlightenment: British Women Writers and the Philosophy of Progress, 1759-1820 by JoEllen DeLucia (review)
  2. E. J. Clery
  3. pp. 273-275
  4. DOI: 10.1353/tsw.2016.0027
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  1. Jane Austen and Animals by Barbara K. Seeber, and: Jane Austen’s Erotic Advice by Sarah Raff (review)
  2. Linda V. Troost
  3. pp. 275-278
  4. DOI: 10.1353/tsw.2016.0003
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  1. Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism by Kimberly Morse Jones (review)
  2. Carol Hanbery MacKay
  3. pp. 278-281
  4. DOI: 10.1353/tsw.2016.0007
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  1. The Lesbian Muse and Poetic Identity, 1889-1930 by Sarah Parker (review)
  2. Pearl Chaozon Bauer
  3. pp. 281-283
  4. DOI: 10.1353/tsw.2016.0011
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  1. Modernist Voyages: Colonial Women Writers in London, 1890-1945 by Anna Snaith (review)
  2. David Farley
  3. pp. 283-286
  4. DOI: 10.1353/tsw.2016.0015
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  1. Love and Liberation: Autobiographical Writings of the Tibetan Buddhist Visionary Sera Khandro by Sarah H. Jacoby (review)
  2. Karma Lekshe Tsomo
  3. pp. 286-288
  4. DOI: 10.1353/tsw.2016.0020
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  1. Unarrested Archives: Case Studies in Twentieth-Century Canadian Women’s Authorship by Linda M. Morra (review)
  2. Tanis MacDonald
  3. pp. 288-291
  4. DOI: 10.1353/tsw.2016.0025
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  1. Changing the Subject: Writing Women Across the African Diaspora by K. Merinda Simmons (review)
  2. Stephanie Hankinson
  3. pp. 291-294
  4. DOI: 10.1353/tsw.2016.0001
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  1. Erotic Infidelities: Love and Enchantment in Angela Carter’s “The Bloody Chamber” by Kimberly J. Lau (review)
  2. Merja Makinen
  3. pp. 296-297
  4. DOI: 10.1353/tsw.2016.0009
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  1. Two Confessions by María Zambrano and Rosa Chacel (review)
  2. Daniela Omlor
  3. pp. 298-300
  4. DOI: 10.1353/tsw.2016.0013
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  1. Bridging the Divide: The Selected Poems of Hava Pinhas-Cohen transed. by Sharon Hart-Green (review)
  2. Ofra Yeglin
  3. pp. 300-302
  4. DOI: 10.1353/tsw.2016.0018
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  1. Books Received
  2. pp. 303-305
  3. DOI: 10.1353/tsw.2016.0023
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