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In this Issue

Table of Contents

  1. Endangered Scholars Worldwide
  2. Ebby Abramson
  3. pp. v-xix
  4. DOI: https://doi.org/10.1353/sor.2016.0017
  5. restricted access
  1. Editor’s Introduction
  2. Arien Mack
  3. pp. xxi-xxii
  4. DOI: https://doi.org/10.1353/sor.2016.0021
  5. restricted access

Part I. the Attack on Charlie Hebdo: “Fear of Art” Enacted

  1. Introduction: On Enacting the Fear of Art
  2. Victor Navasky
  3. pp. 3-6
  4. DOI: https://doi.org/10.1353/sor.2016.0025
  5. restricted access
  1. The Impact of a Post-Charlie Hebdo World on Cartoonists
  2. Nik Kowsar
  3. pp. 7-19
  4. DOI: https://doi.org/10.1353/sor.2016.0003
  5. restricted access
  1. Art as/and Politics: Why the Attack on Charlie Hebdo Was Not About a “Fear of Art”
  2. Saadia Toor
  3. pp. 21-31
  4. DOI: https://doi.org/10.1353/sor.2016.0007
  5. restricted access

Part II. Censorship and Banning

  1. Introduction: Reflections on Art Censorship and Banning
  2. Agnes Gund
  3. pp. 35-38
  4. DOI: https://doi.org/10.1353/sor.2016.0011
  5. restricted access
  1. Fear and Propaganda: National Socialism and the Concept of “Degenerate Art”
  2. Olaf Peters, Steven Lindberg
  3. pp. 39-66
  4. DOI: https://doi.org/10.1353/sor.2016.0015
  5. restricted access
  1. The Fear of Art: How Censorship Becomes Iconoclasm
  2. David Freedberg
  3. pp. 67-99
  4. DOI: https://doi.org/10.1353/sor.2016.0019
  5. restricted access

Part III. Activist Art

  1. Introduction: On “Artivism,” or Art’s Utility in Activism
  2. Suzanne Nossel
  3. pp. 103-105
  4. DOI: https://doi.org/10.1353/sor.2016.0023
  5. restricted access
  1. Fearless Art in the Age of Fear: Electronic Disturbance Theater’s Parrhesian Gestures
  2. Ricardo Dominguez
  3. pp. 107-113
  4. DOI: https://doi.org/10.1353/sor.2016.0001
  5. restricted access
  1. Does it Work?: The Æffect of Activist Art
  2. Stephen Duncombe
  3. pp. 115-134
  4. DOI: https://doi.org/10.1353/sor.2016.0005
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Part IV. the Potency of Art

  1. Introduction: An Aesthetics of Dissonance
  2. Carin Kuoni
  3. pp. 137-139
  4. DOI: https://doi.org/10.1353/sor.2016.0009
  5. restricted access
  1. On Art, Power, and Humility
  2. Holland Cotter
  3. pp. 141-147
  4. DOI: https://doi.org/10.1353/sor.2016.0013
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  1. The Potency of Art
  2. Paul Chan
  3. pp. 149-152
  4. DOI: https://doi.org/10.1353/sor.2016.0018
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Part V. Artists in Prison, Artists in Exile

  1. A Conversation
  2. Ai Weiwei, Ethan Cohen
  3. pp. 155-163
  4. DOI: https://doi.org/10.1353/sor.2016.0022
  5. restricted access
  1. Introduction: A Conversation about Ai Weiwei
  2. Jerome Cohen
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/sor.2016.0000
  5. restricted access
  1. On Interviewing Ai Weiwei
  2. Ethan Cohen
  3. pp. 169-174
  4. DOI: https://doi.org/10.1353/sor.2016.0004
  5. restricted access
  1. On Ai Weiwei
  2. Melissa Chiu
  3. pp. 175-177
  4. DOI: https://doi.org/10.1353/sor.2016.0008
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  1. Ai Weiwei, Art, and Rights in China
  2. Minky Worden
  3. pp. 179-182
  4. DOI: https://doi.org/10.1353/sor.2016.0012
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Part VI. Artists in Exile

  1. Introduction: People to People
  2. Elzbieta Matynia
  3. pp. 185-190
  4. DOI: https://doi.org/10.1353/sor.2016.0016
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  1. Performing Art, Performing Fear
  2. Chaw Ei Thein
  3. pp. 191-197
  4. DOI: https://doi.org/10.1353/sor.2016.0020
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  1. Turning Artists into Heroes?
  2. Shirin Neshat
  3. pp. 199-203
  4. DOI: https://doi.org/10.1353/sor.2016.0024
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Part VII. Who Does the Policing? What Is the Role of Self-Censorship?

  1. Introduction: Self-Policing and Self-Censorship
  2. Svetlana Mintcheva
  3. pp. 207-210
  4. DOI: https://doi.org/10.1353/sor.2016.0002
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  1. Hurting the Feelings of Others
  2. Boris Groys
  3. pp. 211-215
  4. DOI: https://doi.org/10.1353/sor.2016.0006
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  1. Examine Your Own Limits
  2. Lisa Phillips
  3. pp. 217-221
  4. DOI: https://doi.org/10.1353/sor.2016.0010
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  1. Notes on Contributors
  3. pp. 223-225
  4. DOI: https://doi.org/10.1353/sor.2016.0014
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