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In this Issue

Table of Contents

  1. Optical Pantomimes at the Royal Polytechnic Institution: George Buckland’s 1875 Production of Gabriel Grub and the Grim Goblin
  2. Phillip Roberts
  3. pp. 1-42
  4. DOI: https://doi.org/10.2979/filmhistory.28.1.01
  5. restricted access
  1. Electrocuting an Elephant at Coney Island: Attraction, Story, and the Curious Spectator
  2. James Fiumara
  3. pp. 43-70
  4. DOI: https://doi.org/10.2979/filmhistory.28.1.02
  5. restricted access
  1. Outside the System: Gene Gauntier and the Consolidation of Early American Cinema
  2. Tony Tracy
  3. pp. 71-106
  4. DOI: https://doi.org/10.2979/filmhistory.28.1.03
  5. restricted access
  1. “The Hollywood Powder Puff War”: Technicolor Cosmetics in the 1930s
  2. Kirsty Sinclair Dootson
  3. pp. 107-131
  4. DOI: https://doi.org/10.2979/filmhistory.28.1.04
  5. restricted access
  1. Audubon Screen Tours: The National Audubon Society and the Making of a 16mm Network
  2. Carol Donelan
  3. pp. 132-166
  4. DOI: https://doi.org/10.2979/filmhistory.28.1.05
  5. restricted access
  1. The Myth of the Speakers: A Critical Reexamination of Dolby History
  2. Eric Dienstfrey
  3. pp. 167-193
  4. DOI: https://doi.org/10.2979/filmhistory.28.1.06
  5. restricted access