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Table of Contents

  1. Allied Antigone: Jean Anouilh in America and England
  2. Keri Walsh
  3. pp. 277-295
  4. DOI: https://doi.org/10.1353/mod.2016.0043
  5. restricted access
  1. Seven Pillars of Wisdom, the Queer Times of Revolt, and Modernist Form
  2. Sean Francis Ward
  3. pp. 297-318
  4. DOI: https://doi.org/10.1353/mod.2016.0037
  5. restricted access
  1. Re-Reading the Arab Darwin: The Lewis Affair and Naguib Mahfouz’s Palace of Desire
  2. Michael Allan
  3. pp. 319-340
  4. DOI: https://doi.org/10.1353/mod.2016.0040
  5. restricted access
  1. “Never twice the same”: Fantômas’s Early Seriality
  2. Ruth Mayer
  3. pp. 341-363
  4. DOI: https://doi.org/10.1353/mod.2016.0034
  5. restricted access
  1. Manifestations of the Novel: Genealogy and the Sculptural Imperative in F.T. Marinetti’s Mafarka le futuriste
  2. Ara H. Merjian
  3. pp. 365-401
  4. DOI: https://doi.org/10.1353/mod.2016.0044
  5. restricted access
  1. Modernism and the Medicalization of Sunlight: D. H. Lawrence, Katherine Mansfield, and the Sun Cure
  2. Kirsty Martin
  3. pp. 423-441
  4. DOI: https://doi.org/10.1353/mod.2016.0028
  5. restricted access
  1. Norman Holmes Pearson, Canon-Maker
  2. Annette Debo
  3. pp. 443-462
  4. DOI: https://doi.org/10.1353/mod.2016.0045
  5. restricted access
  1. Joseph Cornell: Wanderlust, and: Joseph Cornell: Wanderlust by Sarah Lea et al. (review)
  2. Meg Boulton
  3. pp. 463-466
  4. DOI: https://doi.org/10.1353/mod.2016.0047
  5. restricted access
  1. Miniature Metropolis: Literature in an Age of Photography and Film by Andreas Huyssen (review)
  2. Lutz Koepnick
  3. pp. 467-469
  4. DOI: https://doi.org/10.1353/mod.2016.0029
  5. restricted access
  1. The Extinct Scene: Late Modernism and Everyday Life by Thomas S. Davis (review)
  2. Allan Hepburn
  3. pp. 469-471
  4. DOI: https://doi.org/10.1353/mod.2016.0032
  5. restricted access
  1. Modernist Fiction and Vagueness: Philosophy, Form, and Language by Megan Quigley (review)
  2. Johanna Winant
  3. pp. 472-473
  4. DOI: https://doi.org/10.1353/mod.2016.0035
  5. restricted access
  1. Destruction Was My Beatrice: Dada and the Unmaking of the Twentieth Century by Jed Rasula (review)
  2. Kurt Beals
  3. pp. 473-475
  4. DOI: https://doi.org/10.1353/mod.2016.0038
  5. restricted access
  1. Spoiled Distinctions: Aesthetics and the Ordinary in French Modernism by Hannah Freed-Thall (review)
  2. Patrick W. Moran
  3. pp. 476-478
  4. DOI: https://doi.org/10.1353/mod.2016.0041
  5. restricted access
  1. Modernism: Keywords ed. by Melba Cuddy-Keane, Adam Hammond, Alexandra Peat (review)
  2. Anna Snaith
  3. pp. 478-480
  4. DOI: https://doi.org/10.1353/mod.2016.0039
  5. restricted access
  1. Reading and the First World War: Readers, Texts, Archives ed. by Shafquat Towheed, Edmund King (review)
  2. Lise Jaillant
  3. pp. 480-482
  4. DOI: https://doi.org/10.1353/mod.2016.0042
  5. restricted access
  1. British Writers and the Approach of World War II by Steve Ellis (review)
  2. Stacy Gillis
  3. pp. 482-484
  4. DOI: https://doi.org/10.1353/mod.2016.0046
  5. restricted access
  1. Contemporary Olson ed. by David Herd (review)
  2. Mark Byers
  3. pp. 484-486
  4. DOI: https://doi.org/10.1353/mod.2016.0030
  5. restricted access
  1. Visionary Philology: Geoffrey Hill and the Study of Words by Matthew Sperling (review)
  2. Karl O’Hanlon
  3. pp. 486-488
  4. DOI: https://doi.org/10.1353/mod.2016.0033
  5. restricted access