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Table of Contents

  1. The Gottfried Fraenkel Collection at Illinois
  2. Yu Lee An, D. W. Krummel
  3. pp. 659-670
  4. DOI: https://doi.org/10.1353/not.2016.0078
  5. restricted access
  1. On Book Collecting
  2. Ton Koopman
  3. pp. 671-677
  4. DOI: https://doi.org/10.1353/not.2016.0051
  5. restricted access
  1. The Antiquarian Music Market in the Twenty-First Century: From the Perspective of a Collector
  2. Simon D. I. Fleming
  3. pp. 678-689
  4. DOI: https://doi.org/10.1353/not.2016.0056
  5. restricted access
  1. Re-Membering the Wilton Processional
  2. Alison Altstatt
  3. pp. 690-732
  4. DOI: https://doi.org/10.1353/not.2016.0061
  5. restricted access
  1. Notes for Notes
  3. pp. 733-736
  4. DOI: https://doi.org/10.1353/not.2016.0066
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  1. Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna by David Brodbeck (review)
  2. Anna Stoll Knecht
  3. pp. 737-739
  4. DOI: https://doi.org/10.1353/not.2016.0071
  5. restricted access
  1. Rethinking Difference in Music Scholarship ed. by Olivia Bloechl, Melanie Lowe, Jeffrey Kallberg (review)
  2. Katherine L. Turner
  3. pp. 739-742
  4. DOI: https://doi.org/10.1353/not.2016.0076
  5. restricted access
  1. Songs of the Factory: Pop Music, Culture, and Resistance by Marek Korczynski (review)
  2. John Pippen
  3. pp. 742-744
  4. DOI: https://doi.org/10.1353/not.2016.0049
  5. restricted access
  1. New York Noise: Radical Jewish Music and the Downtown Scene by Tamar Barzel (review)
  2. Chadwick Jenkins
  3. pp. 744-746
  4. DOI: https://doi.org/10.1353/not.2016.0054
  5. restricted access
  1. Networks of Sound, Style and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975–80 by Nick Crossley (review)
  2. Brian F. Wright
  3. pp. 746-748
  4. DOI: https://doi.org/10.1353/not.2016.0059
  5. restricted access
  1. Music and Traditions of the Arabian Peninsula: Saudi Arabia, Kuwait, Bahrain, and Qatar by Lisa Urkevich (review)
  2. Kenneth S. Habib
  3. pp. 748-751
  4. DOI: https://doi.org/10.1353/not.2016.0064
  5. restricted access
  1. Torn Between Cultures: A Life of Kathi Meyer-Baer by David Josephson (review)
  2. Johanna Frances Yunker
  3. pp. 751-753
  4. DOI: https://doi.org/10.1353/not.2016.0069
  5. restricted access
  1. Music and the Making of Modern Science by Peter Pesic (review)
  2. Edward Komara
  3. pp. 753-756
  4. DOI: https://doi.org/10.1353/not.2016.0074
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  1. Neoclassical Music in America: Voices of Clarity and Restraint by R. James Tobin (review)
  2. Matthew Mugmon
  3. pp. 756-758
  4. DOI: https://doi.org/10.1353/not.2016.0080
  5. restricted access
  1. The Crisis of Classical Music in America: Lessons from a Life in the Education of Musicians by Robert Freeman (review)
  2. Hei Ting Wong
  3. pp. 758-760
  4. DOI: https://doi.org/10.1353/not.2016.0052
  5. restricted access
  1. St. Anne in Renaissance Music: Devotion and Politics by Michael Alan Anderson, and: Music and Riddle Culture in the Renaissance by Katelijne Schiltz (review)
  2. Jennifer S. Thomas
  3. pp. 760-765
  4. DOI: https://doi.org/10.1353/not.2016.0057
  5. restricted access
  1. Collectionner la musique: Érudits collectionneurs [Collecting Music: Erudite Collectors] ed. by Denis Herlin, Catherine Massip, Valérie De Wispelaere (review)
  2. Robert Adelson
  3. pp. 765-768
  4. DOI: https://doi.org/10.1353/not.2016.0062
  5. restricted access
  1. Daniels’ Orchestral Music by David Daniels (review)
  2. Joseph Boonin
  3. pp. 768-770
  4. DOI: https://doi.org/10.1353/not.2016.0067
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  1. The Mystery of Chopin’s Préludes by Anatole Leikin (review)
  2. William Helmcke
  3. pp. 770-772
  4. DOI: https://doi.org/10.1353/not.2016.0072
  5. restricted access
  1. Walking Freely on Firm Ground: Letters to Mary Virginia Foreman 1935–1951 by Artur Schnabel (review)
  2. Lisa Woznicki
  3. pp. 772-774
  4. DOI: https://doi.org/10.1353/not.2016.0077
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  1. Schubert’s Winter Journey: Anatomy of an Obsession by Ian Bostridge (review)
  2. Geoffrey Block
  3. pp. 775-777
  4. DOI: https://doi.org/10.1353/not.2016.0050
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  1. Who Should Sing “Ol’ Man River”? The Lives of an American Song by Todd R. Decker (review)
  2. Hsun Lin
  3. pp. 777-779
  4. DOI: https://doi.org/10.1353/not.2016.0055
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  1. Wagner’s Visions: Poetry, Politics, and the Psyche in the Operas through Die Walküre by Katherine R. Syer (review)
  2. Carolin Rindfleisch
  3. pp. 779-781
  4. DOI: https://doi.org/10.1353/not.2016.0060
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  1. The Castrato: Reflections on Natures and Kinds by Martha Feldman (review)
  2. Megan Steigerwald
  3. pp. 781-784
  4. DOI: https://doi.org/10.1353/not.2016.0065
  5. restricted access
  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 785-795
  4. DOI: https://doi.org/10.1353/not.2016.0070
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  1. Brokeback Mountain by Charles Wuorinen (review)
  2. Ryan Ebright
  3. pp. 796-797
  4. DOI: https://doi.org/10.1353/not.2016.0075
  5. restricted access
  1. Leipzig Church Music from the Sherard Collection: Eight Works by Sebastian Knüpfer, Johann Schelle, and Johann Kuhnau ed. by Stephen Rose (review)
  2. Janette Tilley
  3. pp. 798-803
  4. DOI: https://doi.org/10.1353/not.2016.0048
  5. restricted access
  1. Choralvariationen für Orgel, Gesamtausgabe by Daniel Magnus Gronau (review)
  2. Iain Quinn
  3. pp. 803-807
  4. DOI: https://doi.org/10.1353/not.2016.0053
  5. restricted access
  1. Symphonie en fa, op. 20; Pavane, op. 50; Caligula, op. 52 by Gabriel Fauré (review)
  2. John Wagstaff
  3. pp. 807-808
  4. DOI: https://doi.org/10.1353/not.2016.0058
  5. restricted access
  1. Index to Advertisers
  3. p. 817
  4. DOI: https://doi.org/10.1353/not.2016.0068
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  1. Cumulative Index to Advertisers Volume 72
  3. p. 834
  4. DOI: https://doi.org/10.1353/not.2016.0073
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  1. Index to Volume 72: September 2015 through June 2016
  2. Martin D. Jenkins
  3. pp. 835-843
  4. DOI: https://doi.org/10.1353/not.2016.0079
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  1. Music Received
  2. Compiled by David Knapp
  3. pp. 809-816
  4. DOI: https://doi.org/10.1353/not.2016.0063
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