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Table of Contents

  1. Editor’s Note
  2. pp. 6-8
  3. DOI: https://doi.org/10.1353/ner.2016.0013
  4. restricted access
  1. Chipping Campden
  2. G. C. Waldrep
  3. pp. 11-12
  4. DOI: https://doi.org/10.1353/ner.2016.0023
  5. restricted access
  1. Reproduction
  2. Martin Monahan
  3. pp. 13-23
  4. DOI: https://doi.org/10.1353/ner.2016.0028
  5. restricted access
  1. Feeling Thinking
  2. David Baker
  3. pp. 24-28
  4. DOI: https://doi.org/10.1353/ner.2016.0002
  5. restricted access
  1. The “Predicate of Substance”
  2. Linda Gregerson
  3. pp. 29-32
  4. DOI: https://doi.org/10.1353/ner.2016.0007
  5. restricted access
  1. Thinking Versus Imagination
  2. Carl Phillips
  3. pp. 33-38
  4. DOI: https://doi.org/10.1353/ner.2016.0011
  5. restricted access
  1. Does Ripe Fruit Never Fall?
  2. Stanley Plumly
  3. pp. 39-42
  4. DOI: https://doi.org/10.1353/ner.2016.0016
  5. restricted access
  1. The Poetic Imperative
  2. Carol Frost
  3. pp. 43-46
  4. DOI: https://doi.org/10.1353/ner.2016.0021
  5. restricted access
  1. Other Paintings
  2. Yves Bonnefoy, French by Hoyt Rogers
  3. p. 47
  4. DOI: https://doi.org/10.1353/ner.2016.0026
  5. restricted access
  1. Figure with a Bowl of Fruit, and: Plein Air
  2. Marguerite W. Sullivan
  3. pp. 48-52
  4. DOI: https://doi.org/10.1353/ner.2016.0000
  5. restricted access
  1. Gene Beenk’s Journey into Night
  2. Ben Miller
  3. pp. 53-74
  4. DOI: https://doi.org/10.1353/ner.2016.0005
  5. restricted access
  1. Arctic Lullaby
  2. Traci Brimhall
  3. p. 75
  4. DOI: https://doi.org/10.1353/ner.2016.0009
  5. restricted access
  1. The Loves of Her Life
  2. Arlene Heyman
  3. pp. 76-87
  4. DOI: https://doi.org/10.1353/ner.2016.0014
  5. restricted access
  1. Landscape Resembling My Mother Dying
  2. James Hoch
  3. pp. 88-89
  4. DOI: https://doi.org/10.1353/ner.2016.0019
  5. restricted access
  1. Striking a blow (left hand), and Striking a blow (right hand)
  2. Oliver de la Paz
  3. pp. 90-92
  4. DOI: https://doi.org/10.1353/ner.2016.0024
  5. restricted access
  1. from The Dancing Other
  2. Suzanne Dracius, French by Nancy Naomi Carlson, French by Jamie Davis, French by Catherine Maigret Kellogg
  3. pp. 93-103
  4. DOI: https://doi.org/10.1353/ner.2016.0029
  5. restricted access
  1. Chasing Arrows
  2. Alia Volz
  3. pp. 107-113
  4. DOI: https://doi.org/10.1353/ner.2016.0008
  5. restricted access
  1. Sweet
  2. Bob Hicok
  3. p. 114
  4. DOI: https://doi.org/10.1353/ner.2016.0012
  5. restricted access
  1. Big and Nasty
  2. Charles Holdefer
  3. pp. 115-122
  4. DOI: https://doi.org/10.1353/ner.2016.0017
  5. restricted access
  1. Wow, We’ve Got Something Here: Ward Kimball and the Making of Snow White
  2. Todd James Pierce
  3. pp. 123-136
  4. DOI: https://doi.org/10.1353/ner.2016.0022
  5. restricted access
  1. Glass Onion
  2. Kathleen Wheaton
  3. pp. 137-146
  4. DOI: https://doi.org/10.1353/ner.2016.0027
  5. restricted access
  1. Greenacre
  2. Monica Youn
  3. pp. 147-150
  4. DOI: https://doi.org/10.1353/ner.2016.0001
  5. restricted access
  1. Older Sister
  2. Christine Sneed
  3. pp. 151-165
  4. DOI: https://doi.org/10.1353/ner.2016.0006
  5. restricted access
  1. Funnel Where the Light Might Enter
  2. Christine Robbins
  3. pp. 166-169
  4. DOI: https://doi.org/10.1353/ner.2016.0010
  5. restricted access
  1. Thoreau and the Wild Grapes
  2. David Wagoner
  3. p. 170
  4. DOI: https://doi.org/10.1353/ner.2016.0015
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  1. Oh, My Beautiful Alba
  2. Eugene Mirabelli
  3. pp. 171-181
  4. DOI: https://doi.org/10.1353/ner.2016.0020
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  1. Prehistory, and Piece of Old Cornice Among Trees and Random Trash
  2. Marianne Boruch
  3. pp. 182-186
  4. DOI: https://doi.org/10.1353/ner.2016.0025
  5. restricted access
  1. Paris in Wartime: February, 1915
  2. Edith Wharton
  3. pp. 187-190
  4. DOI: https://doi.org/10.1353/ner.2016.0030
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  1. A Chronology of Roads
  2. Philip Metres
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/ner.2016.0018
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  1. Contributors’ Notes
  2. pp. 191-196
  3. DOI: https://doi.org/10.1353/ner.2016.0004
  4. restricted access