1. Better Travel Through Brand Names: The Couture Grand Tour in Paris Is a Woman’s Town and Gentlemen Prefer Blondes
  2. Katherine Fusco
  3. pp. 1-24
  4. DOI: 10.1353/mfs.2016.0005
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  1. “Under Four Eyes” (Unter Vier Augen): Ford Madox Ford, Propaganda, and the Politics of Translation
  2. Emily Hayman
  3. pp. 25-52
  4. DOI: 10.1353/mfs.2016.0008
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  1. To Drag Out a Rough Poetry: Colin MacInnes and the New Brutalism in Postwar Britain
  2. Paula Derdiger
  3. pp. 53-69
  4. DOI: 10.1353/mfs.2016.0011
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  1. Call and Answer: Muriel Spark and Media Culture
  2. Amy Woodbury Tease
  3. pp. 70-91
  4. DOI: 10.1353/mfs.2016.0014
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  1. “Turning Out” Possessive Individualism: Freedom and Belonging in Samuel R. Delany’s The Mad Man
  2. Christian Ravela
  3. pp. 92-114
  4. DOI: 10.1353/mfs.2016.0017
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  1. Sounding Ecologies in Arundhati Roy’s The God of Small Things
  2. Mirja Lobnik
  3. pp. 115-135
  4. DOI: 10.1353/mfs.2016.0001
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  1. Collision, Illinois: David Foster Wallace and the Value of Insurance
  2. Jeffrey Severs
  3. pp. 136-156
  4. DOI: 10.1353/mfs.2016.0004
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  1. America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture by Erik Dussere (review)
  2. Christopher Breu
  3. pp. 158-161
  4. DOI: 10.1353/mfs.2016.0007
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  1. Plotting Justice: Narrative Ethics and Literary Culture After 9/11 by Georgiana Banita (review)
  2. Aaron Derosa
  3. pp. 162-164
  4. DOI: 10.1353/mfs.2016.0010
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  1. Gravity’s Rainbow Domination and Freedom by Luc Herman, Steven Weisenburger (review)
  2. Doug Haynes
  3. pp. 164-167
  4. DOI: 10.1353/mfs.2016.0013
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  1. When Sex Changed: Birth Control Politics and Literature Between the World Wars by Layne Parish Craig (review)
  2. Heather E. Holcombe
  3. pp. 168-170
  4. DOI: 10.1353/mfs.2016.0016
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  1. The Grotesque in Contemporary British Fiction by Robert Duggan by Robert Duggan (review)
  2. Emily Horton
  3. pp. 171-173
  4. DOI: 10.1353/mfs.2016.0000
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  1. The Signifying Eye: Seeing Faulkner’s Art by Candace Waid (review)
  2. Catherine Gunther Kodat
  3. pp. 174-176
  4. DOI: 10.1353/mfs.2016.0003
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  1. Obscene Modernism: Literary Censorship and Experiment 1900–1940 by Rachel Potter (review)
  2. Celia Marshik
  3. pp. 176-179
  4. DOI: 10.1353/mfs.2016.0006
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  1. Consciousness in Modernist Fiction: A Stylistic Study by Violeta Sotirova (review)
  2. Rebecca Nicholson-Weir
  3. pp. 179-181
  4. DOI: 10.1353/mfs.2016.0009
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  1. Cold Modernism: Literature, Fashion, Art by Jessica Burstein (review)
  2. Bonnie Roos
  3. pp. 182-185
  4. DOI: 10.1353/mfs.2016.0012
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  1. Commonwealth of Letters: British Literary Culture and the Emergence of Postcolonial Aesthetics by Peter J. Kalliney (review)
  2. Laura Winkiel
  3. pp. 185-188
  4. DOI: 10.1353/mfs.2016.0015
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  1. Contributors
  2. pp. 189-190
  3. DOI: 10.1353/mfs.2016.0018
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