1. ATHE Presidential Address
  2. Patricia Ybarra
  3. pp. 1-5
  4. DOI: 10.1353/tt.2016.0009
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  1. Introversion/Extroversion: The Work of Editing
  2. Penny Farfan
  3. pp. 7-8
  4. DOI: 10.1353/tt.2016.0013
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  1. “Shedding Skins”: Keynote Performance/Address at the 2015 ATHE Conference in Montreal
  2. Marie Brassard
  3. pp. 11-22
  4. DOI: 10.1353/tt.2016.0021
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  1. ATHE’s Latent Homosexuality: Commemorative Remarks at the 2015 ATHE General Membership Meeting
  2. Sara Warner
  3. pp. 24-25
  4. DOI: 10.1353/tt.2016.0002
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  1. LGBTQ Historical Scholarship: What Was It Like Twenty Years Ago?
  2. Robert A. Schanke, Kim Marra
  3. pp. 27-41
  4. DOI: 10.1353/tt.2016.0007
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  1. Syncopated Presence: Bridging LGBT Histories and Queer Futures
  2. Jill Dolan
  3. pp. 43-44
  4. DOI: 10.1353/tt.2016.0011
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  1. Queer Futures: The Then and There of LGBTQ Theatre Scholarship
  2. Kareem Khubchandani
  3. pp. 45-46
  4. DOI: 10.1353/tt.2016.0015
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  1. Evanescence: Three Tales of the Recent Queer Theatrical Past
  2. Brian Eugenio Herrera
  3. pp. 47-51
  4. DOI: 10.1353/tt.2016.0019
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  1. Queer Forms and Contacts
  2. Sean Metzger
  3. pp. 53-55
  4. DOI: 10.1353/tt.2016.0023
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  1. Dancing toward Queer Horizons
  2. Clare Croft
  3. pp. 57-62
  4. DOI: 10.1353/tt.2016.0000
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  1. The Native Plays of Lynn Riggs (Cherokee) and the Question of “Race”-specific Casting
  2. Courtney Elkin Mohler
  3. pp. 63-75
  4. DOI: 10.1353/tt.2016.0005
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  1. Theatre History is/as/through Production Labor
  2. Christin Essin
  3. pp. 77-90
  4. DOI: 10.1353/tt.2016.0010
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  1. Collaboration in Time: An Interdependent Production Process
  2. Rich Brown, John Wiese
  3. pp. 91-103
  4. DOI: 10.1353/tt.2016.0014
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  1. Reversing the Process: Investigating Multidisciplinary Compositional Practices in The Fall of Icarus
  2. Duška Radosavljević, George Rodosthenous
  3. pp. 105-116
  4. DOI: 10.1353/tt.2016.0018
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  1. Repertoire Is Technique: Programming Transmission at a Xiqu Festival
  2. Josh Stenberg
  3. pp. 117-129
  4. DOI: 10.1353/tt.2016.0022
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  1. Between Pen and Sweat: An Account of an Encounter between a Director and a Dramaturg
  2. Analola Santana, Claudio Valdés Kuri
  3. pp. 131-140
  4. DOI: 10.1353/tt.2016.0026
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  1. Everyday Astonishment and Crafting the Theatrical: Speaking with David Downs on Undergraduate Acting Training
  2. Max Shulman
  3. pp. 141-147
  4. DOI: 10.1353/tt.2016.0003
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  1. A Practical Guide to Ensemble Devising by Davis Robinson (review)
  2. Karen Jean Martinson
  3. pp. 149-150
  4. DOI: 10.1353/tt.2016.0008
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  1. Women of Will: Following the Feminine in Shakespeare’s Plays by Tina Packer (review)
  2. Kate Busselle
  3. pp. 150-151
  4. DOI: 10.1353/tt.2016.0012
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  1. Theatre and Adaptation: Return, Rewrite, Repeat ed. by Margherita Laera (review)
  2. Mary Elaine Vansant
  3. pp. 152-153
  4. DOI: 10.1353/tt.2016.0020
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  1. Clowns: In Conversation with Modern Masters by Ezra LeBank and David Bridel (review)
  2. Dave Peterson
  3. pp. 153-154
  4. DOI: 10.1353/tt.2016.0024
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  1. A Note from the Editor
  2. Gwendolyn Alker
  3. pp. ix-x
  4. DOI: 10.1353/tt.2016.0004
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  1. Introduction to “Shedding Skins”: Marie Brassard’s Keynote Performance/Address at the 2015 ATHE Conference
  2. Lionel Walsh
  3. pp. 9-10
  4. DOI: 10.1353/tt.2016.0017
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  1. LGBTQ Twentieth Anniversary Forum: Introduction
  2. Jill Dolan, Kim Marra, Robert A. Schanke
  3. p. 23
  4. DOI: 10.1353/tt.2016.0025
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  1. The Courage to Teach and the Courage to Lead: Considerations for Theatre and Dance in Higher Education
  2. Ray Miller
  3. pp. E-1-E-7
  4. DOI: 10.1353/tt.2016.0001
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  1. Index of Chinese Characters for “Repertoire Is Technique: Programming Transmission at a Xiqu Festival”
  2. Josh Stenberg
  3. pp. E-9-E-10
  4. DOI: 10.1353/tt.2016.0006
  5. View | Download |