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Table of Contents

  1. The First Folio’s Arrangement and Its Finale
  2. Valerie Wayne
  3. pp. 389-408
  4. DOI: https://doi.org/10.1353/shq.2015.0064
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  1. Homo Faber, Action Hero Manqué: Crafting the State in Coriolanus
  2. Theodore F. Kaouk
  3. pp. 409-439
  4. DOI: https://doi.org/10.1353/shq.2015.0069
  5. restricted access
  1. The Crowd in Imogen’s Bedroom: Allusion and Ethics in Cymbeline
  2. J. K. Barret
  3. pp. 440-462
  4. DOI: https://doi.org/10.1353/shq.2015.0073
  5. restricted access
  1. Coriolanus ed. by Peter Holland (review)
  2. Warren Chernaik
  3. pp. 463-465
  4. DOI: https://doi.org/10.1353/shq.2015.0077
  5. restricted access
  1. The Oxford Handbook of Shakespeare’s Poetry ed. by Jonathan F. S. Post (review)
  2. Megan Heffernan
  3. pp. 465-467
  4. DOI: https://doi.org/10.1353/shq.2015.0081
  5. restricted access
  1. Paratexts in English Printed Drama to 1642 ed. by Thomas L. Berger, Sonia Massai, Tania Demetriou (review)
  2. Zachary Lesser
  3. pp. 467-470
  4. DOI: https://doi.org/10.1353/shq.2015.0058
  5. restricted access
  1. Shakespeare and Venice by Graham Holderness, and: Visions of Venice in Shakespeare ed. by Shaul Bassi, Laura Tosi (review)
  2. Fernando Cioni
  3. pp. 470-473
  4. DOI: https://doi.org/10.1353/shq.2015.0062
  5. restricted access
  1. Shakespeare’s Nature: From Cultivation to Culture by Charlotte Scott (review)
  2. Rebecca Bushnell
  3. pp. 474-476
  4. DOI: https://doi.org/10.1353/shq.2015.0067
  5. restricted access
  1. Being and Having in Shakespeare by Katharine Eisaman Maus (review)
  2. John Gillies
  3. pp. 476-479
  4. DOI: https://doi.org/10.1353/shq.2015.0071
  5. restricted access
  1. Of Bondage: Debt, Property, and Personhood in Early Modern England by Amanda Bailey (review)
  2. Michelle M. Dowd
  3. pp. 479-482
  4. DOI: https://doi.org/10.1353/shq.2015.0075
  5. restricted access
  1. The Tears of Sovereignty: Perspectives of Power in Renaissance Drama by Philip Lorenz (review)
  2. Christopher Pye
  3. pp. 482-484
  4. DOI: https://doi.org/10.1353/shq.2015.0079
  5. restricted access
  1. The Melancholy Assemblage: Affect and Epistemology in the English Renaissance by Drew Daniel (review)
  2. Douglas Trevor
  3. pp. 485-487
  4. DOI: https://doi.org/10.1353/shq.2015.0056
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  1. Rethinking Shakespeare’s Skepticism: The Aesthetics of Doubt in the Sonnets and Plays by Suzanne M. Tartamella, and: Shakespeare and the Art of Lying ed. by Shormishtha Panja (review)
  2. Scott Maisano
  3. pp. 488-491
  4. DOI: https://doi.org/10.1353/shq.2015.0060
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  1. The End of Satisfaction: Drama and Repentance in the Age of Shakespeare by Heather Hirschfeld (review)
  2. William Revere
  3. pp. 491-494
  4. DOI: https://doi.org/10.1353/shq.2015.0065
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  1. The Gospel According to Shakespeare by Piero Boitani, and: Faith in Shakespeare by Richard C. McCoy (review)
  2. Peter Berek
  3. pp. 494-498
  4. DOI: https://doi.org/10.1353/shq.2015.0070
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  1. Shakespeare and the Apocalypse: Visions of Doom from Early Modern Tragedy to Popular Culture by R. M. Christofides (review)
  2. Richard Hillman
  3. pp. 498-501
  4. DOI: https://doi.org/10.1353/shq.2015.0074
  5. restricted access
  1. Shakespiritualism: Shakespeare and the Occult, 1850–1950 by Jeffrey Kahan (review)
  2. Robert Sawyer
  3. pp. 501-504
  4. DOI: https://doi.org/10.1353/shq.2015.0078
  5. restricted access
  1. Occult Knowledge, Science, and Gender on the Shakespearean Stage by Mary Floyd-Wilson (review)
  2. Tanya Pollard
  3. pp. 504-506
  4. DOI: https://doi.org/10.1353/shq.2015.0082
  5. restricted access
  1. Women Making Shakespeare: Text, Reception and Performance ed. by Gordon McMullan, Lena Cowen Orlin, Virginia Mason Vaughan (review)
  2. Carol Chillington Rutter
  3. pp. 506-509
  4. DOI: https://doi.org/10.1353/shq.2015.0059
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  1. Reviewing Shakespeare: Journalism and Performance from the Eighteenth Century to the Present by Paul Prescott (review)
  2. Robert Ormsby
  3. pp. 509-511
  4. DOI: https://doi.org/10.1353/shq.2015.0063
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  1. Shakespeare Expressed: Page, Stage, and Classroom in Shakespeare and His Contemporaries ed. by Kathryn M. Moncrief, Kathryn R. McPherson, Sarah Enloe (review)
  2. Robert Young
  3. pp. 511-513
  4. DOI: https://doi.org/10.1353/shq.2015.0068
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  1. Reinventing the Renaissance: Shakespeare and His Contemporaries in Adaptation and Performance ed. by Sarah Annes Brown, Robert I. Lublin, Lynsey McCulloch (review)
  2. Stuart Hampton-Reeves
  3. pp. 514-516
  4. DOI: https://doi.org/10.1353/shq.2015.0072
  5. restricted access
  1. Screening Early Modern Drama: Beyond Shakespeare by Pascale Aebischer, and: Spectral Shakespeares: Media Adaptations in the Twenty-First Century by Maurizio Calbi (review)
  2. Ramona Wray
  3. pp. 517-520
  4. DOI: https://doi.org/10.1353/shq.2015.0076
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  1. Teaching Shakespeare beyond the Centre: Australasian Perspectives ed. by Kate Flaherty, Penny Gay, L. E. Semler (review)
  2. Darryl Chalk
  3. pp. 520-523
  4. DOI: https://doi.org/10.1353/shq.2015.0080
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  1. Shakespeare and the Digital World: Redefining Scholarship and Practice ed. by Christie Carson, Peter Kirwan (review)
  2. Brett D. Hirsch
  3. pp. 523-526
  4. DOI: https://doi.org/10.1353/shq.2015.0057
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  1. Volume 66 Contents
  3. pp. 532-538
  4. DOI: https://doi.org/10.1353/shq.2015.0066
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  1. Contributors
  3. pp. 527-531
  4. DOI: https://doi.org/10.1353/shq.2015.0061
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