1. The First Folio’s Arrangement and Its Finale
  2. Valerie Wayne
  3. pp. 389-408
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  1. Homo Faber, Action Hero Manqué: Crafting the State in Coriolanus
  2. Theodore F. Kaouk
  3. pp. 409-439
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  1. The Crowd in Imogen’s Bedroom: Allusion and Ethics in Cymbeline
  2. J. K. Barret
  3. pp. 440-462
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  1. Coriolanus ed. by Peter Holland (review)
  2. Warren Chernaik
  3. pp. 463-465
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  1. The Oxford Handbook of Shakespeare’s Poetry ed. by Jonathan F. S. Post (review)
  2. Megan Heffernan
  3. pp. 465-467
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  1. Paratexts in English Printed Drama to 1642 ed. by Thomas L. Berger, Sonia Massai, Tania Demetriou (review)
  2. Zachary Lesser
  3. pp. 467-470
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  1. Shakespeare and Venice by Graham Holderness, and: Visions of Venice in Shakespeare ed. by Shaul Bassi, Laura Tosi (review)
  2. Fernando Cioni
  3. pp. 470-473
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  1. Shakespeare’s Nature: From Cultivation to Culture by Charlotte Scott (review)
  2. Rebecca Bushnell
  3. pp. 474-476
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  1. Being and Having in Shakespeare by Katharine Eisaman Maus (review)
  2. John Gillies
  3. pp. 476-479
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  1. Of Bondage: Debt, Property, and Personhood in Early Modern England by Amanda Bailey (review)
  2. Michelle M. Dowd
  3. pp. 479-482
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  1. The Tears of Sovereignty: Perspectives of Power in Renaissance Drama by Philip Lorenz (review)
  2. Christopher Pye
  3. pp. 482-484
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  1. The Melancholy Assemblage: Affect and Epistemology in the English Renaissance by Drew Daniel (review)
  2. Douglas Trevor
  3. pp. 485-487
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  1. The End of Satisfaction: Drama and Repentance in the Age of Shakespeare by Heather Hirschfeld (review)
  2. William Revere
  3. pp. 491-494
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  1. The Gospel According to Shakespeare by Piero Boitani, and: Faith in Shakespeare by Richard C. McCoy (review)
  2. Peter Berek
  3. pp. 494-498
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  1. Shakespeare and the Apocalypse: Visions of Doom from Early Modern Tragedy to Popular Culture by R. M. Christofides (review)
  2. Richard Hillman
  3. pp. 498-501
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  1. Shakespiritualism: Shakespeare and the Occult, 1850–1950 by Jeffrey Kahan (review)
  2. Robert Sawyer
  3. pp. 501-504
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  1. Occult Knowledge, Science, and Gender on the Shakespearean Stage by Mary Floyd-Wilson (review)
  2. Tanya Pollard
  3. pp. 504-506
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  1. Women Making Shakespeare: Text, Reception and Performance ed. by Gordon McMullan, Lena Cowen Orlin, Virginia Mason Vaughan (review)
  2. Carol Chillington Rutter
  3. pp. 506-509
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  1. Reviewing Shakespeare: Journalism and Performance from the Eighteenth Century to the Present by Paul Prescott (review)
  2. Robert Ormsby
  3. pp. 509-511
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  1. Teaching Shakespeare beyond the Centre: Australasian Perspectives ed. by Kate Flaherty, Penny Gay, L. E. Semler (review)
  2. Darryl Chalk
  3. pp. 520-523
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  1. Shakespeare and the Digital World: Redefining Scholarship and Practice ed. by Christie Carson, Peter Kirwan (review)
  2. Brett D. Hirsch
  3. pp. 523-526
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  1. Volume 66 Contents
  2. pp. 532-538
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  1. Contributors
  2. pp. 527-531
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