free access   Volume 34, Number 1, Spring 2016

Table of Contents

Reanimating Playbooks: Editing for Performance, Performance for Editing

Edited by C. K. Ash, José A. Pérez Díez, and Emma Smith

free access   Introduction

pp. 1-3


free access   Editing for Performance or Documenting Performance?: Exploring the Relationship Between Early Modern Text and Clowning

pp. 5-27

free access   “Cannot I keep that secret?”: Editing and Performing Asides in The Changeling

pp. 29-45

free access   Interviews with Theatre Practitioners about Texts for Performance

pp. 47-68

free access   Editing on Stage: Theatrical Research for a Critical Edition of John Fletcher and Philip Massinger’s Love’s Cure, or The Martial Maid

pp. 69-88

free access   Activating Annotations, an Experiment with Proverbs

pp. 89-105

free access   Beyond the Text: Digital Editions and Performance

pp. 107-127

Performance Reviews

free access   Haider dir. by Vishal Bhardwaj (review)

pp. 129-132

free access   King Lear by Narodowy Teatr Stary (review)

pp. 132-139

free access   Richard III dir. by Joeri Vos (review)

pp. 139-143

free access   Anarchy: Ride or Die dir. by Michael Almereyda (review)

pp. 144-146

free access   Romeo and Juliet dir. by Mike Peebler and John Walcutt, and: Four Clowns presents Hamlet dir. by Turner Munch (review)

pp. 146-153

free access   The Winter’s Tale dir. by Rob Ashford and Kenneth Branagh (review)

pp. 153-157

free access   Sleep No More dir. by Felix Barrett and Maxine Doyle, and: Something Rotten! by Karey Kirpatrick and John O’Farrell (review)

pp. 157-165

Second Looks

free access   Three Gentlemen of Verona

pp. 167-181

Book Reviews

free access   Shakespeare’s Religious Language: A Dictionary by R. Chris Hassel, and: Shakespeare and Religion by Alison Shell, and: The Reformation of Emotions in the Age of Shakespeare by Steven Mullaney (review)

pp. 183-186

free access   The Renaissance of Emotion: Understanding Affect in Shakespeare and his Contemporaries ed. by Richard Meek and Erin Sullivan (review)

pp. 187-192