+ MUSE Alert

In this Issue

Table of Contents

  1. “Cannot I keep that secret?”: Editing and Performing Asides in The Changeling
  2. Nora Williams
  3. pp. 29-45
  4. DOI: https://doi.org/10.1353/shb.2016.0005
  5. restricted access
  1. Interviews with Theatre Practitioners about Texts for Performance
  2. Abigail Rokison-Woodall
  3. pp. 47-68
  4. DOI: https://doi.org/10.1353/shb.2016.0008
  5. restricted access
  1. Activating Annotations, an Experiment with Proverbs
  2. C. K. Ash
  3. pp. 89-105
  4. DOI: https://doi.org/10.1353/shb.2016.0013
  5. restricted access
  1. Beyond the Text: Digital Editions and Performance
  2. Brett D. Hirsch, Janelle Jenstad
  3. pp. 107-127
  4. DOI: https://doi.org/10.1353/shb.2016.0015
  5. restricted access
  1. Haider dir. by Vishal Bhardwaj (review)
  2. Paromita Chakravarti
  3. pp. 129-132
  4. DOI: https://doi.org/10.1353/shb.2016.0001
  5. restricted access
  1. King Lear by Narodowy Teatr Stary (review)
  2. Magdalena Cieślak
  3. pp. 132-139
  4. DOI: https://doi.org/10.1353/shb.2016.0004
  5. restricted access
  1. Richard III dir. by Joeri Vos (review)
  2. Coen Heijes
  3. pp. 139-143
  4. DOI: https://doi.org/10.1353/shb.2016.0007
  5. restricted access
  1. Anarchy: Ride or Die dir. by Michael Almereyda (review)
  2. Gabriella Infante
  3. pp. 144-146
  4. DOI: https://doi.org/10.1353/shb.2016.0010
  5. restricted access
  1. The Winter’s Tale dir. by Rob Ashford and Kenneth Branagh (review)
  2. Gemma Miller
  3. pp. 153-157
  4. DOI: https://doi.org/10.1353/shb.2016.0014
  5. restricted access
  1. Three Gentlemen of Verona
  2. William C. Carroll
  3. pp. 167-181
  4. DOI: https://doi.org/10.1353/shb.2016.0003
  5. restricted access
  1. Introduction
  2. C. K. Ash, José A. Pérez Díez, Emma Smith
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/shb.2016.0016
  5. restricted access