1. Editing for Performance or Documenting Performance?: Exploring the Relationship Between Early Modern Text and Clowning
  2. Stephen Purcell
  3. pp. 5-27
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  1. “Cannot I keep that secret?”: Editing and Performing Asides in The Changeling
  2. Nora Williams
  3. pp. 29-45
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  1. Interviews with Theatre Practitioners about Texts for Performance
  2. Abigail Rokison-Woodall
  3. pp. 47-68
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  1. Activating Annotations, an Experiment with Proverbs
  2. C. K. Ash
  3. pp. 89-105
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  1. Beyond the Text: Digital Editions and Performance
  2. Brett D. Hirsch, Janelle Jenstad
  3. pp. 107-127
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  1. Haider dir. by Vishal Bhardwaj (review)
  2. Paromita Chakravarti
  3. pp. 129-132
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  1. King Lear by Narodowy Teatr Stary (review)
  2. Magdalena Cieślak
  3. pp. 132-139
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  1. Richard III dir. by Joeri Vos (review)
  2. Coen Heijes
  3. pp. 139-143
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  1. Anarchy: Ride or Die dir. by Michael Almereyda (review)
  2. Gabriella Infante
  3. pp. 144-146
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  1. Romeo and Juliet dir. by Mike Peebler and John Walcutt, and: Four Clowns presents Hamlet dir. by Turner Munch (review)
  2. John Miller
  3. pp. 146-153
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  1. The Winter’s Tale dir. by Rob Ashford and Kenneth Branagh (review)
  2. Gemma Miller
  3. pp. 153-157
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  1. Sleep No More dir. by Felix Barrett and Maxine Doyle, and: Something Rotten! by Karey Kirpatrick and John O’Farrell (review)
  2. Dan Venning
  3. pp. 157-165
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  1. Three Gentlemen of Verona
  2. William C. Carroll
  3. pp. 167-181
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  1. The Renaissance of Emotion: Understanding Affect in Shakespeare and his Contemporaries ed. by Richard Meek and Erin Sullivan (review)
  2. Rachel Willie
  3. pp. 187-192
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  1. Introduction
  2. C. K. Ash, José A. Pérez Díez, Emma Smith
  3. pp. 1-3
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