1. The Physics of the Mola: W/riting Indigenous Resurgence on the Contemporary Stage
  2. Jill Carter
  3. pp. 1-25
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  1. Realizing Personality in The Importance of Being Earnest
  2. Sarah Balkin
  3. pp. 26-48
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  1. Performing Catastrophe: Erwin Piscator’s Documentary Theatre
  2. Minou Arjomand
  3. pp. 49-74
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  1. Dramatizing Biographers: Michael Meyer’s A Meeting in Rome and Robert Ferguson’s Dr. Ibsen’s Ghosts
  2. Ellen Rees
  3. pp. 75-94
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  1. The Future and the Commodity: Walter Benjamin and Eric Overmyer’s On the Verge
  2. Keith Appler
  3. pp. 95-114
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  1. Coloring Whiteness: Acts of Critique in Black Performance by Faedra Chatard Carpenter (review)
  2. Jennifer Larson
  3. pp. 115-117
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  1. Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania by Diana Looser (review)
  2. Margaret Werry
  3. pp. 117-119
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  1. The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics by Liang Luo (review)
  2. Siyuan Liu
  3. pp. 120-122
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  1. Echo’s Voice: The Theatres of Sarraute, Duras, Cixous and Renaude by Mary Noonan (review)
  2. Judith G. Miller
  3. pp. 122-125
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  1. The Soviet Theater: A Documentary History ed. by Laurence Senelick, Sergei Ostrovsky (review)
  2. Ania Aizman
  3. pp. 125-127
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  1. Theatre and Evolution from Ibsen to Beckett by Kirsten Shepherd-Barr (review)
  2. Mike Vanden Heuvel
  3. pp. 128-130
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  1. Visions and Revisions: Performance, Memory, Trauma ed. by Bryoni Trezise, Caroline Wake (review)
  2. Patrick Duggan
  3. pp. 130-133
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