1. Song as Paraphrase
  2. Lawrence Kramer
  3. pp. 573-594
  4. DOI: 10.1353/nlh.2015.0035
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  1. Unwriting Medieval Song
  2. Emma Dillon
  3. pp. 595-622
  4. DOI: 10.1353/nlh.2015.0038
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  1. Ci Songs From the Song Dynasty: A Ménage à Trois of Lyrics, Music, and Performance
  2. Joseph S. C. Lam
  3. pp. 623-646
  4. DOI: 10.1353/nlh.2015.0040
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  1. It’s Not About the Cut: The Castrato’s Instrumentalized Song
  2. Bonnie Gordon
  3. pp. 647-667
  4. DOI: 10.1353/nlh.2015.0042
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  1. Poem Into Song
  2. Elizabeth Helsinger
  3. pp. 669-690
  4. DOI: 10.1353/nlh.2015.0044
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  1. “The Abstract Pathos of Song”: Carl Sandburg, John Lomax, and the Modernist Revival of Folksong
  2. Andrew Peart
  3. pp. 691-714
  4. DOI: 10.1353/nlh.2015.0031
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  1. Songs of the Century
  2. T. Austin Graham
  3. pp. 715-736
  4. DOI: 10.1353/nlh.2015.0034
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  1. Dylan’s Bridges
  2. Charles O. Hartman
  3. pp. 737-757
  4. DOI: 10.1353/nlh.2015.0037
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  1. To Make Song Without Singing: Hip Hop and Popular Music in Senegal
  2. Catherine M. Appert
  3. pp. 759-774
  4. DOI: 10.1353/nlh.2015.0039
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  1. TransAmericana: Gender, Genre, and Journey
  2. Shana Goldin-Perschbacher
  3. pp. 775-803
  4. DOI: 10.1353/nlh.2015.0041
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  1. The Audible Past, or What Remains of the Song-Sequence in New Bollywood Cinema
  2. Sangita Gopal
  3. pp. 805-822
  4. DOI: 10.1353/nlh.2015.0043
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  1. Songs Are Like Tattoos: A Response
  2. Eric Lott
  3. pp. 823-830
  4. DOI: 10.1353/nlh.2015.0045
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  1. Introduction
  2. Jahan Ramazani, Herbert F. Tucker
  3. pp. vii-xi
  4. DOI: 10.1353/nlh.2015.0032
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  1. Contributors
  2. pp. 831-832
  3. DOI: 10.1353/nlh.2015.0033
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  1. Books Received
  2. pp. 833-834
  3. DOI: 10.1353/nlh.2015.0036
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