1. Constructing Ordinary Time in Adam Bede: The Architectural Structure of Eliot’s Realism
  2. Jody Griffith
  3. pp. 1-18
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  1. The Paradox of Narrative Empathy and the Form of the Novel, or What George Eliot Knew
  2. Anna Lindhé
  3. pp. 19-42
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  1. Elizabeth Stuart Phelps, Nathaniel Hawthorne, and the Emergence of American Literary Realism
  2. Sophia Forster
  3. pp. 43-64
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  1. Edna Ferber and the Problems of the Middlebrow
  2. Elyse Vigiletti
  3. pp. 65-85
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  1. Queering Philip Roth: Homosocial Discourse in “An Actor’s Life for Me,” Letting Go, Sabbath’s Theater, and the “American Trilogy”
  2. David Brauner
  3. pp. 86-106
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  1. Towards a “Narratology of Otherness”: Colum McCann, Ireland, and a New Transcultural Approach
  2. Ruth Gilligan
  3. pp. 107-125
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  1. Generic Networks
  2. Michael Falk
  3. pp. 126-129
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  1. The Player Piano and the Edwardian Novel by Cecilia Björkén-Nyberg (review)
  2. Joanna Swafford
  3. pp. 130-131
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  1. Jane Austen’s Names: Riddles, Persons, Places by Margaret Doody (review)
  2. Douglas Murray
  3. pp. 132-133
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  1. The Expedition of Humphry Clinker: Norton Critical Edition by Evan Gottlieb (review)
  2. Denys Van Renen
  3. pp. 133-135
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  1. Relics of Death in Victorian Literature and Culture by Deborah Lutz (review)
  2. Celeste McMaster
  3. pp. 135-137
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  1. Epic into Novel: Henry Fielding, Scriblerian Satire, and the Consumption of Classical Literature by Henry Power (review)
  2. Rebecca Tierney-Hynes
  3. pp. 137-138
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  1. American Environmental Fiction, 1782–1847 by Matthew Wynn Sivils (review)
  2. Laura Dassow Walls
  3. pp. 139-140
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  1. Fantasy and the Real World in British Children’s Literature by Caroline Webb (review)
  2. Kathryn Strong Hansen
  3. pp. 141-142
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  1. Contributors
  2. p. 143
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