1. The Sexual Objects of “Parodistic” Camp
  2. Scott Herring
  3. pp. 5-8
  4. DOI: 10.1353/mod.2016.0013
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  1. Camp, Modernism, and Charles Henri Ford
  2. Alexander Howard
  3. pp. 9-13
  4. DOI: 10.1353/mod.2016.0018
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  1. Christopher Isherwood and the Limits of Camp
  2. Chris Freeman
  3. pp. 14-17
  4. DOI: 10.1353/mod.2016.0022
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  1. Camp Orlando (or) Orlando
  2. Madelyn Detloff
  3. pp. 18-22
  4. DOI: 10.1353/mod.2016.0026
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  1. Lady Macbeth Goes to Hollywood
  2. Melissa Bradshaw
  3. pp. 23-27
  4. DOI: 10.1353/mod.2016.0002
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  1. A Fugue on Camp
  2. Allan Pero
  3. pp. 28-36
  4. DOI: 10.1353/mod.2016.0006
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  1. Buenos Aires Bohème: Argentina and the Transatlantic Bohemian Renaissance, 1890–1910
  2. Brian Bockelman
  3. pp. 37-63
  4. DOI: 10.1353/mod.2016.0011
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  1. Elaborations of the Machine: The Automata Ballets
  2. Linda M. Austin
  3. pp. 65-87
  4. DOI: 10.1353/mod.2016.0016
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  1. Cybernetic Modernism and the Feedback Loop: Ezra Pound’s Poetics of Transmission
  2. Heather A. Love
  3. pp. 89-111
  4. DOI: 10.1353/mod.2016.0020
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  1. The Institutionalization of the Postwar Poet
  2. Kamran Javadizadeh
  3. pp. 113-139
  4. DOI: 10.1353/mod.2016.0024
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  1. Out of the Archive: Woolfian Domestic Economies
  2. Sara Crangle
  3. pp. 141-176
  4. DOI: 10.1353/mod.2016.0000
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  1. Cathedra: A Modernist Reading of Wittgenstein’s Philosophical Investigations
  2. W. P. Grundy
  3. pp. 177-191
  4. DOI: 10.1353/mod.2016.0004
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  1. Histories of the Future: The Institute of Contemporary Arts and the Reconstruction of Modernism in Post-war Britain
  2. Kevin Brazil
  3. pp. 193-217
  4. DOI: 10.1353/mod.2016.0009
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  1. The September Issue: Excess and Austerity in Fashion
  2. Jessica Burstein
  3. pp. 219-231
  4. DOI: 10.1353/mod.2016.0014
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  1. Infrastructures of Being: Modernism as Media Theory
  2. Justus Nieland
  3. pp. 233-242
  4. DOI: 10.1353/mod.2016.0019
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  1. Soldiers and Suffragettes: The Photography of Christina Broom (review)
  2. Eileen Chanin
  3. pp. 243-248
  4. DOI: 10.1353/mod.2016.0023
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  1. Giorgio de Chirico and the Metaphysical City: Nietzsche, Modernism, Paris by Ara H. Merjian (review)
  2. Jonathan P. Eburne
  3. pp. 249-251
  4. DOI: 10.1353/mod.2016.0027
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  1. Racial Blackness and the (Dis)continuity of Western Modernity by Lindon Barrett (review)
  2. Hortense J. Spillers
  3. pp. 251-255
  4. DOI: 10.1353/mod.2016.0003
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  1. What is a Classic? Postcolonial Rewriting and invention of the Canon by Ankhi Mukherjee (review)
  2. Urmila Seshagiri
  3. pp. 255-257
  4. DOI: 10.1353/mod.2016.0007
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  1. Out of Character: Modernism, Vitalism, Psychic Life by Omri Moses (review)
  2. Claire Laville
  3. pp. 257-259
  4. DOI: 10.1353/mod.2016.0012
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  1. Modernism and Masculinity ed. by Natalya Lusty and Julian Murphet (review)
  2. Calvin Thomas
  3. pp. 259-261
  4. DOI: 10.1353/mod.2016.0017
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  1. James Merrill: Life and Art by Langdon Hammer (review)
  2. Benjamin Madden
  3. pp. 261-263
  4. DOI: 10.1353/mod.2016.0021
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  1. The Poetics of Waste: Queer Excess in Stein, Ashbery, Schuyler, and Goldsmith by Christopher Schmidt (review)
  2. Stephanie Lambert
  3. pp. 263-265
  4. DOI: 10.1353/mod.2016.0025
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  1. The War That Used Up Words: American Writers and the First World War by Hazel Hutchison (review)
  2. Alice Kelly
  3. pp. 266-268
  4. DOI: 10.1353/mod.2016.0001
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  1. Hugh Garner’s Best Stories: A Critical Edition by Hugh Garner (review)
  2. Emily Christina Murphy
  3. pp. 268-269
  4. DOI: 10.1353/mod.2016.0005
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  1. The Judas Kiss: Treason and Betrayal in Six Modern Irish Novels by Gerry Smyth (review)
  2. James Alexander Fraser
  3. pp. 270-272
  4. DOI: 10.1353/mod.2016.0010
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  1. Recent Books of Interest
  2. pp. 273-275
  3. DOI: 10.1353/mod.2016.0015
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  1. Camp Modernism Introduction
  2. Marsha Bryant, Douglas Mao
  3. pp. 1-4
  4. DOI: 10.1353/mod.2016.0008
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