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Table of Contents

  1. Commensurable Distinctions: Intercultural Negotiations of Modern and Contemporary Japanese Visual Culture
  2. Bert Winther-Tamaki, Kenichi Yoshida
  3. pp. 1-12
  4. DOI: https://doi.org/10.1353/roj.2016.0019
  5. restricted access
  1. Six Episodes of Convergence Between Indian, Japanese, and Mexican Art from the Late Nineteenth Century to the Present
  2. Bert Winther-Tamaki
  3. pp. 13-32
  4. DOI: https://doi.org/10.1353/roj.2016.0002
  5. restricted access
  1. Picasso as Other—Koyama Fujio and the Polemics of Postwar Japanese Ceramics
  2. Yasuko Tsuchikane
  3. pp. 33-49
  4. DOI: https://doi.org/10.1353/roj.2016.0005
  5. restricted access
  1. Pictures of Beautiful Women: A Modern Japanese Genre and Its Counterparts in Europe, China, Korea, and Vietnam
  2. Kojima Kaoru
  3. pp. 50-64
  4. DOI: https://doi.org/10.1353/roj.2016.0008
  5. restricted access
  1. A “Pirates’ View” of Art History
  2. Inaga Shigemi
  3. pp. 65-79
  4. DOI: https://doi.org/10.1353/roj.2016.0011
  5. restricted access
  1. From The Sea Beyond: Hōsui, Seiki, Tenshin, and the West Sea of Hybridization: In Dispute over Urashima
  2. Takashina Erika, Christina M. Spiker
  3. pp. 80-103
  4. DOI: https://doi.org/10.1353/roj.2016.0014
  5. restricted access
  1. From The Representation of “Japan” in Wartime World’s Fairs Modernists and “Japaneseness”
  2. Yamamoto Sae, Aoki Fujio, Jessica Jordan, Paul W. Ricketts
  3. pp. 104-134
  4. DOI: https://doi.org/10.1353/roj.2016.0017
  5. restricted access
  1. Resources, Scale, and Recognition in Japanese Contemporary Art: “Tokyo Pop” and the Struggle for a Page in Art History
  2. Adrian Favell
  3. pp. 135-153
  4. DOI: https://doi.org/10.1353/roj.2016.0000
  5. restricted access
  1. Four Projects
  2. Ozawa Tsuyoshi
  3. pp. 154-164
  4. DOI: https://doi.org/10.1353/roj.2016.0004
  5. restricted access
  1. From The Sideshow Called Fine Art
  2. Kinoshita Naoyuki, Michael P. Cronin
  3. pp. 165-188
  4. DOI: https://doi.org/10.1353/roj.2016.0007
  5. restricted access
  1. Reality Within and Without: Surrealism in Japan and China in the Early 1930s
  2. Chinghsin Wu
  3. pp. 189-208
  4. DOI: https://doi.org/10.1353/roj.2016.0010
  5. restricted access
  1. Fukuhara Shinzō and the “Japanese” Pictorial Aesthetic
  2. Karen M. Fraser
  3. pp. 209-227
  4. DOI: https://doi.org/10.1353/roj.2016.0013
  5. restricted access
  1. From Temple of the Eye – Notes on the Reception of “Fine Art”
  2. Kitazawa Noriaki, Kenneth Masaki Shima
  3. pp. 228-241
  4. DOI: https://doi.org/10.1353/roj.2016.0016
  5. restricted access
  1. From Van Gogh as Intellectual History: The Reception of Reproductions and Imagination
  2. Kinoshita Nagahiro, Kevin Singleton
  3. pp. 242-265
  4. DOI: https://doi.org/10.1353/roj.2016.0020
  5. restricted access
  1. Minor Transnational Inter-Subjectivity in the People’s Art of Kitagawa Tamiji
  2. Yuko Kikuchi
  3. pp. 266-284
  4. DOI: https://doi.org/10.1353/roj.2016.0003
  5. restricted access
  1. The Imagined Map of the Nation: Postwar Japan from 1945 to 1970
  2. Hayashi Michio
  3. pp. 285-303
  4. DOI: https://doi.org/10.1353/roj.2016.0006
  5. restricted access
  1. A Place to Bury Names, or Resurrection (Circulation and Continuity of Energy) as a Dissolution of Identity: Isamu Noguchi’s Memorial to the Dead of Hiroshima and Shirai Sei’ichi’s Temple Atomic Catastrophes
  2. Okazaki Kenjirō
  3. pp. 304-317
  4. DOI: https://doi.org/10.1353/roj.2016.0009
  5. restricted access
  1. Deactivating the Future: Sawaragi Noi’s Polemical Recoil from Contemporary Art
  2. Kenichi Yoshida
  3. pp. 318-340
  4. DOI: https://doi.org/10.1353/roj.2016.0012
  5. restricted access
  1. From Art and Identity: For Whom, For What? The “Present” Upon the “Contemporary”
  2. Satō Dōshin, Sarah Allen
  3. pp. 341-361
  4. DOI: https://doi.org/10.1353/roj.2016.0015
  5. restricted access
  1. Art in Focus
  2. Reiko Tomii
  3. pp. 362-365
  4. DOI: https://doi.org/10.1353/roj.2016.0018
  5. restricted access
  1. On the Contributors
  3. pp. 366-373
  4. DOI: https://doi.org/10.1353/roj.2016.0001
  5. restricted access