1. The Other Side of the Tracks: Nontheatrical Film History, Pre-Rebellion Watts, and Felicia
  2. Marsha Gordon, Allyson Nadia Field
  3. pp. 1-24
  4. DOI: 10.1353/cj.2016.0016
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  1. The “Is” in What Is Cinema?: On André Bazin and Stanley Cavell
  2. Burke Hilsabeck
  3. pp. 25-42
  4. DOI: 10.1353/cj.2016.0000
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  1. Found-Footage Horror and the Frame’s Undoing
  2. Cecilia Sayad
  3. pp. 43-66
  4. DOI: 10.1353/cj.2016.0003
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  1. Franchising and Film in Japan: Transmedia Production and the Changing Roles of Film in Contemporary Japanese Media Cultures
  2. Rayna Denison
  3. pp. 67-88
  4. DOI: 10.1353/cj.2016.0006
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  1. Engaging Distractions: Regulating Second-Screen Use in the Theater
  2. Dan Hassoun
  3. pp. 89-111
  4. DOI: 10.1353/cj.2016.0013
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  1. Staying on, or Getting off (the Bus): Approaching Speed in Cinema and Media Studies
  2. Tina Kendall
  3. pp. 112-118
  4. DOI: 10.1353/cj.2016.0009
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  1. Still Speed: Cinematic Acceleration, Value, and Execution
  2. Timothy Corrigan
  3. pp. 119-125
  4. DOI: 10.1353/cj.2016.0012
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  1. The Tortoise, the Hare, and the Constitutive Outsiders: Reframing Fast and Slow Cinemas
  2. Karen Beckman
  3. pp. 125-130
  4. DOI: 10.1353/cj.2016.0015
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  1. Speeds of Sound: On Fast Talking in Slow Movies
  2. Neil Archer
  3. pp. 130-135
  4. DOI: 10.1353/cj.2016.0018
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  1. Time for Epic Cinema in an Age of Speed
  2. Dudley Andrew
  3. pp. 135-146
  4. DOI: 10.1353/cj.2016.0002
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  1. Slow, Methodical, and Mulled Over: Analog Film Practice in the Age of the Digital
  2. Kim Knowles
  3. pp. 146-151
  4. DOI: 10.1353/cj.2016.0005
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  1. Affective Trajectories: Locating Diegetic Velocity in the Cinema Experience
  2. Lisa Purse
  3. pp. 151-157
  4. DOI: 10.1353/cj.2016.0008
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  1. Temporality and Film Analysis by Matilda Mroz (review)
  2. Lucy Fife Donaldson
  3. pp. 159-163
  4. DOI: 10.1353/cj.2016.0014
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  1. On Slowness: Toward an Aesthetic of the Contemporary by Lutz Koepnick (review)
  2. Tiago de Luca
  3. pp. 164-168
  4. DOI: 10.1353/cj.2016.0017
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  1. Joseph Cornell versus Cinema by Michael Pigott (review)
  2. Glyn Davis
  3. pp. 168-172
  4. DOI: 10.1353/cj.2016.0001
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  1. Time on TV: Temporal Displacement and Mashup Television by Paul Booth (review)
  2. Myles McNutt
  3. pp. 172-176
  4. DOI: 10.1353/cj.2016.0004
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  1. 24/7: Late Capitalism and the Ends of Sleep by Jonathan Crary (review)
  2. Ella Parry-Davies
  3. pp. 177-181
  4. DOI: 10.1353/cj.2016.0007
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  1. Contributors
  2. pp. 157-158
  3. DOI: 10.1353/cj.2016.0011
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  1. Book Review Contributors
  2. p. 182
  3. DOI: 10.1353/cj.2016.0010
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