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In this Issue

Table of Contents

  1. Acknowledgments: On the Initial Publication of Callaloo
  2. p. vi
  3. DOI: https://doi.org/10.1353/cal.2001.0233
  4. restricted access
  1. A Journal of Necessity: Notes from the Editor
  2. Charles Henry Rowell
  3. pp. viii-x
  4. DOI: https://doi.org/10.1353/cal.2001.0310
  5. restricted access

Poetry

  1. The Greenwood Cycle
  2. Ai
  3. pp. 947-952
  4. DOI: https://doi.org/10.1353/cal.2001.0232
  5. restricted access
  1. The White Homegirl
  2. Ai
  3. pp. 953-954
  4. DOI: https://doi.org/10.1353/cal.2001.0234
  5. restricted access
  1. After the Flood
  2. Lucille Clifton
  3. p. 968
  4. DOI: https://doi.org/10.1353/cal.2001.0237
  5. restricted access
  1. Here Rests
  2. Lucille Clifton
  3. p. 969
  4. DOI: https://doi.org/10.1353/cal.2001.0238
  5. restricted access
  1. In the Mirror
  2. Lucille Clifton
  3. p. 970
  4. DOI: https://doi.org/10.1353/cal.2001.0239
  5. restricted access
  1. Stop
  2. Lucille Clifton
  3. p. 971
  4. DOI: https://doi.org/10.1353/cal.2001.0240
  5. restricted access
  1. This
  2. Lucille Clifton
  3. p. 972
  4. DOI: https://doi.org/10.1353/cal.2001.0241
  5. restricted access
  1. Field Trip
  2. Toi Derricotte
  3. p. 993
  4. DOI: https://doi.org/10.1353/cal.2001.0247
  5. restricted access
  1. My Mother and Duke Ellington: For Michael Harper
  2. Toi Derricotte
  3. p. 994
  4. DOI: https://doi.org/10.1353/cal.2001.0248
  5. restricted access
  1. My Uncle & White People
  2. Toi Derricotte
  3. p. 995
  4. DOI: https://doi.org/10.1353/cal.2001.0249
  5. restricted access
  1. Song For a Hat
  2. Toi Derricotte
  3. p. 996
  4. DOI: https://doi.org/10.1353/cal.2001.0250
  5. restricted access
  1. Desk Dreams
  2. Rita Dove
  3. pp. 997-998
  4. DOI: https://doi.org/10.1353/cal.2001.0246
  5. restricted access
  1. Fox Trot Fridays
  2. Rita Dove
  3. p. 999
  4. DOI: https://doi.org/10.1353/cal.2001.0251
  5. restricted access
  1. Altar
  2. Forrest Hamer
  3. p. 1021
  4. DOI: https://doi.org/10.1353/cal.2001.0254
  5. restricted access
  1. Assisted Living (Goldsboro Narrative #44)
  2. Forrest Hamer
  3. pp. 1022-1024
  4. DOI: https://doi.org/10.1353/cal.2001.0255
  5. restricted access
  1. Outside, A Man is Running Naked Through the Rain
  2. Forrest Hamer
  3. p. 1025
  4. DOI: https://doi.org/10.1353/cal.2001.0256
  5. restricted access
  1. Parable
  2. Forrest Hamer
  3. pp. 1026-1027
  4. DOI: https://doi.org/10.1353/cal.2001.0257
  5. restricted access
  1. Reconciliation
  2. Forrest Hamer
  3. p. 1028
  4. DOI: https://doi.org/10.1353/cal.2001.0258
  5. restricted access
  1. Some Sugar
  2. Forrest Hamer
  3. p. 1029
  4. DOI: https://doi.org/10.1353/cal.2001.0259
  5. restricted access
  1. Someone I Know
  2. Forrest Hamer
  3. p. 1030
  4. DOI: https://doi.org/10.1353/cal.2001.0260
  5. restricted access
  1. Suicide Prevention: (Goldsboro Narrative #43)
  2. Forrest Hamer
  3. p. 1031
  4. DOI: https://doi.org/10.1353/cal.2001.0261
  5. restricted access
  1. Galveston: 9 8 1900
  2. Michael S. Harper
  3. p. 1032
  4. DOI: https://doi.org/10.1353/cal.2001.0262
  5. restricted access
  1. Mary Kinzie's Talk on Milton
  2. Michael S. Harper
  3. pp. 1033-1034
  4. DOI: https://doi.org/10.1353/cal.2001.0263
  5. restricted access
  1. Praisesong for BB (2 18 97)
  2. Michael S. Harper
  3. pp. 1035-1036
  4. DOI: https://doi.org/10.1353/cal.2001.0264
  5. restricted access
  1. Royce Hall
  2. Michael S. Harper
  3. pp. 1037-1038
  4. DOI: https://doi.org/10.1353/cal.2001.0265
  5. restricted access
  1. Zen: The Trainride Home to the Welcome Table
  2. Michael S. Harper
  3. pp. 1039-1040
  4. DOI: https://doi.org/10.1353/cal.2001.0266
  5. restricted access
  1. The Conquest
  2. Claire Harris
  3. pp. 1041-1044
  4. DOI: https://doi.org/10.1353/cal.2001.0267
  5. restricted access
  1. The Habit of Poetry
  2. Claire Harris
  3. pp. 1045-1047
  4. DOI: https://doi.org/10.1353/cal.2001.0268
  5. restricted access
  1. List Poem (with doodles
  2. Claire Harris
  3. pp. 1048-1051
  4. DOI: https://doi.org/10.1353/cal.2001.0269
  5. restricted access
  1. Seance
  2. Yusef Komunyakaa
  3. pp. 1061-1079
  4. DOI: https://doi.org/10.1353/cal.2001.0272
  5. restricted access
  1. You Made Me
  2. Yusef Komunyakaa
  3. pp. 1080-1082
  4. DOI: https://doi.org/10.1353/cal.2001.0273
  5. restricted access
  1. A Mountain Village in Southern France
  2. Clarence Major
  3. pp. 1110-1111
  4. DOI: https://doi.org/10.1353/cal.2001.0276
  5. restricted access
  1. Countryside Camp
  2. Clarence Major
  3. p. 1112
  4. DOI: https://doi.org/10.1353/cal.2001.0277
  5. restricted access
  1. The Crowd
  2. Clarence Major
  3. pp. 1113-1114
  4. DOI: https://doi.org/10.1353/cal.2001.0278
  5. restricted access
  1. Film and Flesh
  2. Clarence Major
  3. p. 1115
  4. DOI: https://doi.org/10.1353/cal.2001.0279
  5. restricted access
  1. Sunday Afternoon
  2. Clarence Major
  3. p. 1116
  4. DOI: https://doi.org/10.1353/cal.2001.0280
  5. restricted access
  1. Cloak
  2. Nancy Morejón, Steven F. White
  3. p. 1117
  4. DOI: https://doi.org/10.1353/cal.2001.0281
  5. restricted access
  1. June Jordan's Garden
  2. Nancy Morejón
  3. p. 1118
  4. DOI: https://doi.org/10.1353/cal.2001.0282
  5. restricted access
  1. Lake Waban
  2. Nancy Morejón, Steven F. White
  3. pp. 1119-1121
  4. DOI: https://doi.org/10.1353/cal.2001.0283
  5. restricted access
  1. Merceditas
  2. Nancy Morejón, Steven F. White
  3. pp. 1122-1123
  4. DOI: https://doi.org/10.1353/cal.2001.0284
  5. restricted access
  1. Mississippi
  2. Nancy Morejón, Steven F. White
  3. p. 1124
  4. DOI: https://doi.org/10.1353/cal.2001.0285
  5. restricted access
  1. Poetry for Dummies
  2. Harryette Mullen
  3. p. 1125
  4. DOI: https://doi.org/10.1353/cal.2001.0286
  5. restricted access
  1. Summer Salt
  2. Harryette Mullen
  3. p. 1126
  4. DOI: https://doi.org/10.1353/cal.2001.0287
  5. restricted access
  1. Banner of Agony
  2. Edimilson de Almeida Pereira, Steven F. White
  3. pp. 1135-1136
  4. DOI: https://doi.org/10.1353/cal.2001.0289
  5. restricted access
  1. Book
  2. Edimilson de Almeida Pereira, Steven F. White
  3. p. 1137
  4. DOI: https://doi.org/10.1353/cal.2001.0290
  5. restricted access
  1. Corália her Food
  2. Edimilson de Almeida Pereira, Steven F. White
  3. p. 1138
  4. DOI: https://doi.org/10.1353/cal.2001.0291
  5. restricted access
  1. Dear Listeners
  2. Edimilson de Almeida Pereira, Steven F. White
  3. p. 1139
  4. DOI: https://doi.org/10.1353/cal.2001.0292
  5. restricted access
  1. Dorva's House
  2. Edimilson de Almeida Pereira, Steven F. White
  3. pp. 1140-1141
  4. DOI: https://doi.org/10.1353/cal.2001.0293
  5. restricted access
  1. Orpheus
  2. Edimilson de Almeida Pereira, Steven F. White
  3. pp. 1142-1145
  4. DOI: https://doi.org/10.1353/cal.2001.0294
  5. restricted access
  1. The Painter Jorge Dos Anjos
  2. Edimilson de Almeida Pereira, Steven F. White
  3. p. 1046
  4. DOI: https://doi.org/10.1353/cal.2001.0295
  5. restricted access
  1. The Painter José Luiz S.
  2. Edimilson de Almeida Pereira, Steven F. White
  3. pp. 1147-1148
  4. DOI: https://doi.org/10.1353/cal.2001.0296
  5. restricted access
  1. The Painter Estêvão Silva
  2. Edimilson de Almeida Pereira, Steven F. White
  3. p. 1149
  4. DOI: https://doi.org/10.1353/cal.2001.0297
  5. restricted access
  1. Sunday
  2. Edimilson de Almeida Pereira, Steven F. White
  3. p. 1150
  4. DOI: https://doi.org/10.1353/cal.2001.0298
  5. restricted access
  1. Unsuffered Parts of a Wife's Letter
  2. Edimilson de Almeida Pereira, Steven F. White
  3. p. 1151
  4. DOI: https://doi.org/10.1353/cal.2001.0299
  5. restricted access
  1. Walking Around
  2. Edimilson de Almeida Pereira, Steven F. White
  3. p. 1152
  4. DOI: https://doi.org/10.1353/cal.2001.0300
  5. restricted access
  1. Charm
  2. Carl Phillips
  3. pp. 1153-1154
  4. DOI: https://doi.org/10.1353/cal.2001.0301
  5. restricted access
  1. Fuse
  2. Carl Phillips
  3. pp. 1155-1156
  4. DOI: https://doi.org/10.1353/cal.2001.0302
  5. restricted access
  1. The Girding
  2. Carl Phillips
  3. pp. 1157-1158
  4. DOI: https://doi.org/10.1353/cal.2001.0303
  5. restricted access
  1. Grove
  2. Carl Phillips
  3. pp. 1159-1160
  4. DOI: https://doi.org/10.1353/cal.2001.0304
  5. restricted access
  1. Libretto
  2. Carl Phillips
  3. pp. 1161-1162
  4. DOI: https://doi.org/10.1353/cal.2001.0305
  5. restricted access
  1. North
  2. Carl Phillips
  3. pp. 1163-1164
  4. DOI: https://doi.org/10.1353/cal.2001.0306
  5. restricted access
  1. To the Interior
  2. Carl Phillips
  3. pp. 1165-1166
  4. DOI: https://doi.org/10.1353/cal.2001.0307
  5. restricted access
  1. Native Guard
  2. Natasha Trethewey
  3. pp. 1194-1197
  4. DOI: https://doi.org/10.1353/cal.2001.0312
  5. restricted access
  1. Cakewalk
  2. Kevin Young
  3. p. 1210
  4. DOI: https://doi.org/10.1353/cal.2001.0314
  5. restricted access
  1. Dixieland
  2. Kevin Young
  3. p. 1211
  4. DOI: https://doi.org/10.1353/cal.2001.0315
  5. restricted access
  1. Roadhouse
  2. Kevin Young
  3. pp. 1212-1213
  4. DOI: https://doi.org/10.1353/cal.2001.0316
  5. restricted access
  1. Gumbo
  2. Kevin Young
  3. p. 1214
  4. DOI: https://doi.org/10.1353/cal.2001.0317
  5. restricted access
  1. Ramble
  2. Kevin Young
  3. p. 1215
  4. DOI: https://doi.org/10.1353/cal.2001.0318
  5. restricted access
  1. Cotillion
  2. Kevin Young
  3. p. 1216
  4. DOI: https://doi.org/10.1353/cal.2001.0319
  5. restricted access
  1. Disaster Movie Theme Music
  2. Kevin Young
  3. pp. 1217-1219
  4. DOI: https://doi.org/10.1353/cal.2001.0320
  5. restricted access

Fiction

  1. He and She at the End of an Afternoon
  2. José Alcántara-Almánzar
  3. pp. 955-959
  4. DOI: https://doi.org/10.1353/cal.2001.0235
  5. restricted access
  1. From The Biblical Register of Final Deeds
  2. Patrick Chamoiseau, Carrol F. Coates
  3. pp. 960-967
  4. DOI: https://doi.org/10.1353/cal.2001.0236
  5. restricted access
  1. A Return to Jacmel
  2. René Depestre, Carrol F. Coates
  3. pp. 983-990
  4. DOI: https://doi.org/10.1353/cal.2001.0244
  5. restricted access
  1. Believers
  2. Percival Everett
  3. pp. 1000-1014
  4. DOI: https://doi.org/10.1353/cal.2001.0252
  5. restricted access
  1. From The Man Who Whipped Children
  2. Ernest J. Gaines
  3. pp. 1015-1020
  4. DOI: https://doi.org/10.1353/cal.2001.0253
  5. restricted access
  1. From the Dark Jester
  2. Wilson Harris
  3. pp. 1052-1057
  4. DOI: https://doi.org/10.1353/cal.2001.0270
  5. restricted access
  1. Better than Counting Sheep
  2. Charles Johnson
  3. pp. 1058-1060
  4. DOI: https://doi.org/10.1353/cal.2001.0271
  5. restricted access
  1. From from a Broken Bottle Traces of Perfume Still Emanate, Volume Four
  2. Nathaniel Mackey
  3. pp. 1102-1109
  4. DOI: https://doi.org/10.1353/cal.2001.0275
  5. restricted access
  1. From the Return
  2. Patricia Powell
  3. pp. 1167-1174
  4. DOI: https://doi.org/10.1353/cal.2001.0308
  5. restricted access
  1. The Face of the Mesquaki Woman
  2. Astrid H. Roemer, Hilda van Neck, Tanja T. Yoder
  3. pp. 1175-1185
  4. DOI: https://doi.org/10.1353/cal.2001.0309
  5. restricted access
  1. Mendez
  2. Robert Stepto
  3. pp. 1186-1193
  4. DOI: https://doi.org/10.1353/cal.2001.0311
  5. restricted access
  1. More
  2. John Edgar Wideman
  3. pp. 1198-1209
  4. DOI: https://doi.org/10.1353/cal.2001.0313
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Nonfiction Prose

  1. From Tales From the Heart
  2. Maryse Condé, Richard Philcox
  3. pp. 973-982
  4. DOI: https://doi.org/10.1353/cal.2001.0242
  5. restricted access
  1. Goodbye to the House
  2. Helen Elaine Lee
  3. pp. 1083-1101
  4. DOI: https://doi.org/10.1353/cal.2001.0274
  5. restricted access
  1. From from the Briarpatch File
  2. Albert Murray
  3. pp. 1127-1134
  4. DOI: https://doi.org/10.1353/cal.2001.0288
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  1. Contributors
  2. pp. 1220-1224
  3. DOI: https://doi.org/10.1353/cal.2001.0243
  4. restricted access