1. The Inorganic Aesthetic in Dickens’s Our Mutual Friend
  2. Ayşe Çelikkol
  3. pp. 1-20
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  1. “I forgot half the words”: Samuel Beckett’s Molloy as Minor Literature
  2. Einat Adar
  3. pp. 21-31
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  1. Against Philosophy: Yaakov Shabtai’s Past Continuous as Therapeutic Literature
  2. Nir Evron
  3. pp. 33-55
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  1. Faces in a Sea of Suffering: The Human Predicament in Saul Bellow’s The Victim
  2. Victoria Aarons
  3. pp. 63-81
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  1. “Schooling in grief”: Effects of Suffering in Saul Bellow’s The Victim and Chaim Potok’s The Chosen
  2. James W. Flath
  3. pp. 83-98
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  1. “Bonfire in summer camp”: Defamiliarization and the Holocaust
  2. Aimee Pozorski
  3. pp. 99-114
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  1. Saul Bellow on the Soul: Character and the Spirit of Culture in Humboldt’s Gift and Ravelstein
  2. Willis Salomon
  3. pp. 127-140
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  1. Saul Bellow and the Theory of Comedy: “Him with His Foot in His Mouth” from Page to Stage
  2. Judie Newman
  3. pp. 159-173
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  1. Real Mysteries: Narrative and the Unknowable by H. Porter Abbott (review)
  2. Daniel Chertoff
  3. pp. 175-178
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  1. Feminist Narrative Ethics: Tacit Persuasion in Modernist Form by Katherine Saunders Nash (review)
  2. Shuli Barzilai
  3. pp. 178-182
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  1. From Sight through to In-Sight: Time, Narrative and Subjectivity in Conrad and Ford by Omar Sabbagh (review)
  2. Andrew Glazzard
  3. pp. 182-185
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  1. Saul Bellow as a Novelist of Ideas: Introduction to the Forum
  2. Victoria Aarons, Gustavo Sánchez-Canales
  3. pp. 57-62
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