restricted access   Volume 22, Number 4, November 2015

Table of Contents

Articles

The Rage of Caliban: Disabling Bodies in Modernist Aesthetics

pp. 609-625
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Squashing the Bookworm: Manly Attention and Male Reading in Silent Film

pp. 627-650
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Bloom’s Job: The Role of the Advertisement Canvasser in Joyce’s Dublin

pp. 651-666
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Jazzing Up Modernism: Jazz, Popular Culture, and Dada in Henry Parland and Gunnar Björling

pp. 667-689
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“Artificial Guts”: Labor and the Body in David Jones’s In Parenthesis

pp. 691-711
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Shame, Subjectivity, and Self-Expression in Cora Sandel and Jean Rhys

pp. 713-734
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Writing “Other Spaces”: Katherine Anne Porter’s Yaddo

pp. 735-757
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Marianne Moore’s “Blue Bug”: A Dialogic Ode on Celebrity, Race, Gender, and Age

pp. 759-786
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Against Critique: Fluxus and the Hacker Aesthetic

pp. 787-810
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Review Essays

European Avant-Garde Coteries and the Modernist Magazine

pp. 811-820
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Immodernist Midcenturies

pp. 821-825
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Book Reviews

Faulkner and Film ed. by Peter Lurie, Ann J. Abadie (review)

pp. 827-828
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Tense Future: Modernism, Total War, Encyclopedic Form by Paul K. Saint-Amour (review)

pp. 829-831
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False Starts: The Rhetoric of Failure and the Making of American Modernism by David M. Ball (review)

pp. 831-832
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The Freak-Garde: Extraordinary Bodies and Revolutionary Art in America by Robin Blyn (review)

pp. 833-835
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Radical History and the Politics of Art by Gabriel Rockhill (review)

pp. 835-837
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Lesbian Modernism: Censorship, Sexuality and Genre Fiction by Elizabeth English (review)

pp. 837-839
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Broadcasting in the Modernist Era ed. by Matthew Feldman, Erik Tonning, Henry Mead (review)

pp. 839-842
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Renascent Joyce ed. by Daniel Ferrer, Sam Slote, and André Topia (review)

pp. 842-843
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Miss Anne in Harlem: The White Women of the Black Renaissance by Carla Kaplan (review)

pp. 844-845
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“Tender Is the Night” and F. Scott Fitzgerald’s Sentimental Identities by Chris Messenger (review)

pp. 846-848
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Recent Books of Interest

pp. 849-851
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