1. The Rage of Caliban: Disabling Bodies in Modernist Aesthetics
  2. Michael Davidson
  3. pp. 609-625
  4. DOI: 10.1353/mod.2015.0075
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  1. Squashing the Bookworm: Manly Attention and Male Reading in Silent Film
  2. Katherine Fusco
  3. pp. 627-650
  4. DOI: 10.1353/mod.2015.0057
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  1. Bloom’s Job: The Role of the Advertisement Canvasser in Joyce’s Dublin
  2. Matthew Hayward
  3. pp. 651-666
  4. DOI: 10.1353/mod.2015.0061
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  1. Jazzing Up Modernism: Jazz, Popular Culture, and Dada in Henry Parland and Gunnar Björling
  2. Harri Veivo
  3. pp. 667-689
  4. DOI: 10.1353/mod.2015.0064
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  1. “Artificial Guts”: Labor and the Body in David Jones’s In Parenthesis
  2. Austin Riede
  3. pp. 691-711
  4. DOI: 10.1353/mod.2015.0067
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  1. Shame, Subjectivity, and Self-Expression in Cora Sandel and Jean Rhys
  2. Patricia Moran
  3. pp. 713-734
  4. DOI: 10.1353/mod.2015.0070
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  1. Writing “Other Spaces”: Katherine Anne Porter’s Yaddo
  2. Kathryn S. Roberts
  3. pp. 735-757
  4. DOI: 10.1353/mod.2015.0073
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  1. Marianne Moore’s “Blue Bug”: A Dialogic Ode on Celebrity, Race, Gender, and Age
  2. Elizabeth Gregory
  3. pp. 759-786
  4. DOI: 10.1353/mod.2015.0077
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  1. Against Critique: Fluxus and the Hacker Aesthetic
  2. Roger Rothman
  3. pp. 787-810
  4. DOI: 10.1353/mod.2015.0059
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  1. European Avant-Garde Coteries and the Modernist Magazine
  2. Jason Harding
  3. pp. 811-820
  4. DOI: 10.1353/mod.2015.0063
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  1. Immodernist Midcenturies
  2. Claire Seiler
  3. pp. 821-825
  4. DOI: 10.1353/mod.2015.0066
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  1. Faulkner and Film ed. by Peter Lurie, Ann J. Abadie (review)
  2. Stuart Burrows
  3. pp. 827-828
  4. DOI: 10.1353/mod.2015.0069
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  1. Tense Future: Modernism, Total War, Encyclopedic Form by Paul K. Saint-Amour (review)
  2. Jackson Ayres
  3. pp. 829-831
  4. DOI: 10.1353/mod.2015.0072
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  1. False Starts: The Rhetoric of Failure and the Making of American Modernism by David M. Ball (review)
  2. Anne Cunningham
  3. pp. 831-832
  4. DOI: 10.1353/mod.2015.0076
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  1. The Freak-Garde: Extraordinary Bodies and Revolutionary Art in America by Robin Blyn (review)
  2. Zena Meadowsong
  3. pp. 833-835
  4. DOI: 10.1353/mod.2015.0058
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  1. Radical History and the Politics of Art by Gabriel Rockhill (review)
  2. Sophie Seita
  3. pp. 835-837
  4. DOI: 10.1353/mod.2015.0062
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  1. Lesbian Modernism: Censorship, Sexuality and Genre Fiction by Elizabeth English (review)
  2. Christina Stevenson
  3. pp. 837-839
  4. DOI: 10.1353/mod.2015.0065
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  1. Broadcasting in the Modernist Era ed. by Matthew Feldman, Erik Tonning, Henry Mead (review)
  2. Andre Furlani
  3. pp. 839-842
  4. DOI: 10.1353/mod.2015.0068
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  1. Renascent Joyce ed. by Daniel Ferrer, Sam Slote, and André Topia (review)
  2. John McCourt
  3. pp. 842-843
  4. DOI: 10.1353/mod.2015.0071
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  1. Miss Anne in Harlem: The White Women of the Black Renaissance by Carla Kaplan (review)
  2. Anne Donlon
  3. pp. 844-845
  4. DOI: 10.1353/mod.2015.0074
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  1. “Tender Is the Night” and F. Scott Fitzgerald’s Sentimental Identities by Chris Messenger (review)
  2. Hongbin Dai
  3. pp. 846-848
  4. DOI: 10.1353/mod.2015.0056
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  1. Recent Books of Interest
  2. pp. 849-851
  3. DOI: 10.1353/mod.2015.0060
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