1. From the Editor
  2. Gail Kern Paster
  3. p. 251
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  1. Shakespeare, Playfere, and the Pirates
  2. Bryan Crockett
  3. pp. 252-285
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  1. “Continuall Factions”: Politics, Friendship, and History in Julius Caesar
  2. Philip Goldfarb Styrt
  3. pp. 286-307
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  1. “How easy is a bush supposed a bear?”: Differentiating Imaginative Production in A Midsummer Night’s Dream
  2. Adam Rzepka
  3. pp. 308-328
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  1. Shakespeare and the Urgency of Now: Criticism and Theory in the Twenty-First Century ed. by Cary DiPietro, Hugh Grady (review)
  2. Eric S. Mallin
  3. pp. 329-332
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  1. What’s the Worst Thing You Can Do to Shakespeare? by Richard Burt, Julian Yates (review)
  2. Sharon O’Dair
  3. pp. 333-335
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  1. Shakespeare Up Close: Reading Early Modern Texts ed. by Russ McDonald, Nicholas D. Nace, Travis D. Williams (review)
  2. Jessica Slights
  3. pp. 335-337
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  1. Shakespeare, Rhetoric and Cognition by Raphael Lyne (review)
  2. F. Elizabeth Hart
  3. pp. 338-340
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  1. Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion by Lynn Enterline (review)
  2. Wayne A. Rebhorn
  3. pp. 341-343
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  1. Shakespeare’s Boys: A Cultural History by Katie Knowles (review)
  2. Mario DiGangi
  3. pp. 343-346
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  1. Shakespeare and the Truth of Love: The Mystery of “The Phoenix and Turtle.” by James P. Bednarz (review)
  2. Edward Wilson-Lee
  3. pp. 346-347
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  1. The Ovidian Vogue: Literary Fashion and Imitative Practice in Late Elizabethan England by Daniel D. Moss (review)
  2. Coppélia Kahn
  3. pp. 347-350
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  1. Drama and the Transfer of Power in Renaissance England by Martin Wiggins (review)
  2. R. Malcolm Smuts
  3. pp. 350-352
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  1. The Myth of Rome in Shakespeare and His Contemporaries by Warren Chernaik (review)
  2. Naomi Conn Liebler
  3. pp. 353-355
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  1. Celtic Shakespeare: The Bard and the Borderers ed. by Willy Maley, Rory Loughnane (review)
  2. Ronald J. Boling
  3. pp. 355-358
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  1. French Reflections in the Shakespearean Tragic: Three Case Studies by Richard Hillman (review)
  2. Deanne Williams
  3. pp. 358-359
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  1. Shakespeare in America by Alden T. Vaughan, Virginia Mason Vaughan (review)
  2. Rosemary Kegl
  3. pp. 359-362
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  1. Performing Economic Thought: English Drama and Mercantile Writing, 1600–1642 by Bradley D. Ryner (review)
  2. Amanda Bailey
  3. pp. 362-364
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  1. Sleep, Romance and Human Embodiment: Vitality from Spenser to Milton by Garrett A. Sullivan Jr (review)
  2. Jay Zysk
  3. pp. 364-367
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  1. Shakespeare and World Cinema by Mark Thornton Burnett (review)
  2. Laurie E. Osborne
  3. pp. 379-380
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  1. Contributors
  2. pp. 384-388
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