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  Volume 24, Number 3, Summer 2001

Table of Contents

From: Callaloo

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A Bold Gesture: Notes from the Editor

pp. vi-viii | DOI: 10.1353/cal.2001.0206

Poetry

Blue Suede Shoes: A Fiction

pp. 683-687 | DOI: 10.1353/cal.2001.0112
Ai

The Venus Hottentot (1825)

pp. 688-691 | DOI: 10.1353/cal.2001.0113

All My Live Ones

pp. 692-693 | DOI: 10.1353/cal.2001.0114

An Audience of One

pp. 694-695 | DOI: 10.1353/cal.2001.0115

Dissidence, I

pp. 696-698 | DOI: 10.1353/cal.2001.0116

From Clips

pp. 699-706 | DOI: 10.1353/cal.2001.0117

Sally Hemings to Thomas Jefferson

pp. 707-710 | DOI: 10.1353/cal.2001.0118

The Automatic Crystal

p. 711 | DOI: 10.1353/cal.2001.0119

Wifredo Lam . . .

p. 712 | DOI: 10.1353/cal.2001.0120

Your Portrait

p. 713 | DOI: 10.1353/cal.2001.0121

Lazarus

pp. 714-715 | DOI: 10.1353/cal.2001.0122

Holy Cross Hospital

pp. 716-718 | DOI: 10.1353/cal.2001.0124

The Promise

pp. 719-720 | DOI: 10.1353/cal.2001.0125

Climbing Montmartre

p. 721 | DOI: 10.1353/cal.2001.0126

Heartbeats

pp. 722-723 | DOI: 10.1353/cal.2001.0127

Headdress

p. 724 | DOI: 10.1353/cal.2001.0128

Heroes

pp. 725-726 | DOI: 10.1353/cal.2001.0129

Motherhood

p. 727 | DOI: 10.1353/cal.2001.0130

Roast Possum

pp. 728-729 | DOI: 10.1353/cal.2001.0131

Straw Hat

p. 730 | DOI: 10.1353/cal.2001.0132

Middle Ear Recitation (a transcription of Cecil Taylor's "Erzulie Maketh Scent")

pp. 731-734 | DOI: 10.1353/cal.2001.0133

Fatal April

p. 735 | DOI: 10.1353/cal.2001.0134

A Kiss in the Dark

p. 736 | DOI: 10.1353/cal.2001.0135

A Ride to the Wedding

p. 737 | DOI: 10.1353/cal.2001.0136

Shoes

p. 738 | DOI: 10.1353/cal.2001.0137

Isis Prepares for Resurrection

p. 739 | DOI: 10.1353/cal.2001.0138

The Turn

pp. 740-742 | DOI: 10.1353/cal.2001.0139

The Northernmost Road

pp. 743-745 | DOI: 10.1353/cal.2001.0141

El Beso

pp. 746-747 | DOI: 10.1353/cal.2001.0140

Annual Visit of the Quiet, Unmarried Son

p. 748 | DOI: 10.1353/cal.2001.0142

Goldsboro Narratives

pp. 749-751 | DOI: 10.1353/cal.2001.0143

In the Middle

p. 752 | DOI: 10.1353/cal.2001.0144

The Great Depression

pp. 753-754 | DOI: 10.1353/cal.2001.0145

Granada Notebook #5

p. 755 | DOI: 10.1353/cal.2001.0146

Resolution

p. 756 | DOI: 10.1353/cal.2001.0147

Modulations on a Theme: For Josephus Long

pp. 757-761 | DOI: 10.1353/cal.2001.0148

My Father at 75

pp. 762-763 | DOI: 10.1353/cal.2001.0149

Framed

p. 764 | DOI: 10.1353/cal.2001.0150

Mysteries

pp. 765-766 | DOI: 10.1353/cal.2001.0151

Touch

pp. 767-768 | DOI: 10.1353/cal.2001.0152

The Love of Travellers: (Doris, Sandra and Sheryl)

p. 769 | DOI: 10.1353/cal.2001.0153

Don Pullen at the Zanzibar Blue Jazz Café, 1994

pp. 770-771 | DOI: 10.1353/cal.2001.0154

Some Kind of Crazy

pp. 772-773 | DOI: 10.1353/cal.2001.0155

Frank

pp. 774-775 | DOI: 10.1353/cal.2001.0156

Composition with Guitar and Apples

pp. 776-779 | DOI: 10.1353/cal.2001.0157

Waiting for the Miracle

pp. 780-785 | DOI: 10.1353/cal.2001.0158

"Shack with Vines"

pp. 786-787 | DOI: 10.1353/cal.2001.0159

Wearing My Red Silk Chinese Jacket

pp. 788-791 | DOI: 10.1353/cal.2001.0160

On Sidewalks, On Streetcorners, As Girls

pp. 792-793 | DOI: 10.1353/cal.2001.0161

Summers on Screvin

pp. 794-796 | DOI: 10.1353/cal.2001.0162

Belly Song: (For the Daytop Family)

pp. 797-800 | DOI: 10.1353/cal.2001.0163

A Conversation with Myself

pp. 801-802 | DOI: 10.1353/cal.2001.0164

Birds on a Powerline

p. 803 | DOI: 10.1353/cal.2001.0165

Red Pagoda

pp. 804-805 | DOI: 10.1353/cal.2001.0166

Two Cranial Murals

p. 806 | DOI: 10.1353/cal.2001.0167

Venus's-Flytraps

pp. 807-808 | DOI: 10.1353/cal.2001.0168

Fishing the White Water

pp. 809-810 | DOI: 10.1353/cal.2001.0169

Jessehelms

pp. 811-812 | DOI: 10.1353/cal.2001.0170

To the Poet Who Happens to be Black and the Black Poet Who Happens to be a Woman

pp. 813-814 | DOI: 10.1353/cal.2001.0171

Women on Trains

pp. 815-816 | DOI: 10.1353/cal.2001.0172

Song of the Andoumboulou: 40

pp. 817-820 | DOI: 10.1353/cal.2001.0173

Difficulty with Perspective

pp. 821-823 | DOI: 10.1353/cal.2001.0174

The Great Horned Owl

pp. 824-825 | DOI: 10.1353/cal.2001.0175

Unwanted Memory

p. 826 | DOI: 10.1353/cal.2001.0176

Bearers of Arms 1775-1783

pp. 827-828 | DOI: 10.1353/cal.2001.0177

Violent Rooms

p. 829 | DOI: 10.1353/cal.2001.0178

What the Memory Predicts: For Alexis

pp. 830-831 | DOI: 10.1353/cal.2001.0179

With Bill Pickett at the 101 Ranch

p. 832 | DOI: 10.1353/cal.2001.0180

Afrocuba

pp. 833-834 | DOI: 10.1353/cal.2001.0181

Avant Garde

p. 835 | DOI: 10.1353/cal.2001.0182

Because Death is This Feeling

p. 836 | DOI: 10.1353/cal.2001.0183

Country After Country

pp. 837-838 | DOI: 10.1353/cal.2001.0184

Forgiveness

pp. 839-840 | DOI: 10.1353/cal.2001.0185

Honeysuckles

pp. 841-842 | DOI: 10.1353/cal.2001.0186

Music

p. 843 | DOI: 10.1353/cal.2001.0187

Alluvion

p. 844 | DOI: 10.1353/cal.2001.0188

Ferocious Cage

p. 845 | DOI: 10.1353/cal.2001.0189

Richard Brought His Flute

pp. 846-851 | DOI: 10.1353/cal.2001.0190

Holding

pp. 852-853 | DOI: 10.1353/cal.2001.0191

One for All Newborns

p. 854 | DOI: 10.1353/cal.2001.0192

Remembering Kitchens

pp. 855-856 | DOI: 10.1353/cal.2001.0193

Fable

pp. 857-858 | DOI: 10.1353/cal.2001.0194

Unspoken

pp. 859-860 | DOI: 10.1353/cal.2001.0195

Setting Loose the Icons

pp. 861-864 | DOI: 10.1353/cal.2001.0196

Calunga Lungara

p. 865 | DOI: 10.1353/cal.2001.0197
pp. 866-867 | DOI: 10.1353/cal.2001.0198

Blue

p. 868 | DOI: 10.1353/cal.2001.0199

The Clearing

pp. 869-870 | DOI: 10.1353/cal.2001.0200

Moving Target

p. 871 | DOI: 10.1353/cal.2001.0201

Quarter-View, from Nauset

pp. 872-873 | DOI: 10.1353/cal.2001.0202

Elegy for a White Cock (after Mei Yao-ch'en, ca. 1002-1060)

pp. 874-877 | DOI: 10.1353/cal.2001.0203

From Lucid Interval as Integral Music

pp. 878-879 | DOI: 10.1353/cal.2001.0204

Hotei: The Fullness

p. 880 | DOI: 10.1353/cal.2001.0205

Book Review

pp. 881-884 | DOI: 10.1353/cal.2001.0207

Reeling Memories for My Father

pp. 885-886 | DOI: 10.1353/cal.2001.0208

A Poem for My Father

p. 887 | DOI: 10.1353/cal.2001.0209

Sequences

pp. 888-889 | DOI: 10.1353/cal.2001.0210

Elegy of Midnight

pp. 890-891 | DOI: 10.1353/cal.2001.0211

To the Black American Troops

pp. 892-893 | DOI: 10.1353/cal.2001.0212

Ellingtonia

pp. 894-895 | DOI: 10.1353/cal.2001.0213

Childhood

p. 896 | DOI: 10.1353/cal.2001.0214

Last Supper

pp. 897-898 | DOI: 10.1353/cal.2001.0215

Offering

p. 899 | DOI: 10.1353/cal.2001.0216

Remedy

pp. 900-901 | DOI: 10.1353/cal.2001.0217

Letter Home —New Orleans, November 1910

pp. 902-903 | DOI: 10.1353/cal.2001.0218

Vignette —from a photograph by E.J. Bellocq, circa 1912

p. 904 | DOI: 10.1353/cal.2001.0219

A Moon Accountability

pp. 905-906 | DOI: 10.1353/cal.2001.0220

Yellow Wolf Spirit

pp. 907-908 | DOI: 10.1353/cal.2001.0221

MFA Meeting, RE: Poet-Hire

pp. 909-911 | DOI: 10.1353/cal.2001.0222

Letters from a New England Negro

pp. 912-922 | DOI: 10.1353/cal.2001.0223

Benjamin Banneker Helps to Build a City

pp. 923-927 | DOI: 10.1353/cal.2001.0224

Leaving the Buenos Aires Cemetery

p. 928 | DOI: 10.1353/cal.2001.0225

Popper's Dilemma

pp. 929-930 | DOI: 10.1353/cal.2001.0226

Invitation

pp. 931-932 | DOI: 10.1353/cal.2001.0227

Cassius Clay By Basquiat 1982, acrylic & oil paintstick on canvas

pp. 933-935 | DOI: 10.1353/cal.2001.0228

Hollywood Africans 1983

pp. 936-937 | DOI: 10.1353/cal.2001.0229

How to Make Rain

p. 938 | DOI: 10.1353/cal.2001.0230

Letters from the North Star

p. 939 | DOI: 10.1353/cal.2001.0231

Contributors

pp. 940-946 | DOI: 10.1353/cal.2001.0123