1. The Politics of Sound Art
  2. Nicolas Collins
  3. pp. 1-2
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  1. A Pentalustral Interlude
  2. Larry Polansky
  3. pp. 3-4
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  1. Noise Pollution and the Eco-politics of Sound: Toxicity, Nature and Culture in the Contemporary Soundscape
  2. Tom Kohut
  3. pp. 5-8
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  1. The Tragic Art of Eco-Sound
  2. Alison Pezanoski-Browne
  3. pp. 9-13
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  1. The Sonic Witness: On the Political Potential of Field Recordings in Acoustic Art
  2. Gerald Fiebig
  3. pp. 14-16
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  1. Power Struggles: The Politics of Composing with Sounds of Protest
  2. Tullis Rennie
  3. pp. 17-20
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  1. Dementia, Music and Biometric Gaming: Rising to the Dementia Challenge
  2. Helen R. Mitchell
  3. pp. 21-24
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  1. The Meanings in Making: Openness, Technology and Inclusive Music Practices for People with Disabilities
  2. Koichi Samuels
  3. pp. 25-29
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  1. Experimental Music with Young Novices: Politics and Pedagogy
  2. Adam Tinkle
  3. pp. 30-33
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  1. Sound Exchange: Reframing Music Composition Educational Practice
  2. Daniel Walzer
  3. pp. 34-36
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  1. Glitch/Failure: Constructing a Queer Politics of Listening
  2. Andrew Brooks
  3. pp. 37-40
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  1. DIY Electronics: Revealing the Material Systems of Computation
  2. Ryan Jordan
  3. pp. 41-46
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  1. Changing Music’s Constitution: Network Music and Radical Democratization
  2. Shelly Knotts
  3. pp. 47-52
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  1. Sonic Proxemics and the Art of Persuasion: An Analytical Framework
  2. Karen Collins, Ruth Dockwray
  3. pp. 53-56
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  1. Sounds, Images, Politics and Place
  2. Richard Lerman
  3. pp. 57-62
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  1. Physical Glitch Music: A Brutalist Noise Ensemble
  2. Mo H. Zareei, Dale A. Carnegie, Ajay Kapur
  3. pp. 63-67
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  1. Baghdad Music Journal: A Soldier’s Move toward Technology in Music
  2. William A. Thompson IV, Jeffrey Albert
  3. pp. 68-72
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  1. Considering the Politics of Sound Art in China in the 21st Century
  2. Jing Wang
  3. pp. 73-78
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  1. Cultivating Activist Lives in Sound
  2. Tara Rodgers
  3. pp. 79-83
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  1. The Instrumentality of Sense in Bruce Nauman’s Audio Video Piece for London, Ontario (1969–1970)
  2. Adi Louria-Hayon
  3. pp. 84-88
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  1. Schwitters’s Ursonate and the Merz Barn Wall
  2. Martyn Hudson
  3. pp. 89-92
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  1. Making Activist Sound
  2. Christopher DeLaurenti
  3. pp. 93-94
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  1. The Lines Beneath Your Feet: Representing Urban Protest through Sound
  2. Christopher Wood
  3. pp. 94-95
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  1. True Bread: The Sounds of Change in Cuba
  2. Neil Leonard
  3. pp. 95-96
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  1. Black Field Plates: Emergent Ecologies in Sonic Art
  2. Nathan Thompson
  3. pp. 96-98
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  1. Soundscapes of the Post-Soviet World Today: Resounding Lithuania
  2. Sandra Kazlauskaitė
  3. pp. 98-99
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  1. Return to SOURCE: Contemporary Composers Discuss the Sociopolitical Implications of Their Work
  2. Alyce Santoro
  3. pp. 100-101
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  1. Cantos Cautivos: Online Archive of Songs of Political Captivity in Pinochet’s Chile
  2. Katia Chornik
  3. pp. 102-104
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  1. Sonic Commentary: Meaning through Hearing
  2. Curated by Lukas Ligeti
  3. p. 105
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  1. Sonic Commentary: Meaning through Hearing
  2. Lukas Ligeti
  3. p. 106
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  1. Sonic Commentary: Meaning through Hearing
  2. Curated by Lukas Ligeti
  3. pp. 107-111
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  1. Art, Science and Politics in Leonardo and LMJ, 1968–2015: A Reading List
  2. pp. 112-113
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  1. Leonardo Volume 48 and Leonardo Music Journal Volume 25
  2. pp. 114-119
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  1. Leonardo Network News
  2. p. 120
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