+ MUSE Alert

In this Issue

Table of Contents

  1. Film Propaganda and Kultur: The German Dilemma, 1914-1917
  2. Chad R. Fulwider
  3. pp. 4-12
  4. DOI: https://doi.org/10.1353/flm.2015.a604514
  5. restricted access
  1. Royal Renunciation: Edward VIII and the Problems of Representation
  2. Renée Pigeon
  3. pp. 13-23
  4. DOI: https://doi.org/10.1353/flm.2015.a604515
  5. restricted access
  1. Cartoon Jazz: Soviet Animations and the Khrushchev “Thaw”
  2. Ian MacMillen, Masha Kowell
  3. pp. 24-38
  4. DOI: https://doi.org/10.1353/flm.2015.a604516
  5. restricted access
  1. The World History of Animation by Stephen Cavalier (review)
  2. Naomi Chiba
  3. pp. 39-40
  4. restricted access
  1. 1939: The Making of the Six Greatest Films from Hollywood’s Greatest Year by Charles F. Adams (review)
  2. Jordan Baker
  3. pp. 40-41
  4. restricted access
  1. Sensing the Past: Hollywood Stars and Historical Visions by Jim Cullen (review)
  2. Deborah L. Kitchen-Døderlein
  3. pp. 41-43
  4. restricted access
  1. Counter-Archive: Film, the Everyday, and Albert Kahn’s Archives de la Planète by Paula Amad (review)
  2. Russel Sheaffer
  3. pp. 43-44
  4. restricted access
  1. Screening Nature: Cinema Beyond the Human ed. by Anat Pick & Guinevere Narraway (review)
  2. Stephen Rust
  3. pp. 44-45
  4. restricted access
  1. Cinema and Evil: Moral Complexities and the “Dangerous” Film by Dara Waldron (review)
  2. Zachary Ingle
  3. pp. 45-46
  4. restricted access
  1. Documenting the Documentary: Close Readings of Documentary Film and Video ed. by Barry Keith Grant and Jeannette Sloniowski (review)
  2. Doug MacLeod
  3. pp. 46-47
  4. restricted access
  1. Fatalism in American Film Noir: Some Cinematic Philosophy by Robert B. Pippin (review)
  2. Aeon J. Skoble
  3. pp. 47-48
  4. restricted access
  1. Post-Westerns: Cinema, Region, West by Neil Campbell (review)
  2. Monica Montelongo Flores
  3. pp. 48-50
  4. restricted access
  1. Berlin Coquette. Prostitution and the New German Woman, 1890-1933 by Jill Suzanne Smith (review)
  2. Todd Heidt
  3. pp. 50-52
  4. restricted access
  1. Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking by Hunter Vaughan (review)
  2. Shara D. Knight
  3. pp. 52-53
  4. restricted access
  1. Hollywood 1938: Motion Pictures’ Greatest Year by Catherine Jurca (review)
  2. Hannah Graves
  3. pp. 54-55
  4. restricted access
  1. Consuming Visions: Cinema, Writing And Modernity In Rio De Janeiro by Maite Conde (review)
  2. Joshua J. Cowan
  3. pp. 55-57
  4. restricted access
  1. Hollywood Left and Right: How Movie Stars Shaped American Politics by Steven J. Ross (review)
  2. Ron Briley
  3. pp. 57-59
  4. restricted access
  1. Hollywood Exiles in Europe: The Blacklist and Cold War Film Culture by Rebecca Prime (review)
  2. Ron Briley
  3. pp. 59-60
  4. restricted access
  1. Directory of World Cinema: Turkey by Eylem Atakav (review)
  2. María Gil Poisa
  3. p. 61
  4. restricted access
  1. Split Screen Korea: Shin Sang-ok and Postwar Cinema by Steven Chung (review)
  2. Joseph Pomp
  3. pp. 61-63
  4. restricted access
  1. Television Aesthetics and Style ed. by Jason Jacobs and Steven Peacock (review)
  2. Brian Faucette
  3. pp. 63-65
  4. restricted access
  1. The American Jewish Story through Cinema by Eric A. Goldman (review)
  2. Oscar Winberg
  3. pp. 65-66
  4. restricted access
  1. Almost Hollywood: The Forgotten Story of Jacksonville, Florida by Blair Miller (review)
  2. Richard John Ascárate
  3. pp. 68-69
  4. restricted access
  1. This Ain’t California dir. by Marten Persiel (review)
  2. Laurence Raw
  3. pp. 70-71
  4. restricted access
  1. Jerichow written and dir. by Christian Petzold (review)
  2. Ulrich Bach
  3. pp. 71-73
  4. restricted access
  1. The Outrageous Sophie Tucker dir. by William Gazecki (review)
  2. Tom Shaker
  3. pp. 73-75
  4. restricted access
  1. Leon Blum For All Mankind dir. by Jean Bodon (review)
  2. Andrew M. Mayer
  3. pp. 75-77
  4. restricted access
  1. Toxic Tears: The Darker Side of the Green Revolution dir. by Tom Deiters and Hibert Kamphuisen (review)
  2. Lawrence Mastroni
  3. pp. 77-78
  4. restricted access
  1. The Wrecking Crew dir. by Danny Tedesco (review)
  2. Michael Ray FitzGerald
  3. pp. 78-79
  4. restricted access
  1. Unmade in China dir. and written by Tanner King Barklow and Gil Kofman (review)
  2. Xiangyang Chen
  3. pp. 80-81
  4. restricted access
  1. Battalion [Batal’on] dir. by Dmitrii Meskhiev (review)
  2. Mariëlle Wijermars
  3. pp. 81-82
  4. restricted access
  1. Exodus: Gods and Kings dir. by Ridley Scott (review)
  2. Rodney Wallis
  3. pp. 82-83
  4. restricted access
  1. Together Brothers dir. by William A. Graham (review)
  2. Wes Lawson
  3. pp. 84-85
  4. restricted access