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Table of Contents

  1. “Deadly Snares”: Female Rivalry, Gender Ideology, and Eighteenth-Century Women Writers
  2. Elizabeth Johnston
  3. pp. 1-21
  4. DOI: https://doi.org/10.1353/sli.2014.0010
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  1. Violence, Female Friendship, and the Education of the Heroine in Mary Davys’s The Reform’d Coquet
  2. Jan M. Stahl
  3. pp. 23-38
  4. DOI: https://doi.org/10.1353/sli.2014.0013
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  1. The Sign of a Woman: Femininity as Fiction in The History of Miss Betsy Thoughtless
  2. Kristine Jennings
  3. pp. 39-58
  4. DOI: https://doi.org/10.1353/sli.2014.0016
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  1. The Problem with Binaries: Balancing Reason, Emotion, Body, and Mind in A Simple Story
  2. Sharon L. Decker
  3. pp. 59-82
  4. DOI: https://doi.org/10.1353/sli.2014.0019
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  1. “Her mind had that happy art”: Acting sensibility in Ann Radcliffe’s Romance of the Forest
  2. Katherine Richards
  3. pp. 83-98
  4. DOI: https://doi.org/10.1353/sli.2014.0002
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  1. “Nothing but human”: Righting the Rightless in Mary Wollstonecraft’s Maria
  2. Devon Sherman
  3. pp. 99-115
  4. DOI: https://doi.org/10.1353/sli.2014.0005
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  1. The White Female as Effigy and the Black Female as Surrogate in Janet Schaw ’s Journal of a Lady of Quality and Jane Austen’S Mansfield Park
  2. David Shane Wallance
  3. pp. 117-130
  4. DOI: https://doi.org/10.1353/sli.2014.0009
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  1. Comparative Gender in Maria Edgeworth’s Belinda
  2. Dannie Leigh Chalk
  3. pp. 131-152
  4. DOI: https://doi.org/10.1353/sli.2014.0012
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  1. Introduction
  2. Kristine Jennings
  3. pp. v-xviii
  4. DOI: https://doi.org/10.1353/sli.2014.0007
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  1. Contributors
  3. pp. 153-154
  4. DOI: https://doi.org/10.1353/sli.2014.0015
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