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In this Issue

Table of Contents

  1. Acorn Soup Is Good Food: L. Frank, News from Native California, and the Intersections of Literary and Visual Arts
  2. Susan Bernardin
  3. pp. 1-33
  4. DOI: https://doi.org/10.5250/studamerindilite.27.3.0001
  5. restricted access
  1. Slippery When Wet: Music, Footnotes, and Film in Stephen Graham Jones’s Demon Theory
  2. Chris Lalonde
  3. pp. 34-51
  4. DOI: https://doi.org/10.5250/studamerindilite.27.3.0034
  5. restricted access
  1. “A World Where Butchers Sing Like Angels”: German Poetry, Music, and (Counter)History in Louise Erdrich’s The Master Butchers Singing Club
  2. Natalie Eppelsheimer
  3. pp. 52-81
  4. DOI: https://doi.org/10.5250/studamerindilite.27.3.0052
  5. restricted access
  1. Finding Dawn and Missing Women in Canada: Story-Based Methods in Antiviolence Research and Remembrance
  2. Allison Hargreaves
  3. pp. 82-111
  4. DOI: https://doi.org/10.5250/studamerindilite.27.3.0082
  5. restricted access
  1. Blue Ravens: Historical Novel by Gerald Vizenor (review)
  2. Billy J. Stratton
  3. pp. 112-114
  4. restricted access
  1. Gaawiin Mawisiiwag Anishinaabeg: Indians Don’t Cry by George Kenny, and: Bi-Gishkoziitwin Biidaanzhed Biidaabang by David Groulx, and: Rising with a Distant Dawn by David Groulx (review)
  2. Margaret Noodin
  3. pp. 115-120
  4. restricted access
  1. Anishinaabe Ways of Knowing and Being by Lawrence W. Gross (review)
  2. Mark Freeland
  3. pp. 120-124
  4. restricted access
  1. The Queerness of Native American Literature by Lisa Tatonetti (review)
  2. June Scudeler
  3. pp. 124-126
  4. restricted access
  1. The Road Back to Sweetgrass by Linda LeGarde Grover (review)
  2. Bryce Stevenson
  3. pp. 126-129
  4. restricted access
  1. Contributor Biographies
  3. pp. 130-132
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  1. From the Editor: Crossing Genre, Media, Form
  2. Chadwick Allen
  3. pp. vii-viii
  4. DOI: https://doi.org/10.5250/studamerindilite.27.3.0vii
  5. restricted access