1. My Singular Irene
  2. José Alcántara Almánzar, Joe F. Scott
  3. pp. 384-388
  4. DOI: 10.1353/cal.2001.0078
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  1. Miss Askew on Ice
  2. Hal Bennett
  3. pp. 389-400
  4. DOI: 10.1353/cal.2001.0080
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  1. The Evening and the Morning and the Night
  2. Octavia E. Butler
  3. pp. 401-418
  4. DOI: 10.1353/cal.2001.0082
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  1. The Breadnut and the Breadfruit
  2. Maryse Condé, Richard Philco
  3. pp. 419-426
  4. DOI: 10.1353/cal.2001.0083
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  1. From The Journals of Water Days 1986
  2. Edwidge Danticat
  3. pp. 427-431
  4. DOI: 10.1353/cal.2001.0085
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  1. From Shoat Rumblin: His Sensations and Ideas
  2. Samuel R. Delany
  3. pp. 432-441
  4. DOI: 10.1353/cal.2001.0086
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  1. Cadillac Flambé
  2. Ralph Ellison
  3. pp. 442-453
  4. DOI: 10.1353/cal.2001.0088
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  1. Meiosis
  2. Percival Everett
  3. pp. 454-467
  4. DOI: 10.1353/cal.2001.0089
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  1. Sugar Groove
  2. Leon Forrest
  3. pp. 468-477
  4. DOI: 10.1353/cal.2001.0090
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  1. Whose Song?
  2. Thomas Glave
  3. pp. 478-486
  4. DOI: 10.1353/cal.2001.0092
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  1. From Jonestown (Imagination Dead Imagine)
  2. Wilson Harris
  3. pp. 487-494
  4. DOI: 10.1353/cal.2001.0093
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  1. The Sorcerer's Apprentice
  2. Charles Johnson
  3. pp. 495-503
  4. DOI: 10.1353/cal.2001.0094
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  1. From The Machete Woman, A Novel
  2. Gayl Jones
  3. pp. 504-509
  4. DOI: 10.1353/cal.2001.0095
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  1. Now Why Come That Is?
  2. Randall Kenan
  3. pp. 510-523
  4. DOI: 10.1353/cal.2001.0096
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  1. Silences
  2. Helen Elaine Lee
  3. pp. 524-530
  4. DOI: 10.1353/cal.2001.0098
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  1. From Atet A.D. "Astnote": An Excerpt
  2. Nathaniel Mackey
  3. pp. 531-543
  4. DOI: 10.1353/cal.2001.0099
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  1. From The River People
  2. John McCluskey
  3. pp. 544-550
  4. DOI: 10.1353/cal.2001.0101
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  1. Palm Wine
  2. Reginald McKnight
  3. pp. 551-561
  4. DOI: 10.1353/cal.2001.0102
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  1. Ma'Dear (for Estelle Ragsdale)
  2. Terry McMillan
  3. pp. 562-568
  4. DOI: 10.1353/cal.2001.0103
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  1. from Geographies of Home
  2. Loida Maritza Perez
  3. pp. 569-576
  4. DOI: 10.1353/cal.2001.0104
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  1. From Cambridge
  2. Caryl Phillips
  3. pp. 577-581
  4. DOI: 10.1353/cal.2001.0105
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  1. Liliane's Sunday
  2. Ana Lydia Vega, Lizabeth Paravisini-Gebert
  3. pp. 582-588
  4. DOI: 10.1353/cal.2001.0108
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  1. Ascent by Balloon from the Yard of Walnut Street Jail
  2. John Edgar Wideman
  3. pp. 589-593
  4. DOI: 10.1353/cal.2001.0110
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  1. Dona Aida, With Your Permission
  2. Julia Alvarez
  3. pp. 596-598
  4. DOI: 10.1353/cal.2001.0079
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  1. From Abecedarium
  2. Brent Hayes Edwards
  3. pp. 599-607
  4. DOI: 10.1353/cal.2001.0087
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  1. Miss Jane and I
  2. Ernest J. Gaines
  3. pp. 608-619
  4. DOI: 10.1353/cal.2001.0091
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  1. In History
  2. Jamaica Kincaid
  3. pp. 620-626
  4. DOI: 10.1353/cal.2001.0097
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  1. From the Poets in the Kitchen
  2. Paule Marshall
  3. pp. 627-633
  4. DOI: 10.1353/cal.2001.0100
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  1. Black Piano: Miles in the Mix of Mourning
  2. Robert Stepto
  3. pp. 634-640
  4. DOI: 10.1353/cal.2001.0107
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  1. In Praise of Silence
  2. John Edgar Wideman
  3. pp. 641-643
  4. DOI: 10.1353/cal.2001.0109
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  1. Meditations on Masculinity
  2. Patricia J. Williams
  3. pp. 644-653
  4. DOI: 10.1353/cal.2001.0111
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  1. To Hear Another Language
  2. Alvin Ailey, James Baldwin, Romare Bearden, Albert Murray
  3. pp. 656-677
  4. DOI: 10.1353/cal.2001.0081
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  1. Editor's Note
  2. Charles Henry Rowell
  3. pp. iv-vi
  4. DOI: 10.1353/cal.2001.0106
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  1. Contributors
  2. pp. 678-681
  3. DOI: 10.1353/cal.2001.0084
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