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  1. Western Standards
  2. Alan Ruiz
  3. pp. 2-3
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  1. New Materialisms and Performance Studies
  2. Rebecca Schneider
  3. pp. 7-17
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  1. Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency
  2. Amelia Jones
  3. pp. 18-35
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  1. History in the Present Progressive: Sonic Imposture at The Pedicord Apts.
  2. Jane Blocker
  3. pp. 36-50
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  1. The Mute Stones Sing: Rigoletto Live from Mantua
  2. Christopher Morris
  3. pp. 51-66
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  1. Practices of Enchantment: The Theatre of Zora Neale Hurston
  2. Katherine Biers
  3. pp. 67-82
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  1. Williams, Walker, and Shine: Blackbody Blackface, or the Importance of Being Surface
  2. Tina Post
  3. pp. 83-100
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  1. Public Pubic: Narcissister’s Performance of Race, Disavowal, and Aspiration
  2. Ariel Osterweis
  3. pp. 101-116
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  1. Workshop of Filthy Creation: The Theatre Assembled
  2. Paul Rae
  3. pp. 117-132
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  1. Talk about A Piece of Work: A Group Self-Interview
  2. Annie Dorsen
  3. pp. 133-148
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  1. sys.begin to sys.exit: Software Performs A Piece of Work
  2. Ioana B. Jucan
  3. pp. 149-168
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  1. Room for Care: Simone Leigh’s Free People’s Medical Clinic
  2. Samara Davis
  3. pp. 169-176
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  1. Open Carry: Radical Stillness
  2. Chloe Johnston
  3. pp. 176-183
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  1. Staging the Blues: From Tent Shows to Tourism by Paige A. McGinley (review)
  2. Joseph Roach
  3. pp. 184-185
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  1. Dark Matter: Invisibility in Drama, Theater, and Performance by Andrew Sofer (review)
  2. Lawrence Manley
  3. pp. 186-187
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  1. Performativity and Event in 1960s Japan: City, Body, Memory by Peter Eckersall (review)
  2. Stephen Barber
  3. pp. 188-189
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  1. Acts: Theater, Philosophy, and the Performing Self by Tzachi Zamir (review)
  2. Will Daddario
  3. pp. 189-192
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  1. DMZ Crossing: Performing Emotional Citizenship Along the Korean Border by Suk-Young Kim (review)
  2. Esther Kim Lee
  3. pp. 192-193
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  1. More Books
  2. Patrick McKelvey
  3. pp. 197-198
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