restricted access   Volume 59, Number 4, Winter 2015 (T228)

Table of Contents


p. 1


Western Standards

pp. 2-3


New Materialisms and Performance Studies

pp. 7-17

Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency

pp. 18-35

History in the Present Progressive: Sonic Imposture at The Pedicord Apts.

pp. 36-50

The Mute Stones Sing: Rigoletto Live from Mantua

pp. 51-66

Practices of Enchantment: The Theatre of Zora Neale Hurston

pp. 67-82

Williams, Walker, and Shine: Blackbody Blackface, or the Importance of Being Surface

pp. 83-100

Public Pubic: Narcissister’s Performance of Race, Disavowal, and Aspiration

pp. 101-116

Workshop of Filthy Creation: The Theatre Assembled

pp. 117-132

Talk about A Piece of Work: A Group Self-Interview

pp. 133-148

sys.begin to sys.exit: Software Performs A Piece of Work

pp. 149-168

Critical Acts

Room for Care: Simone Leigh’s Free People’s Medical Clinic

pp. 169-176

Open Carry: Radical Stillness

pp. 176-183


Staging the Blues: From Tent Shows to Tourism by Paige A. McGinley (review)

pp. 184-185

Dark Matter: Invisibility in Drama, Theater, and Performance by Andrew Sofer (review)

pp. 186-187

Performativity and Event in 1960s Japan: City, Body, Memory by Peter Eckersall (review)

pp. 188-189

Acts: Theater, Philosophy, and the Performing Self by Tzachi Zamir (review)

pp. 189-192

DMZ Crossing: Performing Emotional Citizenship Along the Korean Border by Suk-Young Kim (review)

pp. 192-193

Preaching to Convert: Evangelical Outreach and Performance Activism in a Secular Age by John Fletcher, and: Sensational Devotion: Evangelical Performance in Twenty-First Century America by Jill Stevenson (review)

pp. 194-197

More Books

pp. 197-198